Showing results for "Music" in State & Local

The definitive history of the rise and heyday of the revolutionary Greenwich Village music scene, based on new research and first-hand interviews with many of its legendary performers. "Impeccably researched, elegantly written and consistently fascinating." —The New York Times Although...

Samuel Charters has been studying and writing about New Orleans music for more than 50 years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages - African American, white, and Creole - in jazz's formative years.

For more than 50 years, Bill C. Malone has researched and written about the history of country music. Today, he is celebrated as the foremost authority on this distinctly American genre. This new collection brings together his significant article-length work from a variety of sources, including essays, book chapters, and record liner notes. Sing Me Back Home distills a lifetime of thinking about country and Southern roots music.

In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Record producers and songwriters broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.

Born into poverty in Mississippi at the close of the 19th century, Charley Patton and Jimmie Rodgers established themselves among the most influential musicians of their era. In Tune tells the story of the parallel careers of these two pioneering recording artists - one white, one black - who moved beyond their humble origins to change the face of American music.

On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances. Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson elevated its importance.

 Everybody Had an Ocean chronicles the migration of the rock 'n' roll business to Southern California and how the artists flourished there. The cast of characters is astonishing - Brian and Dennis Wilson of the Beach Boys, Jan and Dean, eccentric producer Phil Spector, Cass Elliot, Sam Cooke, Ike and Tina Turner, Joni Mitchell, and scores of others - and their stories form a modern epic of the battles between innocence and cynicism, joy and terror. You'll never hear that beautiful music in quite the same way. 

Memphis Mayhem weaves the tale of the racial collision that led to a cultural, sociological, and musical revolution. Beginning with the 1870s yellow fever epidemics that created racial imbalance as wealthy whites fled the city, David Less moves from W. C. Handy's codification of blues in 1909 to the mid-century advent of interracial musical acts like Booker T. & the M.G.'s, the birth of punk, and finally to the growth of a music tourism industry.

In this enlightening and entertaining book, experience the evolution of country music, from the 1970s Appalachian hillbilly chitlin' circuit to the 1980s country music boom that paved the way for modern Americana. In a dim clearing off a county road in Kentucky sits a sagging outdoor stage...

A fascinating history that examines how real estate, gentrification, community and the highs and lows of New York City itself shaped the city’s music scenes from folk to house music. Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant...

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000 on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World, journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution.

Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers.

Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s.

An estimated four hundred gold records have been recorded in the Muscle Shoals area. Many of those are thanks to Muscle Shoals Sound Studio and the Muscle Shoals Rhythm Section, dubbed "the Swampers."

James and Annetta White opened the Broken Spoke in 1964, then a mile south of the Austin city limits, and for more than 50 years, the Broken Spoke has served up, in the words of White’s well-worn opening speech, “...cold beer, good whiskey, the best chicken fried steak in town...and good country music.” White paid 32 dollars to his first opening act, D. G. Burrow and the Western Melodies, back in 1964. Today the original rustic, barn-style building still sits on South Lamar, a tribute and remembrance to an Austin that has almost vanished.

Tulsa, Oklahoma might not be the first place mentioned when people talk about American music history. But this bustling city has a rich and diverse legacy that spans genres, generations and cultures. Tulsa Sounds: Contributions to American Music takes you into the stories behind the songs, the artists and the venues that made Tulsa not only a musical hot spot but influenced social, cultural and political change in the city as well as the nation. There is Leon Russell and his contributions to rock and roll. There are the toe-tapping pioneers of Western Swing, Bob Wills and the Texas Playboys.

Guthrie kept moving throughout his life, making friends, soaking up influences, and writing about his experiences. Along the way, he produced more than 3,000 songs, as well as fiction, journalism, poetry, and visual art, that gave voice to the distressed and dispossessed. In this insightful audiobook, Will Kaufman examines the artist’s career through a unique perspective: the role of time and place in Guthrie’s artistic evolution.

The first biography of the thriving and influential rock scene in Chapel Hill, which gave the world artists like Ben Folds Five, Superchunk, and Squirrel Nut Zippers North Carolina has always produced extraordinary music of every description. But the indie-rock boom of the late 1980s and early...

The smoke was thick, the music was loud, and the beer was flowing. In the fast-and-loose 1980s, Jackson Station Rhythm and Blues Club in Hodges, South Carolina, was a festive late-night roadhouse filled with people from all walks of life who gathered to listen to the live music of high-energy performers. The good times ground to a terrifying halt in the early morning hours of April 7, 1990. A brutal attack - an apparent hate crime - on the owner Gerald Jackson forever altered the lives of all involved.