Showing results by publisher "Spoken Realms" in Historical

Zane Grey's first western story, written in 1909, is based on a real character, Buffalo Jones. Grey's descriptive art was just beginning in this story. But he brings color and life to the area between the Grand Canyon and Utah. The story follows Grey, Jones, and a company of colorful characters on a "hunt" bent on capture rather than shooting.

Philadelphia, 1947. When private investigator Cole Harper is summoned to the penthouse of Sam Hensley—a powerful but shadowy industrialist--he knows it's no ordinary case. Luxury goods, military surplus, and counterfeit money are disappearing from Hensley's warehouses, and the clues point to an operation as sophisticated as it is ruthless. But Harper soon discovers this is no simple theft—this is the black market at its most dangerous.

According to legend, in 1910, Marie Belloc Lowndes attended a London dinner party where a guest told her that his mother’s butler and cook claimed they had once rented rooms to Jack the Ripper, the notorious mass murderer. The idea for “The Lodger” was born. Mr. and Mrs. Bunting have sunk their savings into their house with plans to let rooms. But no lodgers have materialized, and they are on the verge of penury when, one foggy night, a knock on the door brings Mr. Sleuth, an unassuming gentleman whose needs are perfectly suited to the suite of rooms the Buntings have to rent.

Letitia Carberry is not your ordinary spinster aunt. Letitia, Tish to her friends, entangles her friends Aggie and Lizzie into all sorts of adventures and scrapes from solving a murder, car races and camping, and horse trekking. Letitia Carberry is a force to be reckoned with.

The 1940s, Washington, DC. Government girl Louise Pearlie has a new job inside the OSS - the Office of Strategic Services: recruiting German prisoners of war for a secret mission inside Nazi Germany. It’s a big chance for her, and Louise hopes she can finally escape her filing and typing duties. With the job comes two new colleagues: Alice Osborne, a propaganda expert, and Merle Ellison, a forger from Texas who just happens to speak fluent German. But when the three arrive at Fort Meade to interview the first German POWs to arrive there, their mission is beset by complications.

It’s 1942 in Washington, DC. Louise Pearlie is now a chief file clerk at the legendary OSS, the precursor to the CIA, and enjoys being an independent working woman despite wartime privations. But a casual friendship struck up with Alessa di Luca, a secretive war refugee, sucks Louise into a dangerous game of mafia bosses, Nazi spies, banished royalty, and Sicilian aristocracy - placing not only her job but her life in jeopardy.

February, 1944. Washington, DC. With the war entering its most dangerous phase, Louise Pearlie is thrilled to be reassigned to the London office of the OSS. But in order to take up her new post, she must make a perilous crossing of the Atlantic Ocean in the SS Amelia Earhart. Accompanying her on the voyage to Liverpool is an eclectic group of passengers, including the aloof Blanche Bryant, whose husband, Eddie, died in mysterious circumstances on the ship’s voyage out to New York, three months before.

The 1940s, Washington, DC. Government girl Louise Pearlie is asked to review the file usage of a missing analyst from the Office of Strategic Services - the United States’ wartime intelligence agency - only to learn he’d drowned in the Tidal Basin days before. The OSS confirms it was an accident, and Louise is sent back to her regular job in the file rooms. Her time spent investigating Paul Hughes at least has one positive outcome, though: Louise meets a young woman in the OSS Reading Room, who asks her to join her “salon".

Young widow Louise Pearlie seizes a chance to escape the typewriters and files of the Office of Strategic Services, the United States’ World War II spy agency, when she’s asked to investigate a puzzling postcard referred to the OSS by the US Censor. She heads off to St. Leonard, Maryland, to talk to the postcard’s recipient, one Leroy Martin. But what seemed like a straightforward mission to Louise soon becomes complicated.

On a bitterly cold night in December, 1943, government girl Louise Pearlie and her friend Joe Prager are enjoying a quiet drink in the Baron Steuben Inn, when a bloodstained body is discovered behind the bar. Although the victim had been a regular customer, no one seems to know anything about him. When it turns out there is a link to Louise’s top-secret work at the OSS, she is ordered to find out as much as possible about the murder while keeping the connection secret from those involved, including the investigating police detective.

Based on the source material for the Alec Guinness classic Kind Hearts and Coronets, Murder in the Title follows the exploits of Anton Gascoyne, a poor and distant heir to one of Britain’s great noble families, who decides to murder his way to the Gascoyne earldom. But the closer he gets to the coronet, the greater the suspicion he falls under. Will Anton get away with it? Murder in the Title will keep you guessing until the end!

It’s 1942. Louise Pearlie, a young widow, has come to Washington, DC, to work as a clerk for the legendary OSS, the precursor to the CIA. When, while filing, she discovers a document concerning the husband of a college friend, Rachel Bloch—a young French Jewish woman she is desperately worried about—Louise realizes she may be able to help get Rachel out of Vichy France. But then a colleague whose help Louise has enlisted is murdered, and she realizes she is on her own, unable to trust anyone.

In "Waterway Death," listeners are transported back to the tense atmosphere of 1939, on the brink of World War II. Arthur W. Phillips crafts a gripping spy story centered around a master German spy, referred to as Dr. Death, and his dangerous plans for a newly developed explosive. Narrated by the talented Mike Vendetti, this audiobook is filled with suspense, intrigue, and high-stakes espionage as a Canadian government agent races against time to stop Dr. Death before it's too late.