Compiled by celebrated author and journalist Benjamin Law, Growing Up Queer in Australia assembles voices from across the spectrum of LGBTIQA+ identity. Spanning diverse places, eras, genders, ethnicities and experiences, these are the stories of growing up queer in Australia. For better or worse, sooner or later, life conspires to reveal you to yourself, and this is growing up.  

James Tiptree, Jr. burst onto the science fiction scene in the 1970s with a series of hard-edged, provocative short stories. Hailed as a brilliant masculine writer with a deep sympathy for his female characters, he penned such classics as Houston, Houston, Do You Read? and The Women Men Don't See. For years he corresponded with Philip K. Dick, Harlan Ellison, Ursula Le Guin. No one knew his true identity. Then the cover was blown on his alter ego: A 61-year-old woman named Alice Sheldon.

A young English biographer is researching a book about the late South African writer John Coetzee, focusing on Coetzee in his 30s, at a time when he was living in a rundown cottage in the Cape Town suburbs with his widowed father - a time, the biographer is convinced, when Coetzee was finding himself as a writer. Never having met the man himself, the biographer interviews five people who knew Coetzee well, including a married woman with whom he had an affair, his cousin Margot, and a Brazilian dancer whose daughter took English lessons with him. 

"Before I knew that I was Jewish or a girl I knew that I was a member of the working class." So begins Vivian Gornick's exploration of how the world of socialists, communists, and progressives in the 1940s and 1950s created a rich, diverse world where ordinary men and women felt their lives connected to a larger human project.

Pop culture is the Pandora’s box of our lives. Racism, wealth, poverty, beauty, inclusion, exclusion, and hope - all of these intractable and unavoidable features course through the media we consume. Examining pop culture’s impact on her life, Nichole Perkins takes listeners on a rollicking trip through the last 20 years of music, media, and the internet from the perspective of one Southern Black woman.  

For many years, Glennon Doyle denied her discontent. Then, while speaking at a conference, she looked at a woman across the room and fell instantly in love. Three words flooded her mind: There. She. Is. At first, Glennon assumed these words came to her from on high but soon she realised they had come to her from within. This was the voice she had buried beneath decades of numbing addictions and social conditioning. Glennon decided to let go of the world’s expectations of her and reclaim her true untamed self. 

How did a New York-born, Jewish, former-atheist novelist and screenwriter - a winner of multiple Edgar Awards, whose books became films with Clint Eastwood and Michael Douglas - find himself at the age of 50 being baptized and confessing Jesus as Lord? That's a tale worth telling.

Philip Roth, one of the best-known and award winning literary masters of our time, engages his readership with insightful and challenging novels of the human condition. With The Dying Animal, he revisits the character David Kepesh. At age 60, Kapesh is drawn out of his carefully ordered existence and into an obsessive affair with one of his students.

The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate. Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the mind of the novelist Nathan Zuckerman.

In this moving and lyrical collection of essays, the award-winning poet and novelist Kei Miller explores the silence in which so many important things are kept. He examines the experience of discrimination through this silence and what it means to breach it: to risk words, to risk truths. And he considers the histories our bodies inherit - the crimes that haunt them and how meaning can shift as we move throughout the world, variously assuming privilege or victimhood.

From the founder and activist behind one of the largest movements of the 21st century, the Me Too movement, Tarana Burke debuts a powerful memoir about her own journey to saying those two simple yet infinitely powerful words and how she brought empathy back to an entire generation. 

Pink is my favourite colour. I used to say my favourite colour was black to be cool, but it is pink - all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I'm not doing it ironically, though it might seem that way. I once live-tweeted the September issue.

When her body began to change at 11 years old, Febos understood immediately that her meaning to other people had changed with it. By her teens, she defined herself based on these perceptions and by the romantic relationships she threw herself into headlong. Over time, Febos increasingly questioned the stories she’d been told about herself and the habits and defences she’d developed over years of trying to meet others’ expectations. 

Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, is an intimate portrayal of the complexities and joys of (queer) family-making.

Edited and with an introduction by Roxane Gay, the New York Times best-selling and deeply beloved author of Bad Feminist and Hunger, this anthology of first-person essays read by all 30 contributors, including Gabrielle Union, Ally Sheedy and Lyz Lenz, tackles rape, assault and harassment head-on.