Millennium is a stunning panoramic account of the two centuries on either side of the apocalyptic year 1000. This was the age of Canute, William the Conqueror and Pope Gregory VII, of Vikings, monks and serfs, of the earliest castles and the invention of knighthood, and of the primal conflict between church and state. The story of how the distinctive culture of Europe - restless, creative and dynamic - was forged from out of the convulsions of these extraordinary times is as fascinating and as momentous as any in history. 

In the 6th century AD, the Near East was divided between two venerable empires: the Persian and the Roman. A hundred years on and one had vanished forever, while the other seemed almost finished. Ruling in their place were the Arabs: an upheaval so profound that it spelt, in effect, the end of the ancient world. In The Shadow of the Sword, Tom Holland explores how this came about.

The Roman Republic was the most remarkable state in history. What began as a small community of peasants camped among marshes and hills ended up ruling the known world. Rubicon paints a vivid portrait of the Republic at the climax of its greatness - the same greatness which would herald the catastrophe of its fall. It is a story of incomparable drama.

In 480 BC, Xerxes, the King of Persia, led an invasion of mainland Greece. Its success should have been a formality. For 70 years, victory had seemed the birthright of the Persian Empire. In the space of a single generation, they had swept across the Near East, shattering ancient kingdoms, storming famous cities, putting together an empire which stretched from India to the shores of the Aegean. Yet somehow, astonishingly, against the largest expeditionary force ever assembled, the Greeks of the mainland managed to hold out.

Dynasty tells the story of Rome's first dynasty of emperors, from its establishment by Augustus Caesar in the last decades of the first century BC to its final, florid extinction less than a century later. The line of autocrats known to historians as the 'Julio-Claudians' remains to this day a byword for depravity. The brilliance of its allure and the blood-steeped shadows cast by its crimes still haunt the public imagination.

What do Christians hope for? To leave this wicked world and go to 'heaven'? For the 'kingdom of God' to grow gradually on earth? What do we mean by the 'resurrection of the body', and how does that fit with the popular image of sitting on clouds playing harps? And how does all this affect the way we live in the here and now? Tom Wright, one of our leading theologians, addresses these questions in this provocative and wide-ranging new book. 

Once in a generation, a historian will redefine his field, producing a book that demands to be read or heard - a product of electrifying scholarship conveyed with commanding skill. Diarmaid MacCulloch's Christianity is such a book. Breathtaking in ambition, it ranges back to the origins of the Hebrew Bible and covers the world, following the three main strands of the Christian faith.

N.T. Wright's accessible new volume, built on his Cambridge University Hulsean Lectures of 2004, takes a fresh look at Paul in light of recent understandings of his Jewish roots, his attitude toward the Roman Empire, and his unique reframing of Jewish symbols in relation to his experience of the risen Christ. Then Wright attempts a short systematic account of the main theological contours of Paul's thought and its pertinence for the church today.

In this engrossing account, Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the meeting place of Greek, Latin, Christian and barbarian cultures and the pivot between East and West.

In The Day the Revolution Began, N. T. Wright once again challenges commonly held Christian beliefs, as he did in Surprised by Hope. Demonstrating the rigorous intellect and breathtaking knowledge that have long defined his work, Wright argues that Jesus' death on the cross was not only to absolve us of our sins, it was actually the beginning of a revolution commissioning the Christian faithful to a new vocation - a royal priesthood responsible for restoring and reconciling all of God's creation.

The conquistadores, the early explorers and settlers of Spanish America, have become the stuff of legends and nightmares. In their own time, they were glorified as heroic adventurers, spreading Christian culture and helping to build an empire unlike any the world had ever seen. Today, they stand condemned for their cruelty and exploitation as men who decimated the ancient civilisations of the Aztecs and the Incas and carried out horrific atrocities in their pursuit of gold and glory.

Here, for the first time, in his new book The Rage Against God, Peter Hitchens, brother of prominent atheist Christopher Hitchens, chronicles his personal journey through disbelief into a committed Christian faith. With unflinching openness and intellectual honesty, Hitchens describes the personal loss and philosophical curiosity that led him to burn his Bible at prep school and embrace atheism in its place. From there, he traces his experience as a journalist in Soviet Moscow and the critical observations that left him with more questions than answers.

For the first time, in Fifth Sun, the history of the Aztecs is offered in all its complexity based solely on the texts written by the indigenous people themselves. Camilla Townsend presents an accessible and humanized depiction of these native Mexicans, rather than seeing them as the exotic, bloody figures of European stereotypes. 

In this classic work, Alasdair MacIntyre examines the historical and conceptual roots of the idea of virtue, diagnoses the reasons for its absence in personal and public life, and offers a tentative proposal for its recovery. While the individual chapters are wide-ranging, once pieced together, they comprise a penetrating and focused argument about the price of modernity.

The church used to be recognised as a force for good, but this is changing rapidly. Christians are now often seen as the bad guys, losing both respect and influence. In our post-Christian culture, how do we offer the gospel to those around us who view it as not only wrong but possibly dangerous? And how do we ensure that the secular worldview does not entice us away with its constant barrage, online and elsewhere, of messages about self-determinism?