Showing results for "The Moth" in Genre Fiction

Out they came, away from natural predators, nesting in damp corners and in the tops of trees, crossbreeding with common cousins and laying thousands upon thousands of eggs. Then… the eggs hatched and an army of hungry caterpillars spread their tiny toxic threads on every breath of wind.’ The threads spell doom for humanity – half of it, at least. All around the world, men are dying in their sleep or turning into rage-fuelled killers. The world, as we know it, ends. However, humanity adapts and society moves on.

Lily is forced to flee her pristine London home to escape reporters who are hounding her because of accusations levelled against her husband. She hides away in a rundown cottage in a small Derbyshire village. She is deeply unhappy. She hates the countryside, the dirt, the smells and most of all the creepy woodland next to the cottage. Desperately lonely, Lily tries to befriend her neighbour Kathy, a naturalist and a recluse who the villagers think is unhinged. Although resistant at first, Kathy gradually mellows as Lily starts to share her interest in nature.

Alice was a hopeful young graduate student when, on a beautiful August night, her body was found in the woods. She'll always remember the night she was murdered. And she still suffers the grief and rage that destroyed her family. But what Alice regrets most is the last fight she had with her boyfriend, Enrico - and the fact that she never had the chance to tell him something that would have changed everything. A decade later, Enrico has returned to the provincial town where Alice lived and died, to sell his family home.

We are in darkness. We are alone. They came from the lands of light. They came with torches, with lanterns, with the banners of the sun. The children of endless day-they came to banish the darkness. And they came to kill. We are the children of never-ending night. We are the dwellers of shadow. In the light of our enemy, we are dying. We were born in darkness. We must cast out the light. This is our story.

For nineteen-year-old Estelle Thompson, going to the cinema is more than a way to pass the time...it's a way out. In 1931 in Calcutta, Anglo-Indian girls like Estelle are considered half-breeds, shunned by both English and Indian society. Her only escape is through the silver screen, where she can forget the world around her. When Estelle catches the eye of a dashing American heir with connections to a major motion-picture studio, he also captures her heart. Soon, Estelle has a one-way ticket to London and a recommendation for a screen test.

Esta es la historia de una búsqueda que empieza hace quince años, cuando su protagonista decide plantarse en Bosnia recién salida de la facultad de Periodismo. Va a la caza de un gran reportaje, pero una noche conoce a Darko y termina encerrada en un dormitorio cuyallave solo tiene él. No es un secuestro, pero no le importaría. Un misterioso mensaje de una mujer le dará a conocer una red de casas secretas donde se esconden víctimas de trata.

A Cinnabar Moth Publishing anthology, A Cold Christmas and the Darkest of Winters is a collection of short stories with themes that range from sad to dark to horrifying. Each story is set during Christmas or in Winter. Many talented authors worked to create these short stories, and we are proud to present them to you in this anthology.