Kerry Hudson is proudly working class but she was never proudly poor. The poverty she grew up in was all-encompassing, grinding and often dehumanising. Always on the move with her single mother, Kerry attended nine primary schools and five secondaries, living in B&Bs and council flats. She scores eight out of ten on the Adverse Childhood Experiences measure of childhood trauma. Twenty years later, Kerry’s life is unrecognisable. She’s a prize-winning novelist who has travelled the world. She has a secure home, a loving partner and access to art, music, film and books..

She was known to the world as Emily Doe when she stunned millions with a letter. Brock Turner had been sentenced to just six months in county jail after he was found sexually assaulting her on Stanford's campus. Her victim impact statement was posted on Buzzfeed, where it instantly went viral - viewed by 11 million people within four days, it was translated globally and read on the floor of Congress; it inspired changes in California law and the recall of the judge in the case.

Did you know that 48 per cent of the women in prison have committed an offence in order to support the drug use of someone else? That 46 per cent of women in prison report having attempted suicide once in their lifetime? Or that over half of the women in prison have been victims of more serious crimes than the ones they've been convicted of? But this isn't a book about statistics. It's a book about the individual stories of women caught up in our creaking and under-resourced prison system. 

Skint Estate is the hard-hitting, blunt, dignified and brutally revealing debut memoir about impoverishment, loneliness and violence in austerity Britain - set against a grim landscape of sink estates, police cells, refuges and peepshows - skilfully woven into a manifesto for change. Alone, pregnant and living in a women’s refuge, Cash Carraway couldn’t vote in the 2010 general election that ushered austerity into Britain. Her voice had been silenced. Years later, she watched Grenfell burn from a women’s refuge around the corner. 

Don and Mimi Galvin seemed to be living the American dream. After World War II, Don's work with the air force brought them to Colorado, where their 12 children perfectly spanned the baby boom: the oldest born in 1945, the youngest in 1965. In those years, there was an established script for a family like the Galvins - aspiration, hard work, upward mobility, domestic harmony - and they worked hard to play their parts. But behind the scenes was a different story: psychological breakdown, sudden shocking violence, hidden abuse. 

A candid look at the who's who of the last 50 years of fashion and proof that fact is always devilishly more fascinating than fiction. André Leon Talley's engaging and detailed memoir is his story of surviving and thriving in the notoriously cutthroat fashion industry amidst racism, homophobia and other challenges to become one of the most legendary voices and faces in fashion journalism.

Anti-Social is the diary of a council worker whose job is to keep his community happy, or at least away from each other’s throats. That’s hard enough at the best of times but when government cuts mean that hospitals, social services and police are all at breaking point, the possibility of complete chaos is never far away. This is an urgent, timely but, most of all, hysterically funny true story of a life spent working with the people society wants to forget and the problems that nobody else can resolve.

When Emira is apprehended at a supermarket for ‘kidnapping’ the white child she’s actually babysitting, it sets off an explosive chain of events. Her employer Alix, a feminist blogger with the best of intentions, resolves to make things right. But Emira herself is aimless, broke and wary of Alix’s desire to help. When a surprising connection emerges between the two women, it sends them on a crash course that will upend everything they think they know – about themselves, each other and the messy dynamics of privilege.

In this ground-breaking investigation, Laura traces the roots of misogyny across a complex spiders web of groups extending from men's rights activists and pick-up artists to Men Going Their Own Way, trolls and the Incel movement, in the name of which some men have committed terrorist acts. Drawing parallels with other extremist movements around the world, Bates seeks to understand what attracts men to the movement, how it grooms and radicalises boys, how it operates and what can be done to stop it.

Megan Phelps-Roper was raised in the Westboro Baptist Church - the fire-and-brimstone religious sect at once aggressively homophobic and anti-Semitic, rejoiceful for AIDS and natural disasters, and notorious for its picketing the funerals of American soldiers. From her first public protest, aged five, to her instrumental role in spreading the church's invective via social media, her formative years brought their difficulties. But being reviled was not one of them. 

Tara Westover and her family grew up preparing for the End of Days but, according to the government, she didn’t exist. She hadn’t been registered for a birth certificate. She had no school records because she’d never set foot in a classroom, and no medical records because her father didn’t believe in hospitals. As she grew older, her father became more radical and her brother more violent. At 16, Tara knew she had to leave home. In doing so she discovered both the transformative power of education, and the price she had to pay for it. 

On a cold December day in 2013 Catherine Simpson received the phone call she had feared for years. Her little sister Tricia had been found dead in the farmhouse where she, Catherine and their sister Elizabeth were born - and where their family had lived for generations. Tricia was 46 and had been stalked by depression all her life. Yet mental illness was a taboo subject within the family, and although love was never lacking, there was a silence at its heart. After Tricia died, Catherine found she had kept a lifetime of diaries.

Three generations of Palestinian-American women living in Brooklyn are torn between individual desire and the strict mores of Arab culture in this heart-wrenching story of love, intrigue and courage. Set in an America at once foreign to many and staggeringly close at hand, A Woman Is No Man is a story of culture and honour, secrets and betrayals, love and violence. It is an intimate glimpse into a controlling and closed cultural world and a universal tale about family and the ways silence and shame can destroy those we have sworn to protect. 

At the age of 17, after a childhood in an fostered family followed by six years in care homes, Norman Greenwood was given his birth certificate. He learned that his real name was not Norman. It was Lemn Sissay. He was British and Ethiopian. And he learned that his mother had been pleading for his safe return to her since his birth. Here Sissay recounts his life story. It is a story of neglect and determination. Misfortune and hope. Cruelty and triumph.  

 This is Claude. He's five years old, the youngest of five brothers, and loves peanut butter sandwiches. He also loves wearing a dress, and dreams of being a princess. When he grows up, Claude says, he wants to be a girl. Rosie and Penn want Claude to be whoever Claude wants to be. They're just not sure they're ready to share that with the world. Soon the entire family is keeping Claude's secret. Until one day it explodes. Laurie Frankel's This Is How It Always Is is a novel about revelations, transformations, fairy tales, and family.