Showing results for "We" in Coming of Age

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

A “big-hearted, lively, and expansive portrait of a family” that follows a neurodivergent father, his nonbinary teenager, and the sudden, catastrophic reappearance of the woman who abandoned them (Claire Lombardo, New York Times bestselling author). Morgan Flowers just wants to hide. Raised...

*LONGLISTED FOR THE SALTIRE BOOK AWARDS* 'A moving exploration of family, migration, class, queerness and belonging… beautifully rendered' JESSICA ANDREWS 'A deeply observant, perceptive writer' JOANNA CANNON 'Masterful' JJ BOLA 'Evocative, layered and emotionally resonant… deserves to be on...

Best mates Karl and Abu are both 17 and live near King's Cross. It's 2011 and racial tensions are set to explode across London. Abu is infatuated with gorgeous classmate Nalini but dares not speak to her. Meanwhile, Karl is the target of the local "wannabe" thugs just for being different. When Karl finds out his father lives in Nigeria, he decides that Port Harcourt is the best place to escape the sound and fury of London, and connect with a Dad he's never known. Rejected on arrival, Karl befriends Nakale, an activist who wants to expose ecocide....

In 1967, Fay Stonewell, a water tank escape artist in Florida, leaves for Vietnam to join the Amazing Humans—a jerry-rigged carnival there to entertain the troops—abandoning her disabled teenage son, Dickie, to the care of an abusive boyfriend. Months after Fay’s departure, Dickie’s troubled home life ends in a surprising act of violence that forces him to run away. He soon lands in Manhattan, where he’s taken in by eccentric artist Laurence Jones. Fay, meanwhile, is also facing dangerous threats.