Showing results by publisher "Recorded Books" in Occult

It's a normal night in August. Literature professor Arne and artist Tove are with their children at the resort in Sørlandet. Their friend, Egil, a driver by day, is staying in a cabin nearby. Kathrine, a priest, is on her way home from a seminar; the journalist Jostein is out on the town; and his wife, Turid, who is an assistant nurse, has a night shift. Above them all, a huge star suddenly appears in the sky. No one, not even the astronomers, knows for sure what kind of phenomenon it is. 

Dawn is breaking over the Guilleries, a rugged mountain range in Catalonia frequented by wolf hunters, brigands, deserters, race-car drivers, ghosts, and demons. In a remote farmhouse called Mas Clavell, an impossibly old woman lies on her deathbed. Family and caretakers drift in and out. Meanwhile, all the women who have lived and died in that house are waiting for her to join them. They are preparing to throw her a party.

Harriet Hunt is completely alone. Her father disappeared months ago, leaving her to wander the halls of Sunnyside house, dwelling on a past she’d rather keep buried. She doesn’t often venture beyond her front gate, instead relishing the feel of dirt under her fingernails and soft moss beneath her feet. Consequently, she’s been deemed a little too peculiar for popular Victorian society. This solitary life suits her fine though—because outside, magic awaits.

At sixty-six years old, Winston Kemper has always been a nonentity. No one notices him. His simple existence barely registers for those who come into contact with him. Some call him feeble-minded. He is a janitor at the local church, a groundskeeper by default, and that’s it. No friends, no family. When he’s done with work, he returns home—a remote, single room apartment located above a garage—and that is where his true work begins.

Carlos Castaneda takes the listener into the very heart of sorcery, challenging both imagination and reason, shaking the very foundations of our belief in what is “natural” and “logical”. His landscape is full of terrors and mysterious forces, as sharply etched as a flash of lightning on the deserts and mountains where don Juan takes him to pursue the sorcerer’s knowledge - the knowledge that it is the Eagle that gives us, at our births, a spark of awareness, that it expects to reclaim at the end of our lives and which the sorcerer, through his discipline, fights to retain. 

LONDON, 1891. Elizabeth Whittle and William Grant enjoy scalping London’s bourgeoisie, taking on the personas of grand spiritist Cerulia Trent and her agent to connect the living and the dead. When a detective arrives, sniffing out fraud with a scientifically minded spiritualist society, the duo decides to take one last job before escaping to the continent. However, their final séance ends horrifically … and soon Lizzie isn’t Lizzie anymore. 

Amidst the devastation of Ireland’s Great Famine, a young woman is salvaged from certain death when offered a mysterious position at a remote manor house haunted by a strange power and the horror of her own memories in this chillingly evocative historical novel braided with gothic horror and supernatural suspense for fans of Katherine Arden’s The Warm Hands of Ghosts and The Silence Factory by Bridget Collins.

Miscellaneous “Lanie” Stones is the necromancer that Doédenna, god of Death, has been praying for. True, she's always been more interested in books and pastries than in creating abominations and raising armies of the undead. But still—she lives to love and serve Saint Death. And damn it duodecifold, Saint Death needs her! Lanie has many talents—her powers of death magic are growing more complex and stranger every day—but first and foremost is her ability to lay the unrestful dead to their unending slumber.

A troubled woman seeking a fresh start in the Scottish countryside believes her neighbour may be behind the strange disturbances in her home in this psychological horror debut for fans of The Lamb and We Used to Live Here. “The symmetry should have tipped me off.” After a violent incident at...

Hazel Russon’s life in 1882 Utah territory is defined by three things: the Mormon church, polygamy, and the men who control both. She knows she’s supposed to suppress her sinful dreams of a monogamous life with her sweetheart, and her desire for the freedom to play her beloved piano. Every Mormon woman’s duty is to live obediently and meekly, devoted to her husband and her calling as a sister wife. Her eternal salvation depends upon it. Commanded to become the fourth wife of a man she’s never met, Hazel is relieved that Jacob Manwaring is attentive and handsome.

