Twenty Years After

Dumas YES, Narrator NO

Is there anything you would change about this book?

I recently discovered Dumas' D'Artangion series, starting with the first one that is narrated by Simon Vance. I then skipped "Twenty Years After" and listened to "The Man in the Iron Mask", also narrated by Simon Vance. I decided to go back and listen to the one's I'd missed, starting with "Twenty Years After", narrated by Frederick Davidson. Well, in a work "Yuck". Mr. Davidson is a sad excuse for a narrator/reader/story teller. I gave it a chance, listening for two hours. Alas, I could not take Mr. Davidson any more and decided to check the book out of the library, as Simon Vance does not narrate a version of this book. I have placed Mr. Frederick Davidson on my do not listen to list forever.

What didn’t you like about Frederick Davidson’s performance?

Terrible, will never listen to a book narrated by Mr. Davidson again, NEVER.

27 of 30 people found this review helpful

Enjoyed the story, but please get John Lee

Any additional comments?

Unfortunately, there is no choice in narrators for this book. I'm a big fan of John Lee's narations...this is not to that standard. The main characters have awfully grating interpretations to their voice, so I'm glad I'm only listening to this in the car and not on headphones. After a five hour drive today I place the rendition of D'Artagnan to an interaction of the voice of the father in the 80s show, ALF...a bit whiny, grating and annoying. Too bad the producer didn't make him change the voice. D'Artagnan doesn't even sound his age. The story is good, just don't try listening to this for several hours at a time. I'm getting through this, though, so I can move onto the next books, which are narrated by John Lee.

19 of 22 people found this review helpful

Narrator drags down a good book

Twenty Years After is a worthy successor to The Three Musketeers, unusual for a sequel. Dumas is excellent in aging and maturing the characters for the better or the worse based on the trajectory of the personality of each. The caliber of the books in the series varies. but the first 2 are great adventure stories.

However, the narrator is not up to the material. His monotone detracts both in the narrative & the personification of characters. In dialog, monotone is not the only problem. Almost all lines are delivered as if the character was condescending, bored or domineering. There is virtually no distinction between characters. I would recommend this rendition of Twenty Years After only to those who are willing to endure the narrator in order to hear the story.

7 of 8 people found this review helpful

I concur with Susanne

I repeat all of Susanne's comments, verbatim. I am vastly disappointed. Like she, my one star is for the narrator, not the story.

7 of 8 people found this review helpful

This Version Isn't Good.

It is far from lost on me that Fredrick Davidson put a great deal of effort and enthusiasm into this production. That said, his attempts at characterization, while spirited to say the least, were so very awful that I decided to spend the money on a different rendition of the story instead of suffer through the remainder of his performance. For instance, he portrays d'Artagnan with a caricature of a voice that might be appropriate for a stuck-up British dandy, similar in tone to Peter Sellers' role of Mandrake in the 1964 film "Dr. Strangelove." I kept expecting him to say "aHmmm... jolly good, yes" at any moment. His other character voices are bad, but d'Artagnan is insufferable. In addition to this, Davidson's pronunciation of French (as well as those words borrowed from other languages which frequently come up) is simply awful. Even the humblest actor should know better than to approach such a role with little or no preparation.

This story is a classic and my one star rating is solely based on the unacceptable voice acting. Please, get a copy of this amazing tale of adventure and gallantry. But DO NOT choose this one.

23 of 28 people found this review helpful

Great story, horrible narrator

I recently finished this book after listening to "The Three Musketeers" narrated by John Lee. The story was excellent, but the narrator almost killed it for me. Besides the fact that he had trouble maintaining the same voices for characters from chapter to chapter, the voices which he chose seemed to detract from the characters. The editing was also somewhat sloppy because I occasionally thought that I could hear papers rustling and also the narrator tripped up slightly on several sentences which I felt should have been edited. Anyway, I would give the story 5 stars and the narrator 0.

