Showing results for "Music" in Modern

One man, his piano and their miraculous survival. 'Extraordinary' Baroness Julia Neuberger 'Powerful and gruelling ... an almost unimaginable story of horror and survival' Mail on Sunday 'Stunning. A beautiful blend of action, poetry, thought-provoking comment and music ... just brilliant' James...

A groundbreaking book exploring the breadth of history of recorded music by and for the LGBT community and how those records influenced the evolution of the music we listen to today. From Sia to Elton John, from Billie Holiday to David Bowie, LGBT musicians have changed the course of modern music. But before their music - and the messages behind it - gained understanding and a place in the mainstream, how did the queer musicians of yesteryear fight to build foundations for those who would follow them?

A fascinating history that examines how real estate, gentrification, community and the highs and lows of New York City itself shaped the city’s music scenes from folk to house music. Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant...

In the 1930s, composers and musicians began to flee Hitler's Germany to make new lives across the globe. The process of exile was complex: although some of their works were celebrated, these composers had lost their familiar cultures and were forced to navigate xenophobia as well as entirely different creative terrain. Others, far less fortunate, were in a kind of internal exile-composing under a ruthless dictatorship or in concentration camps and ghettos.

This book offers a major reassessment of classical music in the 20th century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War. 

A BEST BOOK OF THE YEAR: THE NEW YORK TIMES, NPR WINNER OF THREE NATIONAL JEWISH BOOK AWARDS Finalist for the Baillie Gifford Prize for Non-Fiction A stirring account of how music bears witness to history and carries forward the memory of the wartime past SUNDAY TIMES OF...

A great pianist and composer, Francesco Lotoro has been involved for over thirty years in an epochal undertaking: building an archive of the music that survived the concentration camps. Scores sewn into coat linings, instruments hidden in suitcases, sheet music stashed among dirty laundry...

In October 1942, SS guards at the Sachsenhausen concentration camp violently disbanded a rehearsal of a secret Jewish choir led by conductor Rosebery d'Arguto. Many in the group did not live to see morning, and those who survived were deported to Auschwitz-Birkenau. Only one of its members survived the Holocaust. Yet their story survives, thanks to Aleksander Kulisiewicz. An amateur musician, he was not Jewish, but became friends with d'Arguto in Sachsenhausen. D'Arguto tasked him with a mission: to save the musical heritage of the victims of the Nazi camps.

It was a time when music fans copied and traded recordings without permission. An outraged music industry pushed Congress to pass anti-piracy legislation. Yes, that time is now; it was also the era of Napster in the 1990s, of cassette tapes in the 1970s, of reel-to-reel tapes in the 1950s, even the phonograph epoch of the 1930s. Piracy, it turns out, is as old as recorded music itself. In Democracy of Sound, Alex Sayf Cummings uncovers the little-known history of music piracy and its sweeping effects on the definition of copyright in the United States.

With their unforgettable melodies, timeless messages, and stylistic indebtedness to both jazz and Broadway, American popular standards have proven to be among the most widely performed and enjoyed songs of the past century. Shaped in many ways by the technological and cultural developments of the early twentieth century, they have also managed to transcend these origins and become an enduring part of the American musical landscape.