Millennium is a stunning panoramic account of the two centuries on either side of the apocalyptic year 1000. This was the age of Canute, William the Conqueror and Pope Gregory VII, of Vikings, monks and serfs, of the earliest castles and the invention of knighthood, and of the primal conflict between church and state. The story of how the distinctive culture of Europe - restless, creative and dynamic - was forged from out of the convulsions of these extraordinary times is as fascinating and as momentous as any in history. 

The Roman Republic was the most remarkable state in history. What began as a small community of peasants camped among marshes and hills ended up ruling the known world. Rubicon paints a vivid portrait of the Republic at the climax of its greatness - the same greatness which would herald the catastrophe of its fall. It is a story of incomparable drama.

In the 6th century AD, the Near East was divided between two venerable empires: the Persian and the Roman. A hundred years on and one had vanished forever, while the other seemed almost finished. Ruling in their place were the Arabs: an upheaval so profound that it spelt, in effect, the end of the ancient world. In The Shadow of the Sword, Tom Holland explores how this came about.

The early 1980s were the most dramatic, colourful and controversial in our modern history. Margaret Thatcher had come to power with a daring plan to reverse Britain's decline into shabbiness and chaos. But as factories closed their doors, dole queues lengthened and the inner cities exploded in flames, would her harsh medicine rescue the Sick Man of Europe - or kill it off? Evocative, surprising and gloriously entertaining, Dominic Sandbrook's new book recreates the great turning point in Britain's modern history.

In 480 BC, Xerxes, the King of Persia, led an invasion of mainland Greece. Its success should have been a formality. For 70 years, victory had seemed the birthright of the Persian Empire. In the space of a single generation, they had swept across the Near East, shattering ancient kingdoms, storming famous cities, putting together an empire which stretched from India to the shores of the Aegean. Yet somehow, astonishingly, against the largest expeditionary force ever assembled, the Greeks of the mainland managed to hold out.

The Histories of Herodotus, completed in the second half of the fifth century BC, is generally regarded as the first work of history and the first great masterpiece of non-fiction writing. Joined here are the sheer drama of Herodotus' narrative of the Persian invasions of Greece, and the endless curiosity - turning now to cannabis, now to the Pyramids - which make his book the source of so much of our knowledge of the ancient world. 

Much attention has been paid to so-called late style—but what about last style? When does last begin? How early is late? When does the end set in? In this endlessly stimulating investigation, Geoff Dyer sets his own encounter with late middle age against the last days and last achievements of writers, painters, athletes and musicians who've mattered to him throughout his life. 

Dynasty tells the story of Rome's first dynasty of emperors, from its establishment by Augustus Caesar in the last decades of the first century BC to its final, florid extinction less than a century later. The line of autocrats known to historians as the 'Julio-Claudians' remains to this day a byword for depravity. The brilliance of its allure and the blood-steeped shadows cast by its crimes still haunt the public imagination.

Britain's empire has gone. Our manufacturing base is a shadow of its former self; the Royal Navy has been reduced to a skeleton. In military, diplomatic and economic terms, we no longer matter as we once did. And yet there is still one area in which we can legitimately claim superpower status: our popular culture.

From the best-selling author of The Templars, Dan Jones' epic new history tells nothing less than the story of how the world we know today came to be built. Across 16 chapters, blending Dan Jones' trademark gripping narrative style with authoritative analysis, Powers and Thrones shows how, at each stage in this story, successive Western powers thrived by attracting - or stealing - the most valuable resources, ideas and people from the rest of the world.

This classic text gives a broad overview of the early Christian church, how it was formed, and how it dealt with the Roman empire, which was at first hostile to Christianity, and then under Constantine the Great how it came to embrace the new faith. The author, George Hodges, also examines the many heresies that beset the church from within, and the various figures that would defend the correct definition of the faith. 

When the Emperor Constantine converted to Christianity in 368 AD, he changed the course of European history in ways that continue to have repercussions to the present day. Adopting those aspects of the religion that suited his purposes, he turned Rome on a course from the relatively open, tolerant, and pluralistic civilization of the Hellenistic world, towards a culture that was based on the rule of fixed authority, whether that of the Bible, or the writings of Ptolemy in astronomy and of Galen and Hippocrates in medicine. 

Since the landmark Obergefell v. Hodges Supreme Court decision in 2015, sexual identity has dominated both public discourse and cultural trends — yet no historical phenomenon is its own cause. From Augustine to Marx, various views and perspectives have contributed to the modern understanding of the self.

In the early 1970s, Britain seemed to be tottering on the brink of the abyss. Under Edward Heath, the optimism of the Sixties had become a distant memory. Now the headlines were dominated by strikes and blackouts, unemployment and inflation. As the world looked on in horrified fascination, Britain seemed to be tearing itself apart. And yet, amid the gloom, glittered a creativity and cultural dynamism that would influence our lives long after the nightmarish Seventies had been forgotten.

In the early 1970s, Britain seemed to be tottering on the brink of the abyss. Under Edward Heath, the optimism of the '60s had become a distant memory. Now the headlines were dominated by strikes and blackouts, unemployment and inflation. As the world looked on in horrified fascination, Britain seemed to be tearing itself apart. And yet, amid the gloom, glittered a creativity and cultural dynamism that would influence our lives long after the nightmarish '70s had been forgotten.