Kate Atkinson’s dazzling Life After Life, one of the top-selling adult books of 2014, explored the possibility of infinite chances, as Ursula Todd lived through the turbulent events of the last century again and again. In A God in Ruins, Atkinson turns her focus on Ursula’s beloved younger brother, Teddy – would-be poet, RAF bomber pilot, husband, and father – as he navigates the perils and progress of the 20th century. For all Teddy endures in battle, his greatest challenge will be to face living in a future he never expected to have.

In 1940, 18-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathisers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past for ever. Ten years later, now a producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing. But it's the early 1960s and her all-male team at Hastings Research Institute take a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant Nobel-prize-nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

Clare and Henry have known each other since Clare was six and Henry was 36. They were married when Clare was 23 and Henry was 31. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity from his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing.

Ruby Lennox was conceived grudgingly by Bunty and born while her father, George, was in the Dog and Hare in Doncaster, telling a woman in an emerald dress and a D cup that he wasn't married. Bunty had never wanted to marry George, but there she was, stuck in a flat above the pet shop in an ancient street beneath York Minster, with sensible and sardonic Patrica, aged five; greedy, cross-patch Gillian, who refused to be ignored; and Ruby...

Cambridge is sweltering, during an unusually hot summer. To Jackson Brodie, former police inspector turned private investigator, the world consists of one accounting sheet – Lost on the left, Found on the right – and the two never seem to balance. Jackson has never felt at home in Cambridge, and has a failed marriage to prove it.

Once it had been the great forest of Lythe--a vast and impenetrable thicket of green. And here, in the beginning, lived the Fairfaxes, grandly, at Fairfax Manor, visited once by the great Gloriana herself. But over the centuries, the forest had been destroyed, replaced by Streets of Trees. The Fairfaxes have dwindled, too; now they live in Arden, at the end of Hawthorne Close, and are hardly a family at all.

Day one: The Georgia Flu explodes over the surface of the Earth like a neutron bomb. News reports put the mortality rate at over 99%. Week Two: Civilization has crumbled. Year Twenty: A band of actors and musicians called the Travelling Symphony move through their territories performing concerts and Shakespeare to the settlements that have grown up there. Twenty years after the pandemic, life feels relatively safe. But now a new danger looms, and it threatens the hopeful world every survivor has tried to rebuild.

It is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident--an incident which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander--until he becomes a suspect. With Case Histories, Kate Atkinson showed how brilliantly she could explore the crime genre and make it her own. In One Good Turn, she takes her masterful plotting one step further.

In 1947, Elisabeth Mander’s German nephew comes to stay: Stefan Landau, her dead sister’s teenage son, whom she hates and loves before she’s even set eyes on him. Orphaned by the war and traumatised by the last vicious battles of the Hitler Youth, Stefan brings with him to England only a few meagre possessions. Among them a portrait of a girl with long copper hair by a young painter called Michael Ross - and with it the memory, both painful and precious, of her life and that time between the wars.

In the golden city of Amsterdam, in 1705, Thea Brandt is turning eighteen, and she is ready to welcome adulthood with open arms. At the city’s theatre, Walter, the love of her life, awaits her, but at home in the house on the Herengracht, all is not well—her father Otto and Aunt Nella argue endlessly, and the Brandt family are selling their furniture in order to eat. On Thea’s birthday, also the day that her mother Marin died, the secrets from the past begin to overwhelm the present.

 Nora's life has been going from bad to worse. Then at the stroke of midnight on her last day on earth she finds herself transported to a library. There she is given the chance to undo her regrets and try out each of the other lives she might have lived. Which raises the ultimate question: with infinite choices, what is the best way to live?   

From afar, Talitha's life seemed perfect. In her 20s, and already a famous model and actress, she moved from London to a palace in Marrakesh, with her husband, Paul Getty, the famous oil heir. There she presided over a swirling ex-pat scene filled with music, art, free love, and a counterculture taking root across the world. When Claire arrives in London from her small town, she never expects to cross paths with a woman as magnetic as Talitha Getty. Yearning for the adventure and independence, she's swept off to Marrakesh, where the two become kindred spirits. 

Tudor England. The word treason is on everyone's lips. Arbella Stuart, niece to Mary, Queen of Scots, and presumed successor to Elizabeth I, has spent her youth behind the towering windows of Hardwick Hall. As presumed successor to the throne, her isolation should mean protection - but those close to the crown are never safe. Aemilia Lanyer, writer and poet, enjoys an independence denied to Arbella. Their paths should never cross. But when Arbella enlists Aemilia's help in a bid for freedom, she risks more than her own future.

Inspired by a box of mementos found abandoned in a skip following a house clearance, The Museum of Ordinary People is a poignant, thought-provoking but ultimately uplifting story of memory and love, grief, loss and the things we leave behind. It is another brilliant novel from an author who seems to have the absolute knack of writing topical, engaging, heartwarming stories which really connect with listeners.