Showing results for "Gone" in Urban

DCI Miller is faced with a head-ache and a half in Gone Too Far. Kathy Hopkirk, the nation's most detested "celebrity" has disappeared. Famed for her outrageous remarks and nasty observations about ordinary people in the street and stars from the showbiz world, Kathy has always taken great delight in grabbing the headlines and causing as much controversy as possible. But now she is in the news for a different reason. She is missing. While visiting Manchester for work, she was staying at The Midland.

Richard has spent his life as a university professor, immersed in the world of books and ideas. Recently retired, he steps into the streets of his city, Berlin, and discovers a new community. A tent city has grown up on Oranienplatz, established by African asylum seekers. Hesitantly getting to know the people there, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us.

While Katie's glad it's not a man's world anymore, she'd be quite pleased if there were more men in it - or at least single ones, anyway. More likely to get murdered than married, according to gleeful media reports, Katie resigns herself to the fact there's no sex in the city and heads for the hills - or the Scottish Highlands, to be precise. Despite the fact she's never been a girl for wellies and Fairlish is in the middle of nowhere, the tiny town does have one major draw: men. Lots of them.

Frazzled mum Alice Ray likes to think she’s on top everything - she has four bags-for-life in the boot of her car for heaven's sake. But after spectacularly embarrassing herself at work, she finally gives in to her sister’s pleas to take a much-needed break. But this is not the luxury spa holiday Alice hoped for - instead, she finds herself in Denmark, in the middle of nowhere, on a ‘How to be a Viking’ getaway. Can the two sisters finally learn to get along, or will learning to embrace their inner warriors just make them better at fighting?

Leonid McGill is back, in the third-and most enthralling and ambitious-installment in Walter Mosley's latest New York Times- bestselling series. The economy has hit the private-investigator business hard, even for the detective designated as "a more than worthy successor to Philip Marlowe" (The...

Most people think when you say, "I do" all problems come to an end. When happily ever after seems impossible, three women transform from good girls to bad women. Just when they think they've made it out of the grimy streets to a more ideal lifestyle in the suburbs, their lavish lives turn sour. Unfortunately, for the sexy threesome, they are all suddenly faced with financial hardships that land them between a rock and a hard place.

Javier Jimenez is on a glide path to college while his brother, Alex, has done a 180 and is heading for trouble. Neither, however, have any idea what's coming their way when George Jones sets in motion his plan for their neighborhood. It's a cataclysmic vision of urban renewal replete with manmade disasters, civil unrest, and a tsunami of ambitious Zoomers.

Danita and Stephen have been together for five years. Things are great between them until an unexpected discovery sends Danita into a tailspin. With her trust shattered and temptation at her new job, she must decide whether to work things out or move on. As the boundaries of life and fidelity are tested, can their relationship survive through the worst? Or will they not realize what they have until it’s gone?

One family. One empire. One ultimate betrayal. The Reign family has it all. Wealth, love, and unbreakable bonds, but they also have secrets that ultimately lead to an untimely death.

In order to purge herself from the ultimate betrayal, Sariah Reign turns cold to the world around her. Her good girl image is no more. It’s the Reign family versus the Cannon family, and only one can come out on top.

Sin duda, no hay en la actualidad ningún escritor que retrate con mayor verosimilitud el mundo de los gánsteres en Estados Unidos durante la primera mitad del siglo XX que Dennis Lehane, y esta electrizante novela —que cierra la trilogía iniciada con Cualquier otro día y Vivir de noche— es la mejor prueba de ello.