Nothing Is Real

The age of the rock star, like the age of the cowboy, has passed. Like the cowboy, the idea of the rock star lives on in our imaginations. What did we see in them? Swagger. Recklessness. Sexual charisma. Damn-the-torpedoes self-belief. A certain way of carrying themselves. Good hair. Interesting shoes. Talent we wished we had. What did we want of them? To be larger than life but also like us. To live out their songs. To stay young forever. No wonder many didn't stay the course.

The late Peter Grant managed Led Zeppelin to global stardom. But his life story was every bit as extraordinary and dramatic as the musicians he looked after. For the first time ever, the Grant family have allowed an author access to previously unseen correspondence and photographs to help build the most complete and revealing story yet of a man who was a pioneer of rock music management but also a son, a husband and a father.

The '60s ended a year late - on New Year's Eve 1970, when Paul McCartney initiated proceedings to wind up The Beatles. Music would never be the same again. The next day would see the dawning of a new era. Nineteen seventy-one saw the release of more monumental albums than any year before or since and the establishment of a pantheon of stars to dominate the next 40 years - Led Zeppelin, David Bowie, the Rolling Stones, Pink Floyd, Marvin Gaye, Carole King, Joni Mitchell, Rod Stewart, the solo Beatles and more.

How Does It Feel? follows a lifetime of musical misadventures which have seen Mark striking rock star poses in the Sixth Form Common Room, striding around a string of TV shows dressed from head to foot in black leather, getting heckled off stage by a bunch of angry septuagenarians on a boat on the Mersey, showing Timmy Mallet how to build a tea-chest bass - and winning the International Street Entertainers of the Year award as part of a new wave of skiffle. Really. 

Roger Daltrey is the voice of a generation. That generation was the first to rebel, to step out of the shadows of the Second World War...to invent the concept of the teenager. This is his story, from his birth at the height of the Blitz through tempestuous school days to his expulsion, age 15, for a crime he did not commit (though he was guilty of many other misdemeanours he'd got away with). Thanks to Mr Kibblewhite, his draconian headmaster, it could all have ended there. The life of a factory worker beckoned. But then came rock and roll....

Beginning in London's postwar East End, Kenney's story takes us through the birth of the Mod revolution, the mind-bending days of the late 1960s and the raucous excesses of the '70s and '80s. In a career spanning six decades, Kenney was at the epicentre of many of the most exciting moments in music history and has experienced everything the industry has to offer. He jointly created some of the world's most loved records, hung out with the Stones, the Beatles, David Bowie, Keith Moon and Rod Stewart, and suffered the loss of close friends to rock 'n' roll excess and success.   

Being John Lennon is not about the whitewashed Prince of Peace of 'Imagine' legend, because that was only a small part of him. Nor is it about the permanently angry young rebel of the movie Nowhere Boy, or even the ranting Beatles iconoclast of the Rolling Stone interviews. All three of those personae had a degree of truth in them. But the John Lennon depicted in these pages is a much more kaleidoscopic figure, sometimes almost a collision of different characters.   

In a sodden tent at a '70s festival, the teenage Mark Ellen had a dream. He dreamt that music was a rich meadow of possibility, a liberating leap to a sparkling future, an industry of human happiness - and he wanted to be part of it. Thus began his 50-year love affair with rock and roll. From his time at the NME and Smash Hits to Radio One, Old Grey Whistle Test, Live Aid, Q, Select, Mojo, and The Word magazines, he's been at the molten core of its evolution, and watched its key figures from a unique perspective.

Formed as a New York City hardcore band in 1981, Beastie Boys struck an unlikely path to global hip-hop superstardom. Here is their story, told for the first time in the words of the band. Adam "AD-ROCK" Horovitz and Michael "Mike D" Diamond offer revealing and very funny accounts of their transition from teenage punks to budding rappers; their early collaboration with Russell Simmons and Rick Rubin; the almost impossible to fathom overnight success of their debut studio album, Licensed to Ill; that album's messy fallout; and their break with Def Jam, move to Los Angeles, and rebirth as musicians and social activists, with the genre-defying masterpiece Paul's Boutique.

Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s. By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam.

In a 1970s commuter town, Tracey Thorn's teenage life was forged from what failed to happen. Her diaries were packed with entries about not buying things, not going to the disco, the school coach not arriving. Before she was a best-selling musician and writer, Tracey Thorn was a typical teenager: bored and cynical, despairing of her aspirational parents. Her only comfort came from house parties, Meaningful Conversations and the female pop icons who hinted at a new kind of living.

Chris Difford is a rare breed. As a member of one of London's best-loved bands, the Squeeze cofounder has made a lasting contribution to English music with hits such as 'Cool for Cats', 'Up the Junction', 'Labelled with Love', 'Hourglass' and 'Tempted'. Some Fantastic Place is his evocative memoir of an upbringing in South London in the '60s and his rise to fame in one of the definitive bands of the late '70s and early '80s. Read by Chris Difford.

In 1975, Viv Albertine was obsessed with music, but it never occurred to her she could be in a band, as she couldn't play an instrument, and she'd never seen a girl play electric guitar. A year later, she was the guitarist in the hugely influential all-girl band the Slits, who fearlessly took on the male-dominated music scene and became part of a movement that changed music. A raw, thrilling story of life on the frontiers and a candid account of Viv's life post-punk - taking in a career in film, the pain of IVF, illness and divorce and the triumph of making music again - Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. is a remarkable memoir. 

We know him best for his unforgettable roles on Monty Python - from the Flying Circus to The Meaning of Life. Now, Eric Idle reflects on the meaning of his own life in this entertaining memoir that takes us on a remarkable journey from his childhood in an austere boarding school through his successful career in comedy, television, theatre and film.  

No one explodes one of the longest-held misconceptions of music history better than Steve Lukather and his band Toto. The dominant pop-culture sound of the late 1970s and '80s was not in fact the smash and sneer of punk, but a slick, polished amalgam of rock and R&B that was first staked out on Boz Scaggs' Silk Degrees. That album was shaped in large part by the founding members of Toto, who were emerging as the most in-demand elite session muso-crew in LA, and further developed on the band's self-titled three-million-selling debut smash of 1978.