Showing results for "Dubliners" in Anthologies & Short Stories

Form-defining short stories. First published in 1914, James Joyce defined what the short story could be with his collection The Dubliners. A mixture of prose and poetry, each story can be listened to independently, or as a collection. From childhood to maturity, we see what life - and ultimately death - can be, via an extraordinary cast of characters, all of whom experience an epiphany. There’s Father Flynn, the priest; Evelyn, the shop girl who dreams of escape; Mrs Mooney, the butcher’s daughter, who runs a boarding house.

Brought to you by Penguin. This Penguin Classic is performed by Andrew Scott, star of Sherlock, Fleabag and Black Mirror, also known for his on-stage roles in Present Laughter and Hamlet. This definitive recording includes an Introduction by Terence Brown. Joyce's first major work, written when...

Dubliners is a collection of fifteen short stories by James Joyce, first published in 1914. They form a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century. The stories were written when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences.

James Joyce's disillusion with the publication of Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else, including two entire stories. Although only 24 when he signed his first publishing contract for the book, Joyce already knew its worth. Joyce's aim was to tell the truth — to create a work of art that would reflect life in Ireland at the turn of the last century.

Dubliners is a collection of 15 short stories by James Joyce, first published in 1914. The stories comprise a naturalistic depiction of Irish middle-class life in and around Dublin in the early years of the 20th century. The stories were written when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences.

These vivid, tightly focused observations about the life of Dublin's poorer classes originally made publishers uneasy: the stories contain unconventional themes and coarse language, and they mention actual people and places. Today, however, the stories are admired. They are considered to be masterful representations of Dublin done with economy and grace - representations, as Joyce himself once explained, of a chapter in the moral history of Ireland that give the Irish a good look at themselves.

Set against the background of Dublin at the turn of the century, Joyce's celebrated collection of short stories recount a series of unremarkable incidents in the lives of ordinary men and women. Stylistically straightforward, it is Joyce's eye for detail, matched only by his interest in the habits and patterns of daily life and celebration of the unique wit and landscape of the Irish, that makes these stories so enchanting.

In his first published work in prose, James Joyce paints vivid portraits of the people of Dublin, his city of birth, in a collection of stories whose larger purpose, he said, was to depict a "moral history of Ireland". From the first story, in which a young boy encounters death, to the haunting final story involving the middle-aged Gabriel, the book gives an unflinching and realistic portrayal of "dear, dirty Dublin" in the early 20th-century.

Dubliners is a collection of fifteen short stories by James Joyce, first published in 1914. It presents a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century. The stories were written when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences.

Holding none of the difficulties of Joyce's most powerful and moving prose. Holding none of the difficulties of Joyce's later novels, such as Ulysses, Dubliners is, in its way, just as radical. These stories introduce us to the city which fed Joyce's entire creative output, and to many of the characters who made it such a well of literary inspiration.

Questa famosa raccolta di racconti vuole offrire uno spaccato dell’esperienza dublinese di Joyce. I quindici racconti restano sospesi nella nebbia della città, cogliendo delle istantanee nella vita dei suoi personaggi, offerte così, senza un inizio o una fine nel senso stretto della parola. Dal racconto più lungo, I morti, è stato tratto un film.

Dubliners is a collection of 15 short stories by James Joyce, first published in 1914. They provide a portrait of Irish middle class life in and around Dublin in the early years of the 20th century. Each of the stories offers glimpses into the lives of ordinary Dubliners, and together they paint a portrait of a nation. Ireland was at a crossroads of history and culture at that time, pursuing a search for national identity and purpose.

James Joyce's Dubliners is a collection of short stories about the lives of the people of Dublin around the turn of the century. Each story describes a small but significant moment of crisis or revelation in the life of a particular Dubliner, sympathetically but always with stark honesty. Many of the characters are desperate to escape the confines of their humdrum lives, though those that have the opportunity to do so seem unable to take it.

Dubliners is a collection of fifteen short stories written by James Joyce and published in 1914. The stories are set in Dublin, Ireland, and explore the lives of ordinary people in the city at the turn of the 20th century. Joyce’s use of vivid imagery and subtle symbolism creates a powerful sense of atmosphere and character that draws readers into the world of Dublin and its inhabitants.

Dubliners is a collection of short stories by James Joyce that was first published in 1914. The 15 stories were meant to be a naturalistic depiction of the Irish middle-class life in and around Dublin in the early years of the 20th century. The stories were written at a time when Irish nationalism was at its peak and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences.

TV actor Charles Keating provides superb narratives of "Araby," "Eveline," and "Counterparts" from Joyce's brilliant collection of stories, rich with memorable characters and displaying his genius for the subtleties and nuances of language.

As a legendary writer who has left a lasting and profound impact on Irish literature and culture at large, James Joyce pioneered a daring and influential transformation in writing, drawing on a unique style and new ways of writing which have cemented him as a world-famous author. Now, this brilliant collection compiles three of his most famous works for the modern listener, capturing all the wit and charm of Joyce’s original books all those years ago.

This curated collection brings together five iconic works from some of Ireland's greatest writers, each offering a distinct voice and vision that helped shape modern Irish literature. From gothic horror to modernist experimentation, biting satire to fading aristocracy, these novels capture the complexities of identity, society, and imagination across centuries.

This collection of Irish tales includes "Eveline", "After the Race", "Two Gallants", "The Boarding House", "Counterparts", "Clay", "A Painful Case", "Ivy Day in the Committee Room", "A Mother", "Grace", and "The Dead".

A MAYOR GRACIA DE DIOS (The Grace). Es uno de los 15 relatos que componen la novela Dublineses. Este relato está marcado por la religión. Aquí se ven los trapicheos de un cierto proselitismo católico, ya que este relato trata de cómo los amigos y la esposa del protagonista, que ha tenido un accidente estando borracho, intentan reconducirle a la senda católica.