The era of the LP began in 1967, with Sgt Pepper; The Beatles didn’t just collect together a bunch of songs, they Made an Album. Henceforth, everybody else wanted to Make an Album. The end came only 15 years later, coinciding with the release of Michael Jackson’s Thriller. By then the Walkman had taken music out of the home and into the streets, and the record business had begun trying to reverse engineer the creative process in order to make big money. Nobody would play music or listen to it in quite the same way ever again.

The '60s ended a year late - on New Year's Eve 1970, when Paul McCartney initiated proceedings to wind up The Beatles. Music would never be the same again. The next day would see the dawning of a new era. Nineteen seventy-one saw the release of more monumental albums than any year before or since and the establishment of a pantheon of stars to dominate the next 40 years - Led Zeppelin, David Bowie, the Rolling Stones, Pink Floyd, Marvin Gaye, Carole King, Joni Mitchell, Rod Stewart, the solo Beatles and more.

The age of the rock star, like the age of the cowboy, has passed. Like the cowboy, the idea of the rock star lives on in our imaginations. What did we see in them? Swagger. Recklessness. Sexual charisma. Damn-the-torpedoes self-belief. A certain way of carrying themselves. Good hair. Interesting shoes. Talent we wished we had. What did we want of them? To be larger than life but also like us. To live out their songs. To stay young forever. No wonder many didn't stay the course.

In a sodden tent at a '70s festival, the teenage Mark Ellen had a dream. He dreamt that music was a rich meadow of possibility, a liberating leap to a sparkling future, an industry of human happiness - and he wanted to be part of it. Thus began his 50-year love affair with rock and roll. From his time at the NME and Smash Hits to Radio One, Old Grey Whistle Test, Live Aid, Q, Select, Mojo, and The Word magazines, he's been at the molten core of its evolution, and watched its key figures from a unique perspective.

The late Peter Grant managed Led Zeppelin to global stardom. But his life story was every bit as extraordinary and dramatic as the musicians he looked after. For the first time ever, the Grant family have allowed an author access to previously unseen correspondence and photographs to help build the most complete and revealing story yet of a man who was a pioneer of rock music management but also a son, a husband and a father.

Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s. By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam.

Dick Clement and Ian La Frenais are the creators of some of British television's most beloved comedies. Essex-born Clement teamed up with Geordie insurance salesman La Frenais in the early 1960s and scripted a series about two young pals from Newcastle, The Likely Lads, which became one of BBC Two's first hits. The duo went on to create the classic sitcoms Whatever Happened to the Likely Lads?, Porridge starring Ronnie Barker, and Auf Wiedersehen, Pet.

This is the story of the last acrimonious days of The Beatles, a final chapter reconstructing for the first time the seismic events of 1969, the year that saw the band reach new highs of musical creativity and new lows of internal strife. Two years after Flower Power and the hippie idealism of the Summer of Love, the '50s dream had perished on the vine. By 1969, violence and vindictiveness had replaced The Beatles' own mantra of peace and love.

How Does It Feel? follows a lifetime of musical misadventures which have seen Mark striking rock star poses in the Sixth Form Common Room, striding around a string of TV shows dressed from head to foot in black leather, getting heckled off stage by a bunch of angry septuagenarians on a boat on the Mersey, showing Timmy Mallet how to build a tea-chest bass - and winning the International Street Entertainers of the Year award as part of a new wave of skiffle. Really. 

Roger Daltrey is the voice of a generation. That generation was the first to rebel, to step out of the shadows of the Second World War...to invent the concept of the teenager. This is his story, from his birth at the height of the Blitz through tempestuous school days to his expulsion, age 15, for a crime he did not commit (though he was guilty of many other misdemeanours he'd got away with). Thanks to Mr Kibblewhite, his draconian headmaster, it could all have ended there. The life of a factory worker beckoned. But then came rock and roll....

Sound Pictures traces the story of the Beatles' breathtaking artistic trajectory after reaching the creative heights of Rubber Soul. As the bandmates engage in brash experimentation both inside and outside the studio, Martin toils along with manager Brian Epstein to consolidate the Beatles' fame in the face of growing sociocultural pressures, including the crisis associated with the "Beatles are more popular than Jesus" scandal. Meanwhile, he also struggles to make his way as an independent producer in the highly competitive world of mid-1960s rock 'n' roll. 

Beginning in London's postwar East End, Kenney's story takes us through the birth of the Mod revolution, the mind-bending days of the late 1960s and the raucous excesses of the '70s and '80s. In a career spanning six decades, Kenney was at the epicentre of many of the most exciting moments in music history and has experienced everything the industry has to offer. He jointly created some of the world's most loved records, hung out with the Stones, the Beatles, David Bowie, Keith Moon and Rod Stewart, and suffered the loss of close friends to rock 'n' roll excess and success.   

In February 1969, the Beatles began working on what became their final album together. Abbey Road introduced a number of new techniques and technologies to the Beatles' sound and included "Come Together", "Something", and "Here Comes the Sun", which all emerged as classics. Womack's colorful retelling of how this landmark album was written and recorded is a treat for fans of the Beatles. Solid State takes listeners back to 1969 and into EMI's Abbey Road Studios, which boasted an advanced solid state transistor mixing desk. 

Being John Lennon is not about the whitewashed Prince of Peace of 'Imagine' legend, because that was only a small part of him. Nor is it about the permanently angry young rebel of the movie Nowhere Boy, or even the ranting Beatles iconoclast of the Rolling Stone interviews. All three of those personae had a degree of truth in them. But the John Lennon depicted in these pages is a much more kaleidoscopic figure, sometimes almost a collision of different characters.   

Behind Closed Doors by Gary Lineker and Danny Baker is a rollicking inside guide to football that shares never-before-told dressing room tales and behind-the-scenes stories from Gary and Danny’s time in football and broadcasting. Full of new and exclusive stories from Gary and Danny that have never appeared on the podcast - or anywhere - before, Behind Closed Doors is full of the intimate details of life in and around the game we all love.