Showing results for "Music" in Gender Studies

Brought to you by Penguin. A dazzlingly original reassessment of the power and plurality of women's singing voices by the critically acclaimed author of Art Monsters and Scaffolding For millennia, women’s raised voices have been heard as unruly, uncivilized, dangerous. Women singing were cast...

You know the songs by heart. You’ve traded the friendship bracelets. You’ve worn the cowboy boots and the bejewelled bodysuits. Now, get the inside track on this generation’s biggest super star – Taylor Swift. An intimate look at the life and music of modern pop's most legendary figure...

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes - identity, money, love, and protest - to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that plays like a vivid documentary of a genre defined by dismantling boundaries.

Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the 20th century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early 20th century to the present day.

Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes - the innocent mountain girl and the voluptuous sex symbol. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates.

In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bona fide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records.

In Pop Masculinities, author Kai Arne Hansen investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early 21st century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That.

In Bach, Beethoven and the Grrrls, the author turns his engaging and educating gaze on an area of classical music that has sadly been too long neglected – that of some of the great women composers. In briefly chronicling their lives, David maintains a light tone while striving to remain respectful of the women themselves, yet properly irreverent – at times even perhaps disdainful – of the societal and other forces that for far too long have kept these creative artists in the shadows of others.