Showing results for "The Last Man" in Literary Fiction

From the award-winning author of Djinn Patrol on the Purple Line comes a “thrilling and profound” (BBC) novel set in nineteenth-century Tibet that follows two outsiders—an Indian schoolteacher spying for the British Empire and an English “lady” explorer—as they venture into a...

Black Ops, Inc. operative Joe Green is determined to bring to justice the man responsible for former team member Bryan Tompkins' death. He's convinced the ambush that killed Bryan was no coincidence but a setup. Unsure of the consequences of the battle he's about to start, Joe distances himself from both his Black Ops, Inc. team members and the woman he loves, Bryan's sister, Stephanie Tompkins.

In this “wonderfully rich” (San Francisco Chronicle) novel from the author of the internationally bestselling The Oracle of Stamboul, a young man journeys from California to Cairo to unravel centuries-old family secrets. “This book is a joy.”—Rabih Alameddine, author of the...

An epic literary debut that follows one family across four centuries, from France to Acadia to the bayous of Southern Louisiana—a poignant examination of belonging, place, and how individual, self-interested acts of moral compromise contribute to cycles of injustice and destruction. In the...

The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and, except for a 1924 silent film based on it, was virtually unknown - having been eclipsed by Shelley's more popular works - until a scholarly revival in the 1960s. It contains semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.

Shady Rest, Texas, has the dubious reputation for being the deadliest town in America. Getting yourself killed is as easy as blinking and twice as quick. Sure enough, Matt Jensen hasn't swallowed his whisky before the town's marshal is gunned down.

Is the black man who sends his children to a very white private school "a sell out"? Is the black man with a good job and a white wife, a "race betrayer"? The nameless black narrator has done all the above, dragging himself from an impoverished urban ghetto to an upper middle-class life. He has done everything to assimilate into polite white English society, playing strictly by "their rules". As he attends a polo match with "society's finest"; his mask is slipping; cracks are beginning to appear in his apparently perfect life.