Arriving in the magnificent countryside of Dorset, England, to live with her mother and new stepfather, the young and very American Jenny Gluckstein has little interest in her historic surroundings, including that of the 700 acre Stourhead Farm her stepfather is restoring. Then she meets Tamsin, a kindred spirit that has haunted the lonely estate for 300 years, trapped by a hidden trauma she can't remember, and by a powerful evil even the spirits of night cannot name. To help her, Jenny must delve deeper into the dark world than any human has in centuries.

Lemon, poppy seed, sun-warmed sand. These visions convince Aoife to quit her job, leave her manipulative boyfriend, and escape to the isolated shores of the Farmstead commune. There, among its charismatic and hedonistic residents, Aoife finds everything she’s been missing: a community that adores her, the freedom to indulge, and the promise to be a part of something miraculous. But darkness underpins her airy new way of life. A disappearing cave looms above an ocean no one dares step foot in, mysterious crying fills the night hours, and a rot is spreading across the island. 

A father returns from serving in Vietnam with a strange and terrifying addiction; a man removes something horrifying from his fireplace, and becomes desperate to return it; and a right-wing news channel has its hooks in people in more ways than one. From department store Santas to ghost boyfriends and salamander-worshipping nuns; from the claustrophobia of the Covid-19 pandemic to small-town Chesapeake USA, Clay McLeod Chapman takes universal fears of parenthood, addiction and political divisions and makes them uniquely his own.

Nora knows she needs to move on. And forget about magic. She's back in graduate school, and her life is going surprisingly well. She doesn't need to think about other worlds, about enchantments and demons, or about magicians - even though she once aspired to become one herself. Most of all, she really should forget the magician Aruendiel, who shared the secrets of magic with her but fiercely guarded the deepest secrets of his heart. Then a chance encounter gives Nora the opportunity to slip between worlds again - and the next phase of her magical education begins. 

Ella Louise has lived in the woods surrounding Pilot's Creek, Virginia, for nearly a decade. Publicly, she and her daughter Jessica are shunned by their upper-crust family and the Pilot's Creek residents. Privately, desperate townspeople visit her apothecary for a cure to what ails them - until Ella Louise is blamed for the death of a prominent customer. Accused of witchcraft, both mother and daughter are burned at the stake in the middle of the night.

Try as she might, anthropologist Marcella Gibbons can't escape the fact that she's a dimidium, one half of a formidable pair of Magicians, forever tied together to enable the other's powers. After a tumultuous final year at Seinford and Brown College of Agriculture (and Magic) in rural New Mexico, Cella felt more than a little uneasy about returning to the sun-drenched desert campus ever again. She'd cut ties with her other half—the charming and rugged rancher Max Middlemore—and sworn off Magic, academia, and heartache for good.

Chelsea Iversen's THE WITCHES AT THE END OF THE WORLD is a speculative novel set in 17th-century Norway about two sisters who find themselves at odds when one incites a dangerous curse against the village where their mother once lived; but you can't take back dark magic once it's been released, and they know, like their mother before them, that someone will have to burn—they are witches, after all.

Meet the operatives of the Carnacki Institute - JC Chance: the team leader, brave, charming, and almost unbearably arrogant; Melody Chambers: the science geek who keeps the antisupernatural equipment running; and Happy Jack Palmer: the terminally gloomy telepath. Their mission: do something about ghosts. Lay them to rest, send them packing, or just kick their nasty, ectoplasmic arses....

It begins with a gunshot: a student's public suicide on a university campus. The blast radius of this tragic explosion expands to encompass 50 years of our history and two of the grandest characters in recent American fiction: Simon Magnus, a comic-book writer who transfigured popular culture turned gender activist who transfigures the English language, and Ash del Greco, an online occultist who by the age of 20 has seen to the end of everything and wants desperately to prove the superiority of mind over matter. 

Juniper should have known better after her last foray into the otherworld. But when she’s asked to look into a mysterious box full of poltergeists she ends up making a promise to seven teenage ghosts that puts here directly in the crosshairs of a blood witch’s deadly ire.