Charles Paris is on his way up again, career-wise. No longer ‘resting’ or playing a corpse in a cupboard, he finds himself doubling almost every role in a provincial production of the play dreaded by superstitious theatrefolk: Macbeth.

Brighton, 1957: a sunny seaside resort with a sinister underbelly. This den of villainy is policed by the touchingly innocent Inspector Steine, who naively believes he wiped out all the hoodlums in the Middle Street Massacre six years earlier. Can long-suffering Sergeant Brunswick and keen Constable Twitten persuade him that a criminal mastermind is at large - and that the station's charlady, Mrs Groynes, might bear investigation?

The complete series 1-5 of the thrilling mystery series. On sabbatical from the Franciscan order, Father Paolo Baldi is working as a philosophy lecturer in Dublin when his life takes an unexpected turn and he finds himself helping the police to solve crimes. Along with Tina, Paolo uncovers the truth behind the killings of several rockabilly band members and a high-profile case of a police officer’s murder as well as delving into the highly competitive world of celebrity chefs. 

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears. 

In these final four series, Anna is trying to remain calm and centred in the midst of the familial chaos that surrounds her. Her sisters, Victoria and Charlotte, are more combative than ever, and when a row blows up between them, Anna is stuck in the middle. Having graduated from university, her niece Emily is preparing for marriage and motherhood. But her wedding plans cause ructions, as Victoria and Charlotte make her celebrations all about them. The baby's birth sends Victoria into competitive granny mode - while Anna receives a heart-warming surprise.

Ellen Curtis runs her own business helping people who are running out of space. As a declutterer, she is used to encountering all sorts of weird and wonderful objects in the course of her work. What she has never before encountered is a dead body. When Ellen stumbles across the body of a young woman in an over-cluttered flat, suspicion immediately falls on the deceased homeowner's son. No doubt Nate Ogden is guilty of many things - but is he really the killer? Discovering a link between the victim and her own past, Ellen sets out to uncover the truth. 

When prominent don and celebrity TV historian Peter Devanti dies after dining at High Table, his colleague Gilbert suspects foul play and invites his former student Simon Harrison, a disillusioned health and safety officer, to investigate. Meanwhile, Simon’s former girlfriend Zoe, a freelance journalist, arrives to write an article about Devanti’s death, reopening old wounds for Simon. 

Cantankerous and dishevelled, Chief Inspector Dover is no one's idea of a model detective - but he does have an uncanny knack for solving crimes. In these radio dramas, set in the 1960s and '70s, he and his long-suffering sergeant, Charlie McGregor, investigate sinister cases of kidnap and murder. The first four are adapted from Joyce Porter's novels, while the latter two are original stories based on her characters.

Maggie and John had a passionate but disastrous affair in their younger days, but it didn't last. Now in their late 60s, a surprise encounter gives them another chance to take up where they left off. Will they manage to find the best in each other and finally get together? Or will old wounds and an awareness of their ageing bodies deter them? Will the treadmill created by the high-cost, high-pressure 21st century, and their endless other commitments and interruptions large and small, overwhelm them? Or will they take the final risk? 

Inspector Purbright is a thoroughly English policeman: affable, polite, dogged and decent. Created by award-winning crime writer Colin Watson, he appeared in 12 Flaxborough mysteries, four of which were adapted for BBC TV under the title Murder Most English. These five radio dramatisations star Peter Jeffrey, John Pullen and John Rowe as Purbright.

In 1920s Leicester, Lewis Eliot must escape the drudgery of a council clerk's office and his provincial lower class background to begin his decades-long rise to power. As the years pass, and Lewis progresses to successful London lawyer, to Cambridge don, to wartime service in Whitehall, to senior civil servant and finally retirement, he faces in his own life and the lives of those around him collapsing marriages, terrible illness, the politics of academia, Nazism, nuclear weapons, the price of power and the ever-present realities of war. 

West Midlands copper Jackie Hartwell has one of the toughest jobs in CID: comforting and supporting grieving relatives in the aftermath of a serious crime. But there's much more to what she does than providing tea and sympathy. Part social worker, part savvy investigator, she needs to be able to win the trust of families, while simultaneously keeping a watchful eye on their behaviour and reactions. Because often, the suspect she's searching for isn't far from home....

Roger West is a home-loving, hard-hitting and very human policeman. Nicknamed 'Handsome' West, he's more than just a pretty face—he's also Scotland Yard's youngest, smartest detective and a crime-solving supremo. Six of his adventures were dramatised for radio between 1967 and 1971, but only three survived, all of which are included in this box set.

Detective Inspector Gwen Danbury comes from a family of investigators. Her father was a policeman, and her mother Joan often discussed cases with him - on one occasion helping him to solve a tricky murder. Gwen already has a capable, efficient sidekick in the form of DS Henry Jacobs - but nevertheless, her mum insists on helping Gwen with her inquiries.

Meet Clare Barker, the social worker who likes nothing more than sorting out other people's problems (while failing to deal with her own). Wracked with guilt over being white, middle-class and heterosexual, she has a dedicated social conscience (unless it's inconvenient for her) and lives to interfere in other people's lives—both on a personal and professional basis. Bearing the brunt of her control freakery and lack of self-awareness are her family, colleagues and long-suffering teacher partner, Brian—all of whom have their own frustrations, disappointments and dramas.