Showing results by publisher "W. F. Howes Ltd" in Art & Literature

From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, Hilary Mantel had a celebrated career as a novelist. Alongside this, she long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of Hilary's writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades.

In 1982 Murakami began running to keep fit. Here he reflects on his running experiences. Equal parts travelogue, training log, and reminiscence, this revealing memoir covers his preparation for the 2005 New York City Marathon. By turns funny and sobering, playful and philosophical, this is a must-listen for fans of this masterful author and for the increasing number of people who find a similar satisfaction in running.

Roger Deakin, author of the immortal Waterlog and Wildwood, was a man of unusually many parts. A born writer who nonetheless took decades to write his first book, Roger was also variously—and sometimes simultaneously—maverick ad-man, seller of stripped pine furniture on the Portobello Road, cider-maker, teacher, environmentalist, music promoter, and filmmaker. But above all he was the restorer of ancient Walnut Tree Farm in Suffolk.

Will Self is the author of many novels and books of non-fiction, including Great Apes, The Book of Dave, How the Dead Live, which was shortlisted for the Whitbread Novel of the Year 2002, The Butt, winner of the Bollinger Everyman Wodehouse Prize for Comic Fiction 2008, Umbrella, which was shortlisted for the Booker Prize 2012, and Shark. His most recent novel, Phone, was shortlisted for the Goldsmiths Prize. He lives in south London.

This is the memoir Christopher Fowler always wanted to write about 'writing'. It's the story of how a young bookworm growing up in a house where there was nothing to read but knitting pamphlets and motorcycle manuals became a writer—a 'word monkey'—and pursued a sort of career in popular fiction. And it's a book full of brilliant insights into the pleasures and pitfalls of his profession, dos and don'ts for would-be writers, and astute observations on favorite (and not-so-favorite) novelists.

Patricia Highsmith - author of Strangers on a Train and The Talented Mr Ripley - had more than her fair share of secrets. During her life, she felt uncomfortable about discussing the source of her fiction and refused to answer questions about her private life. Yet after her death in February 1995, Highsmith left behind a vast archive of personal documents - diaries, notebooks and letters - which detail the links between her life and her work. 

At nine, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion's legendary L.A. party for the publication of Tom Wolfe's The Electric Kool-Aid Acid Test. In his early 20s, he shared an apartment in Manhattan's Hotel Des Artistes with his best friend and soulmate Carrie Fisher, while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn seller at Radio City Music Hall.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius.

In London during the interwar years, five women's lives intertwined around one address. Mecklenburgh Square, on the radical fringes of Bloomsbury, was home to activists, experimenters and revolutionaries; among them were the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf.  

Lee Miller, 1927 - New York: A classically beautiful young woman, she is discovered by Condé Nast. Lee Miller, 1929 - Paris: Protégé and lover of Man Ray, she invents with him the solarization technique of photography, develops into a brilliant Surrealist photographer, and plays the statue in Cocteau's film Blood of a Poet. Lee Miller, 1939-45 - Europe: Living at times with her future husband, the painter Roland Penrose, she becomes a US war correspondent and covers the siege of St Malo and the liberation of Paris. 

When Antonia Fraser met Harold Pinter she was a celebrated biographer and he was Britain's finest playwright. Both were already married - Pinter to the actress Vivien Merchant and Fraser to the politician Hugh Fraser - but their union seemed inevitable from the moment they met: 'I would have found you somehow', Pinter told Fraser. Their relationship flourished until Pinter's death on Christmas Eve 2008 and was a source of delight and inspiration to them both until the very end.

On New Year's Eve 2019, Rafael Behr had what is clinically known as a massive bloody heart attack. In part, it was the result of his compulsive relationship with politics, working as a journalist in Westminster, on the front line of bitter information wars. When he was discharged from hospital, he asked himself how he would ever re-engage with politics—how would he care enough to write about it—without the stress? Something had to change. In 2021, Rafael published an essay about that experience and some of the lessons he had learned.

Sarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a “reciprocal pressure dance”.

After moving to Los Angeles, Susan Orlean became fascinated by a mysterious local crime that has gone unsolved since it was carried out on the morning of 29th April 1986: who set fire to the Los Angeles Public Library, ultimately destroying more than 400,000 books, and perhaps even more perplexing, why? With her characteristic humour, insight and compassion, Orlean uses this terrible event as a lens through which to tell the story of all libraries—their history, their meaning and their uncertain future as they adapt and redefine themselves in a digital world.

Drawing on letters and diaries, some of which have never been published before, this book will reveal Jane Austen's bond with a family servant, the amateur playwright Anne Sharp, how Charlotte Brontë was inspired by the daring feminist Mary Taylor, the transatlantic relationship between George Eliot and the author of Uncle Tom's Cabin, Harriet Beecher Stowe, and the underlying erotic charge that lit the friendship of Virginia Woolf and Katherine Mansfield - a pair too often dismissed as bitter foes.

Antonia Fraser's memoir describes growing up in the 1930s and 1940s but its real concern is with her growing love of history. The fascination began as a child when her evacuation at the beginning of the war to an Elizabethan manor house became an inspiration for historical imaginings - and developed into an enduring passion; as she writes, 'for me, the study of History has always been an essential part of the enjoyment of life'.

This definitive biography of Anna Wintour chronicles the steep climb of an ambitious young woman who would, with singular and legendary focus, become the most powerful woman in media.

Opening with "A Second Home", in which Mantel describes the death of her stepfather, Giving Up the Ghost is a wry, shocking, and beautifully written memoir of childhood, ghosts (real and metaphorical), illness, and family. Finally, at the memoir's conclusion, Mantel explains how a series of medical misunderstandings and neglect left her childless, and how the ghosts of the unborn have come to haunt her life as a writer.

When rare books dealer Rebecca Romney found an emerald clothbound edition of Evelina by Frances Burney, she was happy to discover that she'd stumbled across a novel by one of Jane Austen's favourite authors. Inspired by the connection between the two writers, she returned to Austen's books with a new lens, picking out clues sprinkled throughout her works that pointed to the writers she had admired.

In the summer of 1885, three Frenchmen arrived in London for a few days’ shopping. One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four years earlier had been the subject of one of John Singer Sargent’s greatest portraits. The three men's lives play out against the backdrop of the Belle Epoque in Paris. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, a time of rampant prejudice and blood-and-soil nativism, with more parallels to our own age than we might imagine.