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The End of the End of the Earth

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The End of the End of the Earth

By: Jonathan Franzen
Narrated by: Robert Petkoff
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About this listen

A sharp and provocative new essay collection from the award-winning author of Freedom and The Corrections

In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigour to the themes – both human and literary – that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird crisis, these pieces contain all the wit and disabused realism that we’ve come to expect from Franzen.

Taken together, these essays trace the progress of a unique and mature mind wrestling with itself, with literature and with some of the most important issues of our day, made more pressing by the current political milieu. The End of the End of the Earth is remarkable, provocative and necessary.

©2018 Jonathan Franzen (P)2018 HarperCollins Publishers
Environment Essays Literary History & Criticism Nature & Ecology Outdoors & Nature Parenting & Families Relationships Science Nonfiction Conservation

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Critic reviews

‘… by refusing to hope for the impossible, Franzen, improbably, manages to produce a volume that feels, if not hopeful, then at least not hopeless. There’s nothing he can do – there’s probably nothing any of us can do – to avert or even alleviate the coming catastrophe. But for now, he’s here and he’s alive, and over the course of these essays he offers us a series of partial, tentative answers to the question he poses himself at the beginning: “ How do we find meaning in our actions when the world seems to be coming to an end?” Guardian

‘Can be read, in part, as a welcome alternative to the current, dominant American political tone of one-note belligerence’ Observer

‘Franzen shows himself to be the kind of unacademic critic who recognises and does not disapprove of the Common Reader’s natural tendency to feel for the characters the author has brought into being’ Scotsman

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