13 of 16 people found this review helpful

Good story, terrible narration

Would you recommend this audiobook to a friend? If so, why?

No. Nobody I know would suffer through this narrator.

Who would you have cast as narrator instead of Frederick Davidson?

John Lee, who did a marvelous job with The Three Musketeers.

Was this a book you wanted to listen to all in one sitting?

Not in the slightest. I might have enjoyed the narrative that way, but at nearly 28 hours it would have been an absurdly long sitting. However, I couldn't stand the narrator's reading for more than a few minutes at a time, especially when there was dialogue -- he gave all the characters pretty unpleasant voices, and it seems the more central the character was, the less pleasant the voice he assigned.

Any additional comments?

D'Artagnan is portrayed as a shouting, unpleasantly brusque man with a half-strangled, nasal voice. While the narrator may have been trying to characterize him as a military type, instead he simply made sure that the most central character was the least pleasant to hear speak. The other central Musketeers are given similarly irritating voices. It's a good thing this book is Whispersync-ready, though, because you'll still have to follow along with the text sometimes to figure out who's speaking; sometimes one character's speech is given in the voice of another for a few sentences (or a few pages). At other points, I had to consult the text to see if strange emphasis were being used to make up a deficiency in translation, and eventually considered whether the narrator might not improperly understand what he was reading; the sense of some sentences was altered or even completely obscured by strange emphasis on small, structural words that should only be emphasized for specific purpose: "The robes OF the cardinal..." and the like. His phrasing was often unnatural and difficult to parse. Really, the narrator sucked most of the joy out of the audio for me. If I'd had the hands-and-eyes time to able to simply read it and leave John Lee's voices in my head for my mental performance, I would have. It was a chore to struggle through this version on my way to the next book in the series, despite the story being not nearly so much inferior, and now instead of looking forward to the next in the series, I'm wary of getting another awful narrator.

4 of 5 people found this review helpful

just horrible narration - intolerable

What could have made this a 4 or 5-star listening experience for you?

a decent narrator

What did you like best about this story?

the action and the humor

Would you be willing to try another one of Frederick Davidson’s performances?

never. the worst narrator i have ever suffered through. seems to have no other "voice" than that of what he imagines a perpetually bored aristocrat might choke out.

What reaction did this book spark in you? Anger, sadness, disappointment?

frustration at the horrible narration

Any additional comments?

i listen to a lot of audiobooks. a lot. sometimes i don't finish because the content isn't worth the time. in this case, the content is quite good, and moves with pace. but the narration was so bad i finally gave up. i just couldn't stand listening to the narrator behave as though every voice in the story were a bored aristocrat. all the dialogue is overwrought, and even very funny scenes are flattened by the reading. since i could not find another version, i have switched to reading the book. all the other books in the D'Artagnan series are available narrated by simon vance, who is one of the best, and was indeed the reason i started the series - with The Three Musketeers. i enjoy vance's reading quite a lot and often buy audiobooks i would not otherwise due to his narration. i therefore bought all the books in the D'Artagnan series narrated by vance, without realizing that Twenty Years After is the second in the series, and if one skips it one is lost in much of the story that follows. as a result, i put up with davidson's narration as long as i could, and managed to get through the first third, at which point i gave up and am reading it instead.

4 of 5 people found this review helpful

Worthy Sequel, Excellent Narrator

I beg to differ from the other reviewers. I believe the late Frederick Davidson (aka David Case) was without exception the best reader of audiobooks. Although I agree that this reading is slightly below his usual standard, Davidson below par is still better than most other readers at their best. The novel is the first sequel to The Three Musketeers and, although there is a bit less humor in this work, if you liked the original you will probably like this sequel.

11 of 15 people found this review helpful

You can get over the narrator - story is great!

If you liked the first book, you’ll love the second. It takes some time to get used to the narrators voice but once you do you really appreciate his style. Stay open minded about the narrator and then you can enjoy the book for all its worth.

1 of 1 people found this review helpful