‘The latest in the thriller series behind Netflix stalker blockbuster You’ Guardian

‘Fiendish, fast-paced and very funny’ Paula Hawkins

‘Another dark, thrilling and blackly hilarious adventure from everyone’s favourite murderer’ Claire McGowan

‘I absolutely loved it. It’s completely addictive, razor-sharp writing from Kepnes. Internet creeping at its most darkly humorous. Joe’s back, and this time it’s definitely real love’ Catherine Steadman

‘Caroline Kepnes must be some kind of storytelling sorcerer. How else can Joe Goldberg — stalker, creep, multiple-murderer, blamer of everyone else but himself, a “long overdue book, the one you never thought was coming” — be such an entertaining narrator? . . . brilliant’ New York Times

‘The highly anticipated new thriller from the author of the hit You series – we couldn’t put it down’ Closer

‘Of course, it’s never easy with Joe, who instantly finds a connection with librarian Mary Kay DiMarco – and we all know what that means . . . We can’t wait to see where he ends up next’ Metro

‘One of the smartest, most insightful writers out there with a true gift for crafting flawed, complicated characters that force us to reckon with our own flaws and complications. Joe’s back (and so are all the reasons you love to hate him)’ Nicola Yoon

‘Caroline Kepnes is that peerless author who makes me laugh and glance over my shoulder on the very same page. Thank the reading gods that Joe Goldberg is back and just as seductive, dangerous and witty as ever’ Jessica Knoll

‘Caroline Kepnes’s original magic trick was getting readers to root for the murderous Joe Goldberg; now, in You Love Me, her mastery deepens in making readers love him. Filled with her signature wit, incisive social commentary and pathos, this is Kepnes’s best yet’ Andrea Dunlop

‘A strange delight . . . Series fans will eat this up’ Publishers Weekly

‘Compulsively readable . . . There's never been a better time to get acquainted with Kepnes’s dangerously appealing leading man’ Booklist

‘Kepnes’s savage takedowns of pretentious blowhards continue to make Joe a more culturally aware Dexter, or perhaps a more romantic and humorous Hannibal, as he pillories the bad taste of his rivals and victims’ LitHub