Showing titles in Poetry

Reid was born in Hong Kong and, thanks to the roving nature of his father's employment, spent some of his childhood in foreign places. Most of the locations in this book, however, are the Britain of the 1950s and '60s - perhaps, at this distance in time, no less exotic. As the poems move from pre-verbal experience to adolescence, the younger self is captured in scenes that illuminate the steps by which a man - a poet - has been raised.

The Floodmeadow draws us into a seething pastoral where lightning threatens and thunder gathers, pylons and powerlines hum, and steel-framed gates sing out into the wind. In these incantatory pieces, everything is present at once. This is a visionary collection that invokes other times, dimensions and soundscapes to tell out some word of beauty and abundance in the here and now.

Joshua Bennett and Jesse McCarthy repeatedly found themselves struck by the number of exciting poets they came across in long-out-of-print collections and forgotten journals whose work has been neglected or entirely ignored, even by scholars of Black poetry. Minor Notes is an excavation initiative that recovers and curates archival materials from these understudied, though supremely gifted, African American poets of the nineteenth and twentieth centuries, and aims to bridge scholarly interest with the growing general audience who reads, writes, and circulates poetry within that tradition.

Blending humour with insight, tension with tenderness, complexity with care, Poetry Unbound articulates the power of poetry itself; it illuminates aspects of the human condition, particularly the ways we are inextricably linked to each other, and provides inspiration for grounded self-reflection.

Romeo and Juliet has descriptive copy which is not yet available from the Publisher.

Originally published in 1954 to honor Stevens’ 57th birthday, the book was rushed into print for the occasion and contained scores of errors. These have now been corrected in one place for the first time by Stevens scholars John N. Serio and Christopher Beyers, based on original editions and manuscripts. The Collected Poems is the one volume that Stevens intended to contain all the poems he wished to preserve, presented in the way he wanted. It is an enduring monument to his dazzling achievement.

When Opus Posthumous first appeared in 1957, it was an appropriate capstone to the career of one of the most important writers of the 20th century. It included many poems missing from Stevens' Collected Poems, along with Stevens' characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication.

From the former United States Poet Laureate and New York Times bestselling author of Aimless Love, a wondrous new collection of poems focused on the joy and mystery of daily life.

In this debut poetry collection, Marina's talent for powerful, evocative song lyrics finds a new outlet as her words weave stories of resilience and self-discovery. Each poem resonates with the same creative melodies and emotional depth that have made her an artistic sensation. Hailed by The New York Times for 'redefining songs about coming of age, and the aftermath, with bluntness and crafty intelligence,' Marina delves even further into teenage trauma, youth, and the highs and lows of relationships in these profound, autobiographical poems.

In this playful, innovative collection, Brian Bilston writes a poem to accompany every day of the year. Each poem is inspired by a significant—often curious—event associated with that day: from Open an Umbrella Indoors Day to the day on which New York banned public flirting; from the launch of the Rubik’s Cube to the first appearance of the phrase, ‘the best thing since sliced bread’.

Be Holding is a love song to legendary basketball player Julius Erving—known as Dr. J—who dominated courts in the 1970s and ‘80s as a small forward for the Philadelphia ‘76ers. But this book-length poem is more than just an ode to a magnificent athlete. Through a kind of lyric research, or lyric meditation, Ross Gay connects Dr. J’s famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love.

Catalog of Unabashed Gratitude is a sustained meditation on that which goes away—loved ones, the seasons, the earth as we know it—that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

Bringing the Shovel Down maps the long and arduous process of being inculcated with the mythologies of state and power, the ramifications of that inculcation (largely, the loss of our humanity in the service of maintaining those mythologies), and finally, what it might mean, what it might provide us, if we were to transform those myths. The book, finally, has one underlying question: How might we better love one another?

These piercing, surprising poems look to familial history, rituals of faith, and the natural world to explore how the intersecting cultures of Blackness and queerness relate to each other. As the collection evolves, the listener is challenged and empowered to seek expansiveness in spaces that have not previously been excavated, reckon with the complexities of interpersonal relationships, and explore memory as a catalyst for self-determination.

Poetry and science, as Popova writes in her introduction, "are instruments for knowing the world more intimately and loving it more deeply." In 15 short essays on subjects ranging from the mystery of dark matter and the infinity of pi to the resilience of trees and the intelligence of octopuses, Popova tells the stories of scientific searching and discovery.

The Keelie Hawk is a landmark collection from Kathleen Jamie, the current Makar (National Poet) of Scotland. For the first time, Kathleen Jamie has brought her astonishing lyric talent to the language of her homeland, with outstanding results. The Keelie Hawk is a deeply resonant collection written in Scots, with each poem accompanied by a translation into English.

Centred around two lyric poems on imminent fatherhood and the birth of a child, Signs, Music is a book about masculinity, fatherhood, and love. The speaker, looking backwards to his late father and forwards to his new son, prepares to become a parent for the first time. Meditating on the cognitive and emotional dissonances between the ‘hypothetical’ and the ‘real’ of becoming a father, this irreversible transition causes the poet’s ‘lines [to] lead towards my father (again!)’.

In this dazzling collection, the poet, author, and conceptual/performance artist traces blackness, queerness, and desire through the legacy of 1990s and early 2000s New York City underground art movements, illuminating how their roots and undertold histories inspire today’s culture.

From poet Courtney Peppernell comes the story of a very long winter, a month of dark and unforgiving Sundays, that will make you question your strength and the purpose of living.

Vincent Toro’s third collection of poetry is a work of Latinxfuturism that confronts the enigmatic and paradoxical relationship human beings have with technology. The poems are a tapestry of meditations on social media and surveillance culture, satires on science fiction and the space race, interrogations of artificial intelligence, cyborg economics, and biohacking, and tributes to women and queer and BIPOC people who have contributed and are contributing to human survival and progress in a technology obsessed world.