Shortlisted for the 2014 Folio Prize. Old Filth and The Man in the Wooden Hat told with bristling tenderness and black humour the stories of that titan of the Hong Kong law courts, Old Filth QC, and his clever, misunderstood wife, Betty. Last Friends, the final volume of this trilogy, picks up with Terence Veneering, Filth's great rival in work and - though it was never spoken of - in love.

This delightful novel describes the post-war summer of 1946 - and follows the growing-up of three young women in the months between leaving school and taking up their scholarships at university. Una Vane, whose widowed mother runs a hairdressing salon in her front room, goes bicycling with Ray, the boy who delivers the fish and milk. Hetty Fallowes struggles to become independent of her possessive, loving, tactless mother. And Lieselotte Klein, uncovers tragedy in the past and magic in the present.

A rather mysterious old clergyman is dead, and his daughter, 16-year-old Athene is desolate. A beauty, she is also lonely and living a fantasy life. Athene’s mother dispatches her to spend the holidays with assorted friends and relatives. And for Athene that golden summer after the funeral becomes delicious fodder for her fantasy.

Marigold Green calls herself ‘hideous, quaint and barmy’. Other people call her Bilgewater, a corruption of Bill’s daughter. Growing up in a boys’ school where her father is housemaster, she is convinced of her own plainness and peculiarity. Groomed by the wise and loving Paula, upstaged by bad, beautiful Grace and ripe for seduction by entirely the wrong sort of boy, she suffers extravagantly and comically in her pilgrimage through the turbulent, twilight world of alarming adolescence.

Throughout her career prize-winning novelist Jane Gardam has been writing glorious short stories, each one hallmarked with all the originality, poignancy, wry comedy, and narrative brilliance of her longer fiction. Passion and longing, metamorphosis and enchantment are Gardam's themes, and like a magician she plucks them from the quietest of corners: from Wimbledon gardens and cold churches, from London buses and industrial backstreets.

In 1904, when she was six, Polly Flint went to live with her two holy aunts at the yellow house by the marsh - so close to the sea that it seemed to toss like a ship, so isolated that she might have been marooned on an island. And there she stayed for 81 years, while the century raged around her, while lamplight and Victorian order became chaos and nuclear dread. Crusoe's Daughter, ambitious, moving and wholly original, is her story.

'I ought to tell you at the beginning that I am not quite normal having had a violent experience at the age of nine'. Jessica Vye's 'violent experience' colours her schooldays and her reaction to the world around her - a confining world of wartime restrictions, Viyella dresses, nicely-restrained essays and dusty tea shops. For Jessica has been told that she is 'beyond all possible doubt', a born writer.

1944, in the ruined wine cellar of a Tuscan villa, as bombs fall around them, two strangers meet and share an extraordinary evening. Ulysses Temper is a young British soldier; Evelyn Skinner is a sexagenarian art historian and possible spy. She has come to Italy to salvage paintings from the wreckage and relive memories of the time she encountered EM Forster and had her heart stolen by an Italian maid in a particular Florentine room with a view.

Victor Maskell has been betrayed. After the announcement in the Commons, the hasty revelation of his double life of wartime espionage, his photograph is all over the papers. His disgrace is public, his position as curator of the Queen’s pictures terminated… Maskell writes his own testament, in an act not unlike the restoration of one of his beloved pictures, in order for the process of verification and attribution to begin.

Twenty-one-year-old Megan Cartwright has never been outside the small town she was born in, but one winter's day, in 1966, she leaves everything behind and sets out for London. Ahead of her is a glittering new life, just waiting for her to claim it. But left behind, her family begins to unravel. Disturbing letters from home begin to arrive, and torn between her independence and family ties, Megan must make an impossible choice.

Abigail Jex never expected to see any of the Radleys again. They were extraordinary, captivating creatures transplanted from a bohemian corner of North London to outer suburbia, and the young Abigail found herself drawn into their magic circle: the eccentric Frances, her new best friend; Frances' mother, the liberated, headstrong Lexi; and of course the brilliant, beautiful Rad. Abigail thought she'd banished the ghost of her life with them and the catastrophe that ended it, but 13 years later a chance encounter forces her to acknowledge that the spell is far from broken.

This is a story about a brother and a sister. It's a story about childhood and growing up, friendships and families, triumph and tragedy, and everything in between. More than anything, it's a story about love in all its forms.

When the kids are grown and Mercy Garrett gradually moves herself out of the family home, everyone determines not to notice. Over at her studio, she wants space and silence. She won't allow any family clutter. Not even their cat, Desmond. Yet it is a clutter of untidy moments that forms the Garretts' family life over the decades, from giving a child a ride to a painstaking Easter lunch, a fateful train journey to an unexpected homecoming. And it all begins in 1959, with a family holiday to a cabin by a lake.

Lucy Barton is a successful writer living in New York, navigating the second half of her life as a recent widow and parent to two adult daughters. A surprise encounter leads her to reconnect with William, her first husband - and long-time, on-again-off-again friend and confidante. Recalling their college years, the birth of their daughters, the painful dissolution of their marriage and the lives they built with other people, Strout weaves a portrait, stunning in its subtlety, of a tender, complex, decades-long partnership.

First published in 1988 and described by Ali Smith as 'one of Muriel Spark's most liberating, and meditative novels' - A Far Cry from Kensington shows Muriel Spark at the mature height of her powers.The narrator is one Mrs. Hawkins. She writes from Italy, a far cry from Kensington indeed, taking us back to her threadbare years in postwar London. As a young, rather fat war-widow she spent her days working for a crazy, almost bankrupt publisher; and her nights offering advice from her boarding-house in South Kensington.