Showing results by publisher "Highbridge Audio" in Literature & Fiction

The Wig, the Bitch & the Meltdown is a satirical look behind the scenes of Model Muse, a fictional reality model competition show and global phenomenon. Seen through the eyes of our moral compass Pablo Michaels - the heart of production in the helter-skelter world of Model Muse - we look behind the scenes and backstage shenanigans of the fashion/reality TV world. As "The Fixer", Pablo is the man everyone turns to in crisis.

Yes, George Carlin is here with more of what he did better than any other comic: uproarious observations, laser-targeted crankiness, linguistic legerdemain, and inspired weirdness. ("If the shoe fits, get another just like it." "When you sneeze, all the numbers in your head go up by one.") Napalm & Silly Putty is just what his fans have been waiting for—another generous helping of notions, nonsense, assertions, assumptions, mockery, merriment, silliness, sarcasm, and, to be sure, plenty of disturbing references and toxic alienation.

Robert Doughten Savile, aka "Doughty," is the son of a once-wealthy, now hard-up family from Darien, Connecticut. Doughty lives in a perpetual cloud of delusion, convinced of his own genius and status. While he has little capacity to accurately assess his own abilities or prospects, he cruises through life on the sheer force of his own sense of entitlement, dropping out of college and landing in the early '90s in New York City, a place brimming with both prosperity and desperation.

A mysterious virus has infiltrated the good people of Lake Wobegon, transmitted via unpasteurized cheese made by a Norwegian bachelor farmer, the effect of which is episodic loss of social inhibition. Mayor Alice, Father Wilmer, Pastor Liz, the Bunsens and Krebsbachs, formerly taciturn elders, burst into political rants, inappropriate confessions, and rhapsodic proclamations, while their teenagers watch in amazement. Meanwhile, a wealthy outsider is buying up farmland for a Keep America Truckin' motorway and amusement park.

Maud is an irascible 88-year-old Swedish woman with no family, no friends, and...no qualms about a little murder. Ever since her darling father's untimely death when she was only 18, Maud has lived in the family's spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late 80s, Maud contents herself with traveling the world and surfing the net from the comfort of her father's ancient armchair. It's a solitary existence, and she likes it that way.

On the 12th floor of the Acme Building, on a cold February day in St. Paul, Guy Noir looks down the barrel of a loaded revolver in the hands of geezer gangster Joey Roast Beef, who is demanding to hear what lucrative scheme Guy is cooking up with stripper-turned-women's-studies-professor Naomi Fallopian. Everyone wants to know, and Guy faces them one by one, as he and Naomi pursue a dream of earning gazillions by selling a surefire method of dramatic weight loss.

Al Engel had worked his way up to being Nick Rovito’s right-hand man, near the top of the syndicate. And this was a delicate job that Rovito had given him: retrieving a very important jacket, loaded with heroin, from the fresh grave of the drug mule who was accidentally buried wearing it. There was just one problem (at least - just one to begin with): It turned out the grave was empty. Suddenly Engel was the one finding himself “in deep”.

Pregnant and secretly married, Cheryl Anway scribbles what becomes her last will and testament on a school binder shortly before a rampaging trio of misfit classmates gun her down in a high school cafeteria. For a handful of people still reeling from that horrific day, life remains derailed.

It would take a miracle to keep Dortmunder out of jail. Though he cased the electronics store perfectly, the cops surprised him, turning up in the alley just as he was walking out the back door, a television in each hand. Already a two-time loser, without divine intervention he faces a long stretch inside. Then God sends J. Radcliffe Stonewiler, a celebrity lawyer who gets Dortmunder off with hardly any effort at all. Stonewiler was sent by Arnold Chauncey, an art lover with a cash-flow problem. He asks the thief to break into his house and make off with a valuable painting in exchange for a quarter of the insurance money.

Maya's been able to get by in New York on her wits and a dead-end bookstore job for years, but when her husband leaves her and her favorite professor ends their affair, her barely-calibrated life descends into chaos, and she has to make some choices. Maya's struggle to be alone, to be a woman, and to be thoughtful and imperfect and alive in a world that doesn't really care what happens to her is rendered with dead-eyed clarity and unnerving charm. This book takes every tired trope about addiction and recovery, "likeable" characters, and redemption narratives and blows them to pieces.

