When Pembe leaves the Kurdish village of her birth, and her twin sister with it, it is for love. She follows her husband, Adem, to London with the hope of making a new life, but the family soon faces a stark choice: to stay loyal to the old traditions or try their best to fit in. When Adem abandons his family, it is Iskender, Pembe’s eldest son, who must step in and prevent shame from falling on the family name. And when Pembe begins a chaste affair with a man named Elias, Iskender will discover that you could love someone with all your heart and yet be ready to hurt them.

Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. The taverna is the only place that Kostas and Defne can meet in secret, hidden beneath the blackened beams from which hang garlands of garlic and chilli peppers, creeping honeysuckle, and in the centre, growing through a cavity in the roof, a fig tree. The fig tree witnesses their hushed, happy meetings; their silent, surreptitious departures. The fig tree is there, too, when war breaks out, when the capital is reduced to ashes and rubble, when the teenagers vanish.

Peri, a wealthy Turkish housewife, is on her way to a dinner party at a seaside mansion in Istanbul when a beggar snatches her handbag. As she wrestles to get it back, a photograph falls to the ground. A relic from a past - and a love - Peri had tried desperately to forget. The photograph takes Peri back to Oxford University, as an 18-year-old sent abroad for the first time. It also takes her to her home with her two best friends, Shirin and Mona, and their arguments about Islam and femininity and to the scandal that tore them all apart.

One rainy afternoon in Istanbul, a woman walks into a doctor's surgery. 'I need to have an abortion', she announces. She is 19 years old and unmarried. What happens that afternoon will change her life. Twenty years later, Asya Kazanci lives with her extended family in Istanbul. Due to a mysterious family curse, all the Kaznci men die in their early 40s, so it is a house of women, among them Asya's beautiful, rebellious mother Zeliha, who runs a tattoo parlour; Banu, who has newly discovered herself as clairvoyant; and Feride, a hypochondriac obsessed with impending disaster. 

Our brains stay active for 10 minutes after our heart stops beating. For Leila, each minute brings with it a new memory: growing up with her father and his wives in a grand old house in a quiet Turkish town; watching the women gossip and wax their legs while the men went to mosque; sneaking cigarettes and Western magazines on her way home from school; running away to Istanbul to escape an unwelcome marriage; falling in love with a student who seeks shelter from a riot in the brothel where she works. 

In 1632, the Emperor of Hindustan, Shah Jahan, overwhelmed with grief over the death of his beloved wife, Mumatz Mahal, commissioned the building of a grand mausoleum to symbolize the greatness of their love. The story surrounding the construction of the Taj Mahal occurs, however, against a scrim of fratricidal war, murderous rebellion, unimaginable wealth, and, not least of all, religious fundamentalism ruthlessly opposing tolerance and coexistence between the disparate peoples in the empire.

Memory, the narrator of The Book of Memory, is an albino woman languishing in Chikurubi Maximum Security Prison in Harare, Zimbabwe, where she has been convicted of murder. As part of her appeal her lawyer insists that she write down what happened as she remembers it. As her story unfolds, Memory reveals that she has been convicted for the murder of her adoptive father. But did everything happen exactly as she remembers?

It feels like the world is falling apart. So how do we keep hold of our optimism? How do we nurture the parts of ourselves that hope, trust and believe in something better? And how can we stay sane in this world of division? In this beautifully written and illuminating polemic, Booker Prize nominee Elif Shafak reflects on our age of pessimism, when emotions guide and misguide our politics and misinformation and fear are the norm.

In the summer of 1885, three Frenchmen arrived in London for a few days’ shopping. One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four years earlier had been the subject of one of John Singer Sargent’s greatest portraits. The three men's lives play out against the backdrop of the Belle Epoque in Paris. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, a time of rampant prejudice and blood-and-soil nativism, with more parallels to our own age than we might imagine.

An astonishing historical novel set in the shadowy, magical forests of South America, which draws on the captivating world of the international best seller The Watchmaker of Filigree Street. Deep in uncharted Peru, the holy town of Bedlam stands at the edge of a forest. The shrine statues move, and anyone who crosses the border dies. But somewhere inside are cinchona trees, whose bark yields quinine: the only known treatment for malaria. On the other side of the Pacific, it is 1859, and India is ravaged by the disease.

A contemporary man, John Thornburn (a meek, non-violent and unpredictable artist) and woman, Derval (his tough, confrontational, strong and warrior-like lover) time travel to ancient Ireland to avenge a Viking attack. Packed with fascinating details of historical time and place in Irish history and delicately balanced on the border between realism and fantasy, the story centers around one of the most famous and beautiful illuminated manuscripts in history, the legendary but entirely real Book of Kells.

Caroline Grant is struggling to accept the end of her marriage when she receives an unexpected bequest. Her beloved great-aunt Lettie leaves her a sketchbook, three keys, and a final whisper...Venice. Caroline’s quest: to scatter Juliet “Lettie” Browning’s ashes in the city she loved and to unlock the mysteries stored away for more than 60 years. 

In the dying days of the American Civil War, newly freed brothers Landry and Prentiss find themselves cast into the world without a penny to their names. Forced to hide out in the woods near their former Georgia plantation, they're soon discovered by the land's owner, George Walker, a man still reeling from the loss of his son in the war. When the brothers begin to live and work on George's farm, the tentative bonds of trust and union begin to blossom between the strangers. 

Casey Han's years at Princeton have given her a refined diction, an enviable golf handicap, a popular white boyfriend and a degree in economics. But no job, and a number of bad habits. As Casey, the daughter of working-class Korean immigrants, navigates an uneven course of small triumphs and spectacular failures, a clash of values, ideals and ambitions plays out against the colourful backdrop of New York society.

14-year-old Adunni has a dream: to be educated. But her father needs her bride-price, so sells his daughter to an older man, who demands she give him the fine boy-children his first two wives have failed to produce. When things go tragically wrong, Adunni flees to Lagos. It's what she has always wanted, to leave Ikati and see the world, and though her heart is full of sorrow for her lost family and the shame she has left behind, still Adunni will not be quiet and do as she's told.