Showing titles in African

Named after the first man at the creation of the world in Malagasy mythology, Ietsy Razak was raised to perpetuate the glory of his namesake and expected to be as illuminated as his Great Ancestor. But in the chaos of modernity, his young life is marked only by restlessness, maddening insomnia, and an adolescent apathy.

Shining a light on the remarkable, untold stories of reconciliation in Rwanda since the genocide in 1994, Kill the Devil is a love story between a survivor and a perpetrator of genocide in a lesson for our times and for all time.

Kamali Danladi has sworn never to get married again. But his meddling mother is bent on hitching him to any eligible female that comes along to the next family gathering. There's only one thing for it. Get fake-hitched to his executive assistant. If anyone is more averse to marriage than he is, it's her. So they'll be perfect together. Or at least, they'll fake perfect together. Ebun Forson doesn't do families. She certainly doesn't do festivities.

A new century, and a time of celebration, for family, marriages and children, and a necessity to expand the business. It is also a time for sadness, suffering and loss; Mother Africa does not change her rules for anyone. When all is against the Langbourne brothers, a higher loyalty must prevail.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

L’inventaire des rêves, c’est avant tout la naissance de quatre grandes héroïnes, quatre femmes puissantes venues d’Afrique de l’Ouest dont les destins et les rêves se croisent. Chiamaka est une rebelle qui a déçu sa famille huppée du Nigeria, car au mariage avec enfants elle préfère vivre de sa plume, sans attaches.

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

Quand l'ambition et la tradition tuent l'amour... Boussoura et Seini forment un couple moderne qui vit à Yaoundé. Il est médecin, elle est professeure de littérature. Une famille épanouie jusqu'au jour où tout bascule quand Seini est rattrapé par son passé. Fils de roi, il est appelé à prendre la succession. Malgré les réserves de son épouse, l'attrait du pouvoir est le plus fort. Devenu lamido, commandeur des croyants et garant des traditions et de la religion, il se transforme en roi tout-puissant.

In ärmlichen Verhältnissen im Süden Afrikas aufgewachsen, heiratet Mary einen Farmer. Doch das weiße Paar hat sich wenig zu sagen, und der finanzielle Ruin rückt Jahr für Jahr näher. Als ein schwarzer Farmarbeiter als Diener ins Haus geholt wird, wird Mary für ihr rassistisches Verhalten bestraft. "Afrikanische Tragödie" erzählt nicht nur die Geschichte einer missglückten Ehe, sondern demonstriert die erstickende Kraft kolonialer Herrschaft in Rhodesien, dem heutigen Simbabwe. Eva Mattes liest den 1950 erschienenen Debütroman von Doris Lessing, die selbst in Rhodesien aufwuchs und 2007 den Literaturnobelpreis erhielt.

In this never-before-published collection, poet Upile Chisala grapples with themes of love, loss, and desire. Throughout this third book, she explores her identity as a black Malawian woman, offering intimate reflections on her life and experiences, imparting a stirring, universal message of empowerment and self-love.

En 1994, alors que l'Algérie s'enfonce dans la violence, ses parents choisissent de retourner s'y installer avec leurs enfants. Le lendemain de leur arrivée, la voiture familiale tombe sur un faux barrage tenu par le GIA, le Groupe islamique armé, premier événement d'une série de tragédies liées à la décennie noire. Pourquoi ses parents ont-ils voulu rentrer alors que tous ceux qui le peuvent fuient le pays ? Comment se construire lorsque le passé hante et dévore vos nuits ?

Truth spoken plainly and powerfully is difficult to dismiss and impossible to ignore. Edited with purpose by A. Gregory Frankson, AfriCANthology: Perspectives of Black Canadian Poets brings together some of Canada's most influential dub, page, and spoken word poetic voices and gives them space to speak freely about their personal journeys in piercing verse and unapologetic prose. Just as individual experiences of Blackness are diverse across Canada, each contributor recounts aspects of navigating their unique personal, professional, and artistic paths in Black skin.

A well-meaning American diplomat in South Africa tries to pacify his ferociously combative wife and anti-apartheid activist son by being reassigned to The Hague. But peace is hard to come by and, at an elegant New Year's Eve party, a harrowing betrayal is revealed. Judith Ivey recreates her acclaimed performance from the Lincoln Center production in this masterful drama from the author of The Substance of Fire.

Mentre per le strade dell'Addis Abeba del 1974 si rovescia la rabbia verso le politiche dell'impero, Hailu estrae un proiettile dalla schiena di un ragazzo ferito a un corteo. Muove il bisturi con le mani autorevoli di chi è abituato a curare. La medicina gli impone efficienza, rigore, distacco. Eppure in quella sala operatoria Hailu pensa a suo figlio Dawit, forse coetaneo del paziente a cui cerca di salvare la vita. Forse anche lui tra i dimostranti furiosi che sfidano la milizia di Hailé Selassié impegnata a sedare i disordini.

Avec pour toile de fond les bouleversements politiques du Nigeria des années 1980, le portrait inoubliable d'une femme qui fait le choix de la liberté... envers et contre tout. Yejide et Akin vivent une merveilleuse histoire d'amour. De leur coup de foudre à l'université d'Ifé, jusqu'à leur mariage, tout s'est enchaîné.

Blossoms of the Savannah follows the lives of two young sisters on the verge of womanhood. Taiyo and Resian both become aware of the conflict between their personal dreams and their duty to the Nasila tradition and culture. H. R. Ole Kulet addresses the elusive concerns of female genital mutilation and early marriages among the Maa community of the Massai and captures the listener's imagination as he traces the girls' excruciatingly painful steps to victory.

The Journey Back is the blistering sequel to The Journey. Kalu is a doctor, who escaped an extremist revolution in Nigeria. He tried to get his family across the Sahara to look for passage to the safety of Europe but they were duped by ruthless people traffickers and his wife and two daughters were lost at sea. Fast forward twenty-years and his daughter, Kissie is in Ukraine when Russian tanks cross the border and his family are in terrible danger again.

The Ugandan Tales is set in Uganda and is about the struggles of ordinary Africans against post-independence African rulers that preach freedom and emancipation but have turned into oppressors. This collection of poetry dives deep into topics of police brutality, social injustices, and oppression through the landscape of the tortured cities. Ordinary people seek to reassert their rights against an intransigent regime that is determined to keep them oppressed. The poems chronicle everyday struggles that are faced at the hands of fellow Africans masquerading as Pan-Africanists.

Sasha Harris is sick and tired of living the so-called dutiful housewife role. She has dreams and aspirations of her own and is totally fed up with staying home while her husband, Nick, continues to run the streets as if he’s still single. So, when Nick suddenly makes the announcement that they are moving, Sasha couldn’t be happier. She is excited about a new change of scenery, along with the possibility of making new friends. Only the ramifications of the move may be way more than Nick and Sasha can bear.

A sweet trilogy of lost and found loves in nature and nurture. The beauty of the African continent is told here in all its splendid detail. Carnal, fragrant, visual perfume graces these words as they lead you to where only your imagination can take you.