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When the great red star Calamity appeared in the sky, some believed the end had come. They were right. Calamity created the Epics: humans with incredible powers they didn't deserve. They could have saved mankind. They could have lifted us into harmony and prosperity. Instead they burned. They slaughtered. They conquered. And then they ruled. Jax has learned all of this the hard way. Orphaned at an early age, he's spent most of his childhood training to be a Reckoner - determined to find the Epics' weaknesses, unlock their secrets, and protect those of us who are still left.

Lux Blakely, the preteen son of a NASA scientist working on top-secret government projects, is not shackled by accepted scientific theory and dogma. His experiments in gravimetric research and the expanding capability of a nascent AI cause Lux to be closely observed by several government agencies. He discovers a way to use magnetic fields for propulsion, but he needs money. Lux and his friend, Prissy, come up with a way to use his father's developing AI to raise money through social media.

Fifteen missing people. A light that hungers. A trap outside reality. A trip to 1950s Miami takes a dangerous turn, leaving the Doctor and Belinda at the mercy of Mr. Ring-a-Ding. A cartoon come to life who wants something that only the Doctor can give him. Can Belinda save the Doctor? Or will they be trapped by a trick of the light?

Lux is finishing his Aeronautical Engineering degree at Georgia Tech. His father begins to support him again, but he is starting to get noticed a little too widely outside his peers. He has to hire a 24/7 security team. The Israeli intelligence operatives, alerted by Professor Helmann, are the first to arrive. SpaceX becomes interested when Lux tries to obtain spacesuits suitable for extravehicular activity in a vacuum. Lux starts flying frequently and upgrades SpaceX rocket shells with Blakely thrusters. Chinese operatives attempt to obtain the tech by any means and won't stop.

Daemon's determined to prove what he feels for Katy is more than a product of their bizarro connection. So she's sworn him off, even though he's running more hot than cold these days. But they've got bigger problems.The Department of Defense is here. If they ever find out what Daemon can do and that Katy and Daemon are linked, Katy's a goner. So is he. And there's this new boy in school who's got a secret of his own. He knows what's happened to Katy and he can help, but to do so, Katy has to lie to Daemon and stay away from him. Like that's possible.

I knew the moment Katy Swartz moved in next door there was going to be trouble. Lots of it. And trouble's the last thing I need, since I'm not exactly from around here. My people arrived on Earth from Lux, a planet 13 billion light-years away. Plus, if there's one thing I know, it's that humans can't be trusted. We scare them. We can do things they only dream about, and honestly, we make them look weak as hell. Cuz they are.

Lux Radio Theatre, sometimes spelled Lux Radio Theater, a classic radio anthology series, was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company [ABC] in 1943–1945); CBS Radio network (Columbia Broadcasting System) (1935–54), and NBC Radio (1954–55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. These hour-long radio programs were performed live before studio audiences. The series became the most popular dramatic anthology series on radio,...

When 17-year-old Katy Swartz moved to West Virginia right before her senior year, she'd pretty much resigned herself to thick accents, dodgy Internet access, and a whole lot of boring, but then she spotted her hot neighbor, with his looming height and eerie green eyes. Things were looking up...until he opened his mouth. Daemon Black is infuriating. Arrogant. Stab-worthy. It's hate at first sight, but when a stranger attacks her and Daemon literally freezes time with a wave of his hand, well, something...unexpected happens. The hot guy next door? Well, he's an alien.

No one is like Daemon Black. When he set out to prove his feelings for Katy, he wasn't fooling around. Doubting him isn't something she'll do again and now that they've made it through the rough patches, well, there's a lot of spontaneous combustion going on. But even he can't protect his family from the danger of trying to free those they loved. With help coming from the most unlikely source and Adam's death still lingering with those who loved him, friends will become the deadliest of enemies and the villains will no longer be clear.

