At some point in the 1980s we gave up on the future. Before then, we imagined wonderful days to come, free from disease, work and want, in television series like Star Trek or events such as the 1939 Futurama World Fair. When we look ahead now, we tell dystopian stories of environmental collapse, zombie plagues and the end of civilisation. If it is true that we have to imagine the future before we build it, then this is deeply worrying. 

A journey along one of Britain's oldest roads, from Dover to Anglesey, in search of the hidden history that makes us who we are today. Long ago a path was created by the passage of feet tramping through endless forests. Gradually that path became a track, and the track became a road. It connected the White Cliffs of Dover to the Druid groves of the Welsh island of Anglesey, across a land that was first called Albion then Britain, Mercia and eventually England and Wales. Armies from Rome arrived and straightened this 444 kilometres of meandering track, which in the Dark Ages gained the name Watling Street.

The strange tale of the death, life and legacy of the hugely successful band. They were the best-selling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why.

The 20th century should make sense. It's the period of history that we know the most about, an epic geopolitical narrative that runs through World War One, the Great Depression, World War Two, the American century and the fall of the Berlin Wall. But somehow that story doesn't quite lead into the world we find ourselves in now, this bewildering 21st century, adrift in a network of constant surveillance, unsustainable competition, tsunamis of trivia and extraordinary opportunity.

Naxos AudioBooks begins its new series of Great Poets with William Blake. This program contains all of his most popular works - including "Tyger", "The Auguries of Innocence", and "Jerusalem" - as well as some lesser-known poetry that demonstrates the range and power of his verse.

The great modern classic of a brilliant rebel's personal exploration into the nature of consciousness. Based on The Robert Anton Wilson Trust Authorized Hilaritas Press Edition.

The "Songs of Innocence" were published in 1789 and republished in 1794 together with the "Songs of Experience". They represent Blake's two perspectives on the world, that of the child (innocence) and that of the adult (experience). Blake's poetical works were largely neglected in their own time but are today considered some of the most brilliant of English verse. The "songs" are presented here together with "Auguries of Innocence".

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

In the half a square mile of decay and demolition that was England's Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district's narrative, among its saints, kings, prostitutes and derelicts, a different kind of human time is happening. Through the labyrinthine streets and minutes of Jerusalem tread ghosts that sing of wealth and poverty, of Africa, hymns and our threadbare millennium.

Three great strands of practice and belief run through human history - science, religion and magic. Over the last few centuries, magic - the idea that we have a connection with the universe and that the universe responds to us - has developed a bad reputation. But it is still with us, as it has been for millennia, as Professor Chris Gosden shows in this extraordinarily bold and unprecedented history.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

This fresh perspective on crucial questions of history identifies the root metaphors that cultures have used to construct meaning in their world. It offers a glimpse into the minds of a vast range of different peoples: early hunter-gatherers and farmers, ancient Egyptians, traditional Chinese sages, the founders of Christianity, trailblazers of the Scientific Revolution, and those who constructed our modern consumer society.

This is the first book to offer the great master's incisive wisdom in short selections taken from the whole range of his voluminous works. The pithy and powerful readings, arranged according to theme, provide a perfect introduction to Dogen - and inspire spiritual practice in people of all traditions.

What exactly are the weird and the eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The weird and the eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The weird and the eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.