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The Goldfinch

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The Goldfinch

By: Donna Tartt
Narrated by: David Pittu
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About this listen

 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the rich and the dusty antiques store where he works. He is alienated and in love - and his talisman, the painting, places him at the centre of a narrowing, ever more dangerous circle.

The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling power. Combining unforgettably vivid characters and thrilling suspense, it is a beautiful, addictive triumph - a sweeping story of loss and obsession, of survival and self-invention, of the deepest mysteries of love, identity and fate.©2013 Tay Ltd. Coming of Age Contemporary Fiction Family Life Genre Fiction Literary Fiction Literature & Fiction Fiction Thought-Provoking Inspiring Heartfelt

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Critic reviews

Another rich slice of gothic drama (Books of the Year)
Combines narrative grandeur with dazzling detail (Books of the Year)
Sublimely written, with elegant touches of the gothic (Books of the Year)
Really does grip from the first page... a noirish thriller and epic love story rolled into one (Books of the Year)
Runs the gamut from thriller to meditation on loss, and runs it magnificently (Books of the Year)
A soaring masterpiece
The Goldfinch is a triumph... Donna Tartt has delivered an extraordinary work of fiction
Sumptuous, generous and entirely captivating (Books of the Year)
Dazzling. A glorious, Dickensian novel that pulls together all Tartt's remarkable storytelling talents into a rapturous, symphonic whole and reminds the reader of the immersive, stay-up-all-night pleasures of reading
An astonishing achievement. If anyone has lost their love of storytelling, The Goldfinch will most certainly return it to them. The last few pages of the novel take all the serious, big, complicated ideas beneath the surface and hold them up to the light. Not for Tartt the kind of clever riffs which are too commonly found in contemporary fiction. Instead, when plot comes to an end, she leads us to a place just beyond it - a place of meaning
The Goldfinch is a book about art in all its forms, and right from the start we remember why we enjoy Donna Tartt so much: the humming plot and elegant prose; the living, breathing characters; the perfectly captured settings.... Joy and sorrow exist in the same breath, and by the end The Goldfinch hangs in our stolen heart
Lavish and lush in décor and span... The novel lets us see, and feel, the real bird beyond the brush, or rather, the grief, and addictive yearning, behind its cabinet of curiosities. For those who want to share the double vision, to slip attentively between luxurious illusion and overt craftiness, a deeper layer of pleasure awaits in The Goldfinch. In every sense, this is quite a piece of work (Boyd Tonkin)
In the epic range of its concerns with grief, loss, loneliness, fate, and the nature of good and evil, its rich cast of characters, and its broad social canvas, it bears comparison with Proust, Dickens, Dostoevsky and Nabokov. It is meticulously structured and paced, and reading it is an enthralling experience of total immersion in Tartt's vision and voice. A beautiful and important book (Elaine Showalter)
A gripping page-turner and a challenging, beautifully written account of modern life. Moving but unsentimental, funny without being trite, all human life is here. It will doubtless be a contender for one of 2013's best novels (James Kidd)
All stars
Most relevant
I was fortunate enough to attend a recent Guardian Book Club where Donna Tartt was talking about her first novel, The Secret History. I was even more fortunate enough to personally ask her about her books being made into audiobooks (she has narrated both her previous novels)

I was curious to find out how she felt about David Pittu's narration of her third novel, particularly as she has always been totally against her novels being made into movies because she doesn't like the thought of her character's voices being interpreted by a director or actor.

Her response to my question was fascinating to me as I've always wondered whether authors have much of an input into their novels being made into audiobooks. She said that she had wanted to narrate The Goldfinch herself but didn't have the time in her schedule, so instead she listened to many audition tapes and eventually chose Pittu because she liked the way he read the very strange,but somehow loveable, Boris.

She then spent many hours with David Pittu on the telephone and described to him all of the voices and how each character should sound. I love that she did this, I am fascinated that each character has the voice she intended for them, this 'schooling' of the narrator really has paid off.

She said that she hadn't yet listened to the finished audiobook but hoped that it was good, she asked me if I enjoyed it, to which I replied it is one of the best audiobooks I've ever listened to. And it really is truly the best audiobook I've ever listened to, as good as if not better than some of my favorites- Jonathan Strange & Mr Norrell, Under The Dome, The Help, NOS4R2, the Name Of The Wind. I wonder if the authors of these novels had the same kind of input to the audio versions of their novels as The Goldfinch has had.

It is truly a work of art and will stay with me forever. My advice- don't read too many reviews, the less you know the better, just listen to this book and let it take you a place only the most special of authors and narrators can help you journey to.

Narrator Hand Picked By Tartt- Outstanding!

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Donna Tartt writes one book every ten years. Her previous “highly acclaimed novel was very disappointing and I thought I would give her one more chance. This one is definitely better. A young boy (Theo Decker) has his life changed forever when a cataclysmic event kills his mother and throws him onto the path of a dying man who steers his life into a new direction.

He staggers from one crisis to another, trying to find or avoid family connections. He encounters every facet of American society, from the very wealthy to utterly desolate. Theo has an incomprehensible and very irritating habit of being startled into silence whenever the plot needs him not to make a very simple explanation. There are twists and turns and many, very deep introspections, including a vast retelling of a drug-induced sequence which is just tedious.

Tartt tells a good story, but tells it too long. She cannot see the world from a male point of view, and she really does not try very hard. But she does give is two absolutely brilliant characters: Hobie, the most generous and gentle soul; and Boris – a friendly but dangerous friend. She makes Boris the narrator for much of the second half of the book. Although he has broken English she still manages to place phrases such as “cultural patrimony” in his mouth. I think the inconsistence of the characters she draws and the words they say (and the thoughts they think) ultimately sink the story.

The finale is a tedious stretch of moralising lifted from the Disney Corporation. Written in the current American style (lots of talking, little depth, even less description) it is like watching a talk show. Fortunately there will be another 9 years before I may be tempted into trying another Tartt offering.

The narrator is absolutely brilliant – his accents (except for the Dutch) are brilliant and consistent. I guess it is a tall order to find someone who is good at Russian and Dutch.

Not worth the wait

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Any additional comments?

Marvellous book, with some truly great literary characters (although the hero frustrates at every turn). A modern day Oliver Twist meets David Copperfield with Great Expectations.

Not much to add, you know it's brilliant

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As an exploration of trauma, moral minefields and the transformative qualities of art its genius. Though the long subjective journey may upset some folks.

Excellent

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Like most "everyone's reading it" books, the hype is normally greater than the story. Although GOOD, it's not THAT good. The story is very, very slow and some of the scenes seem to go into infuriating details which could have been summarised in 2 sentences. Kept thinking there must be some point to some of the detail which stops the progress, but by the end, realised there wasn't.
Read, so you can say you've read it... but there are some much better books out there which you should have higher on your wish list!

Beware - good but not THAT good

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