The last thing Dawson Black expected was Bethany Williams. As a Luxen, an alien life form on Earth, human girls are...well, fun. But since the Luxen have to keep their true identities a secret, falling for one would be insane. Dangerous. Tempting. Undeniable. Bethany can't deny the immediate connection between her and Dawson. And even though boys aren't a complication she wants, she can't stay away from him. Still, whenever they lock eyes, she's drawn in. Captivated. Lured. Loved.

Lux keeps inventing things or adapting alien tech (ancient tech to the aliens) because the active alien civilizations they discover through portals and probes have gone through cycles of war, decline, and rebirth several times. Lux further develops the portals using discovered alien tech. Earth empties refugee camps the UN was running (1,200,000) and sends them with a military escort for their "safety." The military sends many ships for escort duty with orders to take over the colony and use the refugees as a labor force.

Katy knows that the world changed the night the Luxen came. She can't believe that Daemon welcomed his race or stood by as his kind threatened to obliterate every last human and hybrid on Earth. But the lines between good and bad have blurred, and love has become an emotion that could destroy her-could destroy them all.

Lux finds traveling outside Earth's magnetic fields is possible with the gravity drive, but the military from the US and other nations begins to push hard for the tech. Could they use it to help mine the moon, asteroids, and the moons of other planets? Who controls the areas away from Earth when humans establish bases on different planets? Lux becomes known around Earth, and the fame may be too much. He finds he is a target for governments and corporations that want to control him and his knowledge.

The Lux Radio Theatre was a one-of-a-kind OTR show. Imagine the greatest Hollywood stars doing one-hour versions of their biggest motion pictures, complete with full orchestra, live onstage with a studio audience. The one and only Cecil B. DeMille was your host ('36-'45) for a lavish production of what was to become a veritable film checklist of many of Hollywood's best films from the mid-'30s right through the mid-'50s. The first Lux film adaptation was The Legionnaire and the Lady with Marlene Dietrich and Clark Gable, based on the film Morocco.

Lux Blakely, the preteen son of a NASA scientist working on top-secret government projects, is not shackled by accepted scientific theory and dogma. His experiments in gravimetric research and the expanding capability of a nascent AI cause Lux to be closely observed by several government agencies. He discovers a way to use magnetic fields for propulsion, but he needs money. Lux and his friend, Prissy, come up with a way to use his father's developing AI to raise money through social media.

The ability for easy travel throughout the solar system has created nations and organizations on Earth who want to control Mars and the rich resources of the solar system. Mars has started its own military and is building a fleet to survive the brutal attacks from Earth. Mars has set up embassies on Earth and is facing spies and saboteurs intent on disrupting a content populace that is growing rapidly. Lux has developed new weapons, and Prissy joins the colony military.

Lux Radio Theater, one of the genuine classic radio anthology series (NBC Blue Network (1934-1935); CBS (1935-1955), adapted first Broadway stage works, and then (especially) films to hour-long live radio presentations. It quickly became the most popular dramatic anthology series on radio, running more than twenty years. The program always began with an announcer proclaiming, "Ladies and gentlemen, Lux presents Hollywood!" Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936, until January 22, 1945.

Un thriller redoutable et singulier au scénario ambitieux qui pose la question essentielle : y-a-t-il un sens à nos vies ?

In a world where the line between mundane and supernatural is paper-thin, Sadie Baker just became the Lux Bellator’s newest weapon—and their biggest wildcard. At 21, Sadie is the newest member of the Lux Bellator's New York office. She’s got angel blood in her veins, a chip on her shoulder, and magical abilities that make even seasoned agents do a double take. Telekinesis? Check. Clairvoyance? Easy. A dangerously snarky mouth? That, too.

"Lux Radio Theatre" was an iconic American radio show that ran from 1934 to 1955, primarily on CBS Radio. It was renowned for its weekly, hour-long adaptations of popular films and Broadway plays, often featuring Hollywood's biggest stars reprising their original roles.Here's a closer look at its significance:Format: The show would adapt current or upcoming movie attractions and Broadway plays for radio, allowing listeners to experience condensed versions of popular stories.Star Power: What made "Lux Radio Theatre" truly special was its ability to attract A-list Hollywood talent. Stars like ...