Elizabeth Richmond is almost too quiet to be believed, with no friends, no parents and a job that leaves her strangely unnoticed. But soon she starts to behave in ways she can neither control nor understand, to the increasing horror of her doctor and the humiliation of her self-centred aunt. As a tormented Elizabeth becomes two people, then three, then four, each wilder and more wicked than the last, a battle of wills threatens to destroy the girl and all who surround her. 

In these stories an excellent host finds himself turned out of home by his own guests; a woman spends her wedding day frantically searching for her husband-to-be; and in Shirley Jackson's best-known story, a small farming village comes together for a terrible annual ritual. The creeping unease of lives squandered and the bloody glee of lives lost is chillingly captured in these tales of wasted potential and casual cruelty by a master of the short story.   

Step into the unsettling world of Shirley Jackson this autumn with a collection of her finest, darkest short stories, revealing the queen of American Gothic at her mesmerising best. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the country manor and from the small-town apartment to the dark, dark woods.

"The Lottery," one of the most terrifying stories of the twentieth century, created a sensation when it was first published in the New Yorker. "Powerful and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Jackson's lifetime, unites "The Lottery" with 24 equally unusual stories. Together they demonstrate her remarkable range - from the hilarious to the truly horrible - and power as a storyteller.

Natalie Waite, daughter of a mediocre writer and a neurotic housewife, is increasingly unsure of her place in the world. In the midst of adolescence she senses a creeping darkness in her life, which will spread among nightmarish parties, poisonous college cliques and the manipulations of the intellectual men who surround her, as her identity gradually crumbles.

Mrs Halloran has inherited the great Halloran house on the death of her son, much to the disgust of her daughter-in-law, the delight of her wicked granddaughter and the confusion of the rest of the household. But when the original owner - long dead - arrives to announce the world is ending and only the house and its occupants will be saved, they find themselves in a nightmare of strange marble statues, mysterious house guests and the beautiful, unsettling Halloran sundial which seems to be at the centre of it all.

Alone in the world, Elspeth Swansome has taken the position of nanny to a family on the remote Scottish island of Skelthsea. Her charge, Mary, is a strange child. Distracted and secretive, she hasn't uttered a word since the sudden death of her twin, William - just days after their former nanny disappeared. With her charge defiantly silent, Elspeth turns to the islanders. But no one will speak of what happened to William.

A rather mysterious old clergyman is dead, and his daughter, 16-year-old Athene is desolate. A beauty, she is also lonely and living a fantasy life. Athene’s mother dispatches her to spend the holidays with assorted friends and relatives. And for Athene that golden summer after the funeral becomes delicious fodder for her fantasy.

Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness.

Ghosts don't exist in our world of today. Life is too pragmatic, too consuming, too busy for past lives to linger on longer than their allotted time, or so Halcyon had believed, until she received a letter from a lawyer claiming that her mother, whom she had thought long dead, had actually been living in another part of the country since Halcyon's early childhood. She had only recently passed away, leaving Halcyon heir to an unexpected fortune and an estate on an isolated island in the middle of the Great Lakes.

Academy Award, Golden Globe, and Emmy winner Emma Thompson lends her immense talent and experienced voice to Henry James' Gothic ghost tale, The Turn of the Screw. When a governess is hired to care for two children at a British country estate, she begins to sense an otherworldly presence around the grounds. Are they really ghosts she's seeing? Or is something far more sinister at work?

After a bizarre and disturbing incident at the funeral of matriarch Marian Savage, the McCray and Savage families look forward to a restful and relaxing summer at Beldame, on Alabama's Gulf Coast, where three Victorian houses loom over the shimmering beach. Two of the houses are habitable, while the third is slowly and mysteriously being buried beneath an enormous dune of blindingly white sand. But though long uninhabited, the third house is not empty. Inside, something deadly lies in wait.

Rosemary Woodhouse and her struggling-actor husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband starts spending time with them.

It's almost midnight, bitterly cold and snowing, when a beautiful young girl, Tabitha Willard, throws herself off the Walnut Street Bridge into the icy waters of the Tennessee. Harry Starke is there, on the bridge. Wrong time, wrong place? Maybe. He tries but is unable to stop her. Thus begins a series of events and an investigation that involves a local United States congressman, a senior lady senator from Boston, a local crime boss, several very nasty individuals, sex, extortion, high finance, corruption, and three murders.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead. Korede's practicality is the sisters' saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her 'missing' boyfriend. Not that she gets any credit.