Showing results for "Monster" in Women

My name is Sherri. I am a mother of five beautiful children, a daughter of the Rosebud Reservation, and a survivor. I was born in Winner, South Dakota, and raised with the traditions, stories, and strength of my Lakota heritage. My life has been shaped not only by love and motherhood but also by pain and healing. Through the darkness, I found light in my children, in my roots, and slowly in myself. Being a mother has given me purpose. Each of my children has been a reason to keep moving forward, to fight for peace, and to rediscover the strength that had always lived within me.

The Blood Countess is an ambitious, sweeping investigation into the singularly fascinating case of Elizabeth Báthory, a woman who, until now, has been known as "the Western World’s most prolific female murderer.” If The Dark Queens is about the systemic erasure of powerful women, then The Blood Countess is about the culturally sanctioned, coordinated smearing of one, how it happens and why, which leads to even bigger questions: how do we construct our personal and cultural realities? How do we parse the truth?

Satisfy your craving for extraordinary authors and exceptional fiction: Meet the women writers who defied convention to craft some of literature’s strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning: horror stories and other weird fiction wouldn’t exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction.

An “intimate, intensely resonant memoir about workaholism, unresolved trauma, and the ‘addictive nature of ambition’” (Harper’s Bazaar), this is an anti-girlboss tale for our times for readers of Drinking: A Love Story and Uncanny Valley. After years of relentlessly racing up the...

Far from bitter or self-pitying, Rock Monster is an honest account of one woman’s life-changing experience in a relationship with rock legend Joe Walsh. At once envious, glamorous, debauched and disturbing, it’s her long and winding journey from life in the fast lane to sobriety and redemption.

Returning to the UK in September 2010 after serving in Iraq as the political adviser to the top American general, Emma Sky felt no sense of homecoming. She soon found herself back in the Middle East traveling through a region in revolt. In a Time of Monsters bears witness to the demands of young people for dignity and justice during the Arab Spring; the inability of sclerotic regimes to reform; the descent of Syria into civil war; the rise of the Islamic State; and the flight of refugees to Europe.

This book is for listeners of true crime podcasts and audiences of both fiction and true-crime nonfiction. It's the true story of first-generation Irish-American nurse Jane Toppan, born as Honora Kelley. Jane Toppan was absolutely a monster, but she did not start out that way. When Jane was a young child, her father abandoned her and her sister to the Boston Female Asylum. From there, Jane was indentured to a wealthy family who changed her name, never adopted her, and wrote her out of the will.

When detectives respond to a crime scene in Orlando, Florida, during the "summer of hurricanes" in 2004, they find Charlie Brandt hanging from the rafters in the garage of his niece Michelle Jones' home. Inside the house, they find a scene of horror that reminds them of other murders.

Fans of Jennette McCurdy’s I’m Glad My Mom Died will root for Bridey Thelen-Heidel as she struggles to unshackle herself from her mother’s chaos in this triumphant debut memoir. Bridey is tethered to her mom’s addiction to dangerous men who park their Harley-Davidsons in the house and kick holes in all their doors. Raised to be her mother’s keeper, rescuer, and punching bag, Bridey gets used to stuffing her life into black trash bags, hauling them between Alaska and California, and changing schools every time her mom moves in a new monster—or runs away from one.

Que tipo de mãe abandona seu filho? Em As abandonadoras, a jornalista catalã Begoña Gómez Urzaiz enfrenta essa pergunta com reflexões em torno da culpa materna, da maternidade competitiva e da mãe como sujeito criativo. Com empatia, autocrítica e surpreendente leveza para um tema incômodo, a autora parte de suas próprias interrogações para construir esta coleção de ensaios sobre os recantos obscuros da maternidade.

À dix-huit ans, j'ai quitté mon Québec, ma famille, mes amis, pour m'évader vers l'Afrique, lieu d'origine de mon prince charmant. Cette idylle a dégénéré, influencée en partie par les traditions et les coutumes d'une petite ville perdue à deux heures du Sahara. Mais elle a surtout été marquée par M. M comme Monstre, M comme Malade, M comme Manipulateur, M comme la première lettre de son prénom. Le prince est devenu bourreau, le chevalier est devenu vautour.

Le 22 juillet 2002, je me suis choisie. Tout aurait pu s'arrêter ce soir-là, mais je me suis battue pour m'arracher des mains meurtrières de M. Je me suis enfuie, j'ai sauvé ma peau… Malgré mon départ précipité, l'ombre de M fut omniprésente. Un M ne lâche pas prise aussi facilement. Un M n'abandonne pas sa proie. Me défaire de ses ficelles, me détacher et me guérir de lui fut un long parcours tumultueux où de nombreuses épreuves ont fait obstacle à ma quête de délivrance.