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In The Last Men: Liberalism and the Death of Masculinity, the Raw Egg Nationalist himself, Dr. Charles Cornish-Dale, delivers a provocative examination of the various biological and cultural forces eroding masculinity in contemporary society.

#1 New York Times bestselling author Vince Flynn “has never been better” (The Providence Journal) in this high-octane thriller following Mitch Rapp as he searches for a missing CIA asset, whose disappearance puts Rapp’s own life at risk. Joe Rickman has spent the last eight years running...

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

#1 New York Times bestselling author Vince Flynn “has never been better” (The Providence Journal) in this high-octane thriller following Mitch Rapp as he searches for a missing CIA asset, whose disappearance puts Rapp’s own life at risk. Joe Rickman has spent the last eight years running...

The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and, except for a 1924 silent film based on it, was virtually unknown - having been eclipsed by Shelley's more popular works - until a scholarly revival in the 1960s. It contains semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Duncan Peck has travelled alone to Dartmoor in search of his cousin. He has come from the city, where the fires are always burning. In his cousin’s village, Peck finds a place with tea rooms and barley fields, a church and a schoolhouse. Out here, the people live an honest life - and if there’s any trouble, they have a way to settle it. They sit in the shadow of a vast wall, inscribed with strange messages. Anyone can write on the wall, anonymously, about their neighbours, about any wrongdoing that might hurt the community. Then comes the reckoning.

While cannons roar and rockets ignite American skies, disease ravages the upper Connecticut Valley. Few notice the sufferings of the families...of a single child...a remarkable lad named Joseph. Attentions are forced elsewhere on the Chesapeake, which guards the entrance to the infant nation's threatened capital. In this second volume of the epic historical series Free Men and Dreamers, witness the saga of five families caught in the tumult of the oft-forgotten war that cemented American liberty and set the stage for the great work of the Restoration.