Four Chinese women, drawn together by the shadow of their past, meet in San Francisco to play mah jong, invest in stocks, eat dim sum, and to "say" stories to each other. Nearly 40 years later, one of the women has died, and her daughter arrives to take her place. However, the daughter never expected to learn of her mother's secret lifelong wish - and the tragic way in which it has come true. The revelation creates among the women an urgent need to remember the past.

Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

When Zikora, a DC lawyer from Nigeria, tells her equally high-powered lover that she’s pregnant, he abandons her. But it’s Zikora’s demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Stunned by the speed with which her ideal life fell apart, she turns to reflecting on her mother’s painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself. 

Years after her Chinese half sister assails her with ghost stories set in the mysterious world of Yin, a young woman finds herself in China, looking for a way to reconcile the ghosts of her past with the dreams of her future. Follow her journey, learn the truth about love, and rediscover the natural gift of your hundred secret senses.

LuLing Young is now in her 80s, and finally beginning to feel the effects of old age. Trying to hold on to the evaporating past, she begins to write down all that she can remember of her life as a girl in China. Meanwhile, her daughter Ruth, a ghostwriter for authors of self-help books, is losing the ability to speak up for herself in front of the man she lives with. LuLing can only look on, helpless: her prickly relationship with her daughter does not make it easy to discuss such matters.

England, 1930s. Christopher Banks has become the country's most celebrated detective, his cases the talk of London society. Yet one unsolved crime has always haunted him: the mysterious disappearance of his parents, in old Shanghai, when he was a small boy. Moving between London and Shanghai of the interwar years, When We Were Orphans is a remarkable story of memory, intrigue and the need to return.

Few books have had such an impact as Wild Swans: a popular best seller and a critically acclaimed history of China that opened up the country to the world. Through the story of three generations of women in her own family - the grandmother given to the warlord as a concubine, the Communist mother, and the daughter herself - Jung Chang reveals the epic history of China's 20th century. Breathtaking in its scope, unforgettable in its descriptions, this is a masterpiece that is extraordinary in every way.

From Newcastle to Cornwall, from the birth of the 20th century to the teens of the 21st, Girl, Woman, Other follows a cast of 12 characters on their personal journeys through this country and the last hundred years. They're each looking for something - a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope....  

Themis is part of a family bitterly divided by politics and, as a young woman, her fury with those who have collaborated with the Nazis drives her to fight for the Communists. She is eventually imprisoned on the notorious islands of exile, Makronisos and Trikeri, and has to make a life or death decision. She is proud of having fought, but for the rest of her life is haunted by some of her actions. Forty years after the end of the civil war, she finally achieves catharsis.

In 19th-century China, when wives and daughters were foot-bound and lived in almost total seclusion, the women in one remote Hunan county developed their own secret code for communication: nu shu (“women’s writing”). With the arrival of a silk fan on which Snow Flower has composed for Lily a poem of introduction in nu shu, their friendship is sealed. As the years pass, through famine and rebellion, they reflect upon their arranged marriages, loneliness, and the joys and tragedies of motherhood.