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Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

Step back into the world of Lucinda Riley’s Seven Sisters . . . From Harry Whittaker, the co-author of the instant No 1 international bestseller Atlas: The Story of Pa Salt, comes an epic mystery set in the world of the Seven Sisters. Reader favourite antiquarian bookseller Orlando Forbes -...

Meet Orlando: a young nobleman in Elizabethan England, poet, lover, adventurer—and, after a transformational sleep, a woman. Spanning over 300 years of British history, Orlando bends the rules of time, gender, and narrative as its protagonist navigates shifting societies, identities, and expectations, all while seeking something elusive: the truth of the self. Playful, profound, and radically ahead of its time, Virginia Woolf's groundbreaking novel is part love letter, part satire, and part meditation on the fluid nature of existence.

Written for Virginia Woolf's friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young 16th-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.

Opening with a panorama of Russian society, from the cloistered world of the Tsar to the brutal life of the peasants, A People’s Tragedy follows workers, soldiers, intellectuals and villagers as their world is consumed by revolution and then degenerates into violence and dictatorship. Drawing on vast original research, Figes conveys above all the shocking experience of the revolution for those who lived it, while providing the clearest and most cogent account of how and why it unfolded.

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As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart.

Pubblicato per la prima volta nel 1928, "Orlando" ("Orlando: A Biography") è la straordinaria cronaca della vita del protagonista che si sviluppa nel corso di quattro secoli. L'elemento centrale del romanzo è quindi Orlando, personaggio androgino dal sesso certo ma in evoluzione. La sua esistenza fantastica, spesso assolutamente libera da qualsiasi schema, anche sessuale, attraversa il XVII, il XVIII, e il XIX secolo, e riporta un lucido e interessante resoconto della società inglese dell'epoca.

Dalla postfazione di Mario Fortunato: "Orlando è la biografia che diventa romanzo di un eroe che diventa un'eroina e che vive parecchi secoli. Non ci vuole molto a capire che il suo tema non è l'immortalità né il sesso né la letteratura né Vita Sackville-West a cui il libro è dedicato. Il tema è piuttosto lo slittamento o, meglio ancora, la metamorfosi: di un corpo nell'altro, di un sesso nell'altro, di un genere nell'altro.

A spirited new version of Virgina Woolf’s Orlando adapted with a distinctly queer point of view. This adaptation revels in the origin of the story as a love letter from Woolf to Vita Sackville West. Beginning the story as a young 16th century nobleman, Orlando’s life spans centuries, continents, lovers and genders in a sumptuous celebration of what it means to explore one’s own identity.

Orlando is one of the most unforgettable creations of twentieth-century literature. He emerges as a young man at the court of Queen Elizabeth I and progresses, with breathtaking ease, through three centuries until, by now a woman, she arrives in the bustle and diversion of the 1920's.

Virginia Woolf's semi-biographical novel, inspired by her life changing love affair with Vita Sackville-West, takes us on an exhilarating, fantastical roller coaster, tracing 400 years of English history, in the company of her shape-shifting, gender-bending, time-travelling hero Orlando, whose inner conflicts and triumphs challenge our preconceptions of the nature of love, the battle of the sexes, posing socal and metaphysical questions including what we now call climate change.

Scritto nel 1516 ma fresco e quanto mai avvincente, l'Ariosto riprende l'incompiuto "Orlando Innamorato" completando le vicende già abbozzate in quel poema del Boiardo.

Als Orlando nach einer ausschweifenden Feierlichkeit am Hofe des türkischen Sultans aus einem langen und erholsamen Schlaf erwacht, lässt es sich nicht leugnen: Die Tage seiner Männlichkeit sind gezählt, in der Nacht ist er zur Frau geworden. Orlando nimmt es, wie es kommt, und reist fortan ewig jugendlich durch die Weltgeschichte. Dabei trifft er auf die großen Dichter und Denker verschiedener Epochen. Was Virginia Woolf mit "Orlando" vorlegte, ist ein spielerischer Ritt durch die literarischen Genres, ein satirisches, sprachgewaltiges, feministisch angehauchtes Vergnügen.

Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman.

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The terrible conflict that dominated the mid-19th century, the Crimean War, killed at least 800,000 men and pitted Russia against a formidable coalition of Britain, France and the Ottoman Empire. It was a war for territory, provoked by fear that if the Ottoman Empire were to collapse then Russia could control a huge swathe of land from the Balkans to the Persian Gulf. But it was also a war of religion, driven by a fervent, populist and ever more ferocious belief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land.

Orlando King is a trilogy about a beautiful young man, raised in a remote and eccentric wilderness, arriving in 1930s London and setting the world of politics ablaze. In a time of bread riots and hunger marches, with the spectre of fascism casting an ever lengthening shadow over Europe, Orlando glidingly cuts a swathe through the thickets of business, the corridors of politics, the pleasure gardens of the Cliveden set, acquiring wealth, adulation, a beautiful wife and a seat in parliament.

Drawing on a huge range of sources - letters, memoirs, conversations - Orlando Figes tells the story of how Russians tried to endure life under Stalin. Those who shaped the political system became, very frequently, its victims. Those who were its victims were frequently quite blameless. The Whisperers recreates the sort of maze in which Russians found themselves, where an unwitting wrong turn could either destroy a family or, perversely, later save it: a society in which everyone spoke in whispers - whether to protect themselves, their families, neighbours or friends - or to inform on them.