London, 1945. The capital is still reeling from the war. Fourteen-year-old Nathaniel and his older sister Rachel are abandoned by their parents who leave the country on business, and are left in the dubious care of a mysterious figure named The Moth. Nathaniel is introduced to The Moth’s band of criminal misfits and is caught up in a series of teenage misadventures, from smuggling greyhounds for illegal dog racing to lovers’ trysts in abandoned buildings at night. But is this eccentric crew really what and who they claim to be? And most importantly, what happened to Nathaniel’s mother? 

In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India", Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

The nurse Hana, exhausted by death, obsessively tends to her last surviving patient. Caravaggio, the thief, tries to reimagine who he is, now that his hands are hopelessly maimed. The Indian sapper Kip searches for hidden bombs in a landscape where nothing is safe but himself. And at the centre of his labyrinth lies the English patient, nameless and hideously burned, a man who is both a riddle and a provocation to his companions - and whose memories of suffering, rescue and betrayal illuminate this book like flashes of heat lightning. 

In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table” - as far from the Captain’s Table as can be - with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury.

Random House presents the audiobook edition of Paris Echo by Sebastian Faulks. Here is Paris as you have never seen it before - a city in which every building seems to hold the echo of an unacknowledged past, the shadows of Vichy and Algeria. American postdoctoral researcher Hannah and runaway Moroccan teenager Tariq have little in common, yet both are susceptible to the daylight ghosts of Paris....

In the world of interconnected novels by Louise Erdrich, Four Souls is most closely linked to Tracks. All these works continue and elaborate on the intricate story of life on a reservation peopled by saints and false saints, heroes and sinners, clever fools and tenacious women. Louise Erdrich reminds us of the deep spirituality and the ordinary humanity of this world, and these works are as beautiful and lyrical as anything she has written.

Form-defining short stories. First published in 1914, James Joyce defined what the short story could be with his collection, The Dubliners. A mixture of prose and poetry, each story can be listened to independently, or as a collection. From childhood to maturity, we see what life - and ultimately death - can be, via an extraordinary cast of characters, all of whom experience an epiphany. There’s Father Flynn, the priest; Evelyn, the shop girl who dreams of escape; Mrs Mooney, the butcher’s daughter, who runs a boarding house. 

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.

Flights, a novel about travel in the 21st century and human anatomy, is Olga Tokarczuk’s most ambitious to date. It interweaves travel narratives and reflections on travel with an in-depth exploration of the human body, broaching life, death, motion and migration. With her signature grace and insight, Olga Tokarczuk guides the reader beyond the surface layer of modernity and towards the core of the very nature of humankind.

Daphne du Maurier's The Scapegoat is a classic tale of stolen identity. As dark as it is witty, it introduces listeners to the gloomy and despondent character of John the Englishman. When by chance, John comes face to face with his French doppelgänger, Jean, his bewilderment is quickly replaced with envy. Realising that Jean is in possession of everything he lacks but has always desired, he assumes the identity of his look-a-like, leaving his old, tedious life behind.