Long ago, Old Filth was a Raj orphan - one of the many young children sent 'home' from the East to be fostered and educated in England. Jane Gardam's novel tells his story, from his birth in what was then Malaya to the extremities of his old age. In so doing, she not only encapsulates a whole period from the glory days of British Empire, through the Second World War, to the present and beyond, but also illuminates the complexities of the character known variously as Eddie, the Judge, Fevvers, Filth, Master of the Inner Temple, Teddy and Sir Edward Feathers.

Marigold Green calls herself ‘hideous, quaint and barmy’. Other people call her Bilgewater, a corruption of Bill’s daughter. Growing up in a boys’ school where her father is housemaster, she is convinced of her own plainness and peculiarity. Groomed by the wise and loving Paula, upstaged by bad, beautiful Grace and ripe for seduction by entirely the wrong sort of boy, she suffers extravagantly and comically in her pilgrimage through the turbulent, twilight world of alarming adolescence.

This delightful novel describes the post-war summer of 1946 - and follows the growing-up of three young women in the months between leaving school and taking up their scholarships at university. Una Vane, whose widowed mother runs a hairdressing salon in her front room, goes bicycling with Ray, the boy who delivers the fish and milk. Hetty Fallowes struggles to become independent of her possessive, loving, tactless mother. And Lieselotte Klein, uncovers tragedy in the past and magic in the present.

When sweet, healthy, hearty Holly Fox dies suddenly in childbirth, the Surrey village reverberates with shock. She leaves behind a helpless, silent husband and a tiny daughter, Faith. Everyone assumes Holly's loving and capable mother will look after Faith, but when she unaccountably deserts her newborn grandchild, the baby must be packed off to her father's peculiar family in the North...

A rather mysterious old clergyman is dead, and his daughter, 16-year-old Athene is desolate. A beauty, she is also lonely and living a fantasy life. Athene’s mother dispatches her to spend the holidays with assorted friends and relatives. And for Athene that golden summer after the funeral becomes delicious fodder for her fantasy.

During one glorious summer between the wars, the realities of life and the sexual ritual dance of the adult world creep into the life of young Margaret Marsh. Her father, preaching the doctrine of the unsavoury Primal Saints; her mother, bitterly nostalgic for what might have been; Charles and Binkie, anchored in the past and a game of words; dying Mrs Frayling and Lydia the maid, given to the vulgar enjoyment of life - all contribute to Margaret's shattering moment of truth.

On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home? Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that one of the children will not survive the week.

In 1904, when she was six, Polly Flint went to live with her two holy aunts at the yellow house by the marsh - so close to the sea that it seemed to toss like a ship, so isolated that she might have been marooned on an island. And there she stayed for 81 years, while the century raged around her, while lamplight and Victorian order became chaos and nuclear dread. Crusoe's Daughter, ambitious, moving and wholly original, is her story.

The barren, beautiful Cumbrian fells provide the bewitching setting for the adventures of Bill and Harry, two children who find wonder at every turn as they experience the Hollow Land. Everyday challenges give a daring edge to this rural work and play. There are mysteries to explore and uncover, like the case of the Egg Witch, and everyone is curious about the Household Name, a visitor from London, moving into the jewel of the territory, Light Farm.

'I ought to tell you at the beginning that I am not quite normal having had a violent experience at the age of nine'. Jessica Vye's 'violent experience' colours her schooldays and her reaction to the world around her - a confining world of wartime restrictions, Viyella dresses, nicely-restrained essays and dusty tea shops. For Jessica has been told that she is 'beyond all possible doubt', a born writer.