Just when things have finally cooled down for 88-year-old Maud after the disturbing discovery of a dead body in her apartment in Gothenburg, a couple of detectives return to her doorstep. Though Maud dodges their questions with the skill of an Olympic gymnast a fifth of her age, she wonders if suspicion has fallen on her, little old lady that she is. The truth is, ever since Maud was a girl, death has seemed to follow her....

Kelp has a plan, and John Dortmunder knows that means trouble. His friend Kelp is a jinx, and his schemes, no matter how well intentioned, tend to spiral quickly out of control. But this one, Kelp swears, is airtight. He read it in a book.

In county lock-up for a traffic charge, Kelp came across a library of trashy novels by an author named Richard Stark. The hero is a thief named Parker whose plans, unlike Kelp and Dortmunder's, always work out. In one, Parker orchestrates a kidnapping so brilliant that, Kelp thinks, it would have to work in real life.

A wealthy and depressed man (thanks to the economy, he's not quite rich enough to expand his cache of paintings by Vincent Van Guy, the famed Dutch realist) bound for Christmas in the tropics is abruptly summoned home to North Dakota to visit an ailing aunt. He arrives just in time to be trapped there by a blizzard. The electricity goes out, and when it does, figures from his childhood appear, and historical figures too, for a festive candlelit holiday.

It was supposed to be a simple caviar heist. Dortmunder is almost in the building when the alarm sounds, forcing him up the fire escape and onto the roof. He leaps onto the next building, smashing his ankle and landing in the den of the worst kind of creature he can imagine: nuns.

Irreverently juggling magical realism, film noir, hip hop, and chicanismo, Tropic of Orange takes place in a Los Angeles where the homeless, gangsters, infant organ entrepreneurs, and Hollywood collide on a stretch of the Harbor Freeway. Hemmed in by wildfires, it's a symphony conducted from an overpass, grandiose, comic, and as diverse as the city itself - from an author who has received the California Book Award and the Association for Asian American Studies Book Award, among other literary honors.

The Byzantine Fire is much more than a flawless ninety-carat ruby. As a stone it's worth over a million dollars, a value vastly increased by its pure gold band - but its history is what makes it priceless. A ring that has been fought for with sword and pen and passed from nation to nation by all manner of theft and trickery, has finally made its way to the United States. The US agrees to return it to Turkey, but it's about to be stolen twice more.

It's New Year's Eve, the holiday of forced fellowship, mandatory fun, and paper hats. While dining out with her husband and their friends, Kirshenbaum's protagonist - an acerbic, mordantly witty, and clinically depressed writer - fully unravels. Propelled by stand-up comic timing and rife with pinpoint insights, Kirshenbaum examines what it means to be unloved and loved, to succeed and fail, to be at once impervious and raw. Rabbits for Food shows how art can lead us out of - or into - the depths of disconsolate loneliness and piercing grief.

From the New York Times bestselling author of Tomorrow, and Tomorrow, and Tomorrow and The Storied Life of A. J. Fikry comes an enchanting story about love in its many forms, and a man's timeless journey into the unknowable territory of the woman he loves. From the moment they first sleep together—piled atop seven mattresses in her dorm room—N. is drawn into a rich and enchanted relationship with Margaret Towne, a woman who will introduce him to worlds he never knew existed.

The sign welcoming travelers to Maggody, Arkansas, reads "Pop. 755," and don't expect Hizzoner Jim Bob to repaint it just because there's someone new in town. The mayor won't go out of his way for anyone, especially someone wicked—and a woman who would open a pawnshop in Maggody must be very wicked indeed. Kayleen Smeltner decided to open the shop after her husband was killed during a burglary. She came to Maggody expecting peace and quiet, but she'll find this quaint little patch of nowhere isn't as peaceful as it seems.

In the novel Who's Who When Everyone Is Someone Else, the character "C. D. Rose" searches an unnamed middle-European city for the long-lost manuscript of a little-known writer named Maxim Guyavitch. That search was fruitless, but in The Blind Accordionist, "C. D. Rose" has found the manuscript—nine sparkling, fable-like short stories—and he presents them here with an (hilarious) introduction explaining the discovery, and an afterword providing (hilarious) critical commentary on the stories, and what they might reveal about the mysterious Guyavitch.