I Am Legend

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched firsthand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living - or at least the undead - hell of that dreadful time.

It has been 40 years since the publication of this classic science-fiction novel that changed the way we look at the stars and ourselves. From the savannas of Africa at the dawn of mankind to the rings of Saturn as man adventures to the outer rim of our solar system, 2001: A Space Odyssey is a journey unlike any other.

Winner of the Pulitzer Prize for Fiction, 2007.
America is a barren landscape of smoldering ashes, devoid of life except for those people still struggling to scratch out some type of existence. Amidst this destruction, a father and his young son walk, always toward the coast, but with no real understanding that circumstances will improve once they arrive. Still, they persevere, and their relationship comes to represent goodness in a world of utter devastation.

Every weekend, in basements and car parks across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight Club is the invention of Tyler Durden, projectionist, waiter and dark, anarchic genius. And it's only the beginning of his plans for revenge on the world.

Originally written for the pulp magazines of the 1920s and '30s, H. P. Lovecraft's astonishing tales blend elements of horror, science fiction, and cosmic terror that are as powerful today as they were when first published. This tome brings together all of Lovecraft's harrowing stories, including the complete Cthulhu Mythos cycle, just the way they were when first released.

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct and the half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind, but the last remains of civilisation have already become a distant memory. Man has handed over stewardship of the earth to new life-forms.

In 48 hours, the Earth will be hit by a coronal mass ejection (CME) from the sun, a "Carrington Event" that has the power to shut down and possibly destroy the world's electrical infrastructure. To try and prevent permanent damage, everything goes dark prior to the hit: Global communications are shut down; hospital emergency generators are disconnected; the entire internet, media broadcasting, and cell phone systems are turned off. Will the world's population successfully defend itself in the wake of the CME, or will mass panic lead to the breakdown of society as we know it?

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

On the world called Hyperion, beyond the law of the Hegemony of Man, there waits the creature called the Shrike. There are those who worship it. There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits for them all.

Predator ships stream into human space in unprecedented numbers. The Colonial Marines, controlled by Weyland-Yutani, respond to the incursion, thus entering the Rage War. This terrifying assault by the Yautja cannot go unchallenged, yet the cost of combat is high. Predators are master combatants, and each encounter yields a high body count. Then, when Lt. Johnny Mains and his marines - the VoidLarks - enter the fray, they discover an enemy deadlier than any could imagine.

Those who would seek a new world order have unleashed the most devastating virus onto mankind, and even they do not know the secrets hidden in their weapon. Follow along as Harry, a CDC scientist, races to figure out what exactly the virus is and how to stop it. It will be up to him and a group of marines led by Major Sanders to stop the zombie fallout before it ravages an unsuspecting world.

Most people ignored the outrageous reports on the news. But they became too frequent, they became too real. And soon, they began happening down the street. Then the Internet died. The television and radio went silent. The phones stopped ringing. And we couldn't look outside anymore. Malorie raises the children the only way she can; indoors. The house is quiet. The doors are locked, the curtains are closed, mattresses are nailed over the windows. They are out there. She might let them in.

There are some odd things about Nate’s new apartment. Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much. At least, not until he meets Mandy, his neighbor across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s.

One of the world’s most recognisable sci-fi stories, H. G. Wells’ The War of The Worlds established numerous conventions for the genre, including the threat of an invasive extraterrestrial species, space travel and intergalactic conflict, inspiring directors, gamers, producers and writers alike with its sobering story of struggle and survival. Marrying the suspense, drama and urgency of Wells’ original novel with Jeff Wayne’s rousing and flamboyant score, Audible’s new and exclusive dramatisation uses action, narration, original music and evocative sound design to immerse listeners in a world that’s as thrilling as it is desolate. 

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he's alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plainold "human error" are much more likely to kill him first.