Showing results by publisher "Bridget Taylor" in Literature & Fiction

Henry Lennox is a powerful man with unique tastes. He sits atop a media empire that he has built from the ground up. Surrounded by only the most beautiful and talented of women, he enjoys both success and excess.

Solitude. That is all Leslie wants out of life with the sound of waves crashing against the cliffs, and her dog, Flamingo. Okay, and her best friends David and Molli. Oh, and the animal shelter but everything else doesn’t matter. That is all she needed to be happy in life. She doesn’t need a sexually-empowered man that makes her body frenzied and mind cloud with lust, no matter how bad she craves it. Until Kane Bridgeshaw comes into the picture, tattooed with raw sex-appeal, money, and he isn’t afraid to use it, if it means getting everything he wants-including Leslie.

Henry Lennox is a powerful man with unique tastes. He sits atop a media empire that he has built from the ground up. Surrounded by only the most beautiful and talented of women, he enjoys both success and excess. Stacy Caldwell is nervous as she begins her first day at Lennox Advertising. She notices immediately that she does not exactly fit in with this stable of model-attractive young women. When she somehow attracts the notice of Henry Lennox, she is unsure how to respond.

Stacy Caldwell thought that she could put Henry Lennox behind her. Throwing herself into her work, however, her teammates know better. Henry Lennox, on the other hand, seems to have moved on just fine - with new flirtations and new affairs with new staff in his office. Soon neither can deny their attraction for each other, and Stacy begins to delve into the darker side of Henry Lennox and explore dominance and submission with him.

Kane's exterior is tough like armor, but the one person that penetrates it most is Leslie Benton. The amount of effort he puts in to keep her away doesn't matter - she quickly has chipped away at his walls. When Leslie's stalker reveals his true nature and Kane's enemy comes to seek revenge, can Kane fully give himself over to Leslie instead of the broken man he has become?

Leslie Benton is an independent woman who doesn’t need a man! At least, that is what she thought for years, until a black-haired, six-foot-five, annoying, self-centered, and sexy man buys the shop she has been saving up for to expand her animal shelter. It makes everything change. Refusing to give in to her body’s lust, she goes on a date with the local veterinarian Chase Jackson. But Kane interferes, yet again. When push comes to shove and threats loom over their heads, can Leslie and Kane beat the odds?

Stacy thought that Henry was turning away her submission. Now she finds that she is not the only one changing. As Henry learns to come to terms with his own emotions, Stacy processes the lessons of her submission. As she slowly gives over more power to this dark and mysterious man, more of him opens to her. What she sees is enticing; but with love and commitment come new fears.

Once again, Stacy Caldwell thought she could put Henry Lennox behind her. When Henry apologizes for his jealousy and his attempt to control her life, they pick up where they left off with their dominance and submission dynamic. Together, they continue to explore BDSM, as Stacy is drawn deeper into Henry's dark world. Meanwhile, Stacy's feelings for Michael Cavanaugh go from friendship and infatuation to a full affair.

Mistress Aevia has made her intentions quite clear. Convinced that Stacy is not a "true submissive" and is merely a pretender, another person waiting to break Henry's heart, she has promised to show Henry Stacy's true colors. Stacy has no idea how to fight back against someone - the mistress who trained Henry to be a dominant - who has such a strong influence on Henry's life. Meanwhile, she is still uncertain about the relationship she has with a man she knows she is falling in love with.

Leslie was slowly healing from her fear that Chase was lurking in the shadows. Nightmares and panic attacks would have eaten her alive if it wasn’t for Kane. He was being the friend she needed, but not the lover she wanted. She wanted Kane to replace the tainted touches Chase left behind, but Kane wanted to earn her trust by being what she needed not what she wanted. When a threat from his brother’s past makes itself known, can Kane live up to his promise to protect? Or will his effort to earn Leslie’s and Evan’s trust break?

With their one year deadline quickly approaching Jane and Charles have to decide if they are going to stay married or get divorced. However, when Jane becomes pregnant their simple arrangement becomes very complicated. Jane had always been told she could never get pregnant, making this baby a miracle to her. Charles had always been adamant about not having children. With his own childhood, he always believed he would make a terrible father, just like his own. Will their marriage survive a baby or will it finally be what forces Jane and Charles to face reality?

Charles Bentley was always due to inherit his late father’s fortune, and he loved to boast about it. He was the typical son of privilege with more money than sense and an appetite for partying that was rarely satisfied - although he did try his hardest. But there’s one thing standing in his way of this fortune; a stipulation that states he must marry before his 35th birthday. With no plans of settling down, but every intention of the getting the money, a plan forms in his head. Jane Miller’s world is turned on its head when Charles asks her to marry him.

Leslie is tired of Kane leaving her alone in bed with nothing but a memory to keep her company. She decides there are other fish in the sea, and she deserves a man who won’t make her feel dirty and used. When she meets another man, a man that actually wants her, Kane interferes with his caveman act. It’s obvious Kane is jealous, but when an enemy sets his sight on Leslie and Leslie gets hurt, Kane realizes there will never be another man for Leslie except him. When he tells her he wants her for good, she does something he doesn’t expect - she pushes him away.