Tom Ripley is struggling to stay one step ahead of his creditors and the law when an unexpected acquaintance offers him the chance to start over. Ripley wants money, success, and the good life and he's willing to kill for it. When his newfound happiness is threatened, his response is as swift as it is shocking.

Anne Lister was remarkable. Fearless, charismatic and determined to explore her lesbian sexuality, she forged her own path in a society that had no language to define her. She was a landowner, an industrialist and a prolific diarist whose output has secured her legacy as one of the most fascinating figures of the 19th century. Gentleman Jack: The Real Anne Lister follows Anne from her crumbling ancestral home in Yorkshire to the glittering courts of Denmark as she resolves to put past heartbreak behind her and find herself a wife. 

David Kelsey has an invincible conviction that life is going to work out just as he has planned it - if he can just fix 'the situation'. His one true love, the brilliant, beautiful Annabelle, has married another man. But that doesn't mean they can't still be friends. And even though she is pregnant with her husband Gerald's baby, that surely doesn't mean she won't one day get back together with David. She still loves him, of that he is certain. David is sure she'll take him back and, under an alias, is setting up a wonderful home for the two of them in a town close by.

Melinda Van Allen is beautiful, headstrong and sexy. Unfortunately for Vic Van Allen, she is his wife. Their love has soured, and Melinda takes pleasure in flaunting her many affairs to her husband. When one of her lovers is murdered, Vic hints to her latest conquest that he was responsible. As rumours spread about Vic's vicious streak, fiction and reality start to converge. It's only a matter of time before Vic really does have blood on his hands.

Patricia Highsmith was one of the great 20th-century novelists, celebrated for classics The Talented Mr Ripley, Carol and Strangers on a Train, but she was also a masterful and prolific short-story writer. This definitive new collection, featuring two stories that have never been published before, confirms Highsmith as a genius of the genre. Peerlessly disturbing, exhilarating and savagely funny, Highsmith's stories still have the power to startle, presenting a world that is frighteningly familiar and as relevant today as when they were written.

'Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen.' A saucy, sensuous and multi-layered historical romance, Tipping the Velvet follows the glittering career of Nan King - oyster girl turned music-hall star turned rent boy turned East End 'tom'.

London 1862: Sue Trinder, orphaned at birth, grows up among petty thieves - fingersmiths - under the rough but loving care of Mrs Sucksby and her 'family'. But from the moment she draws breath, Sue's fate is linked to that of another orphan growing up in a gloomy mansion not too many miles away.

Patricia Highsmith's first novel was picked up by Hitchcock and was a world-wide success. Her second novel was meant to tell everything about her true inside and dare what no-one had dared to write before: a lesbian love-story with a happy ending. But when she eventually relented to publish it under a pseudonym, it was a decision that would shape her life more than she could have guessed at the time. Henceforth she would vent her inner life either encoded in her future novels or—unbeknownst to most—in the 18 diaries and 38 notebooks she kept throughout her life.

Life has become a farcical mess for icy British A-lister Elizabeth Thornton. America's most-hated villain stars in a top-rated TV medical drama that she hates. Now, she's been romantically linked to her perky, new co-star, Summer, due to the young woman's clumsiness. As a closeted actress, that's the last thing Elizabeth needs. If she could just get her dream movie role, life would be so much better. The only problem is that the eccentric French film-maker offering it insists on meeting her "girlfriend", Summer, first.

Shortlisted for the British Book Awards, Book of the Year, 2007.
Shortlisted for Audible's Listen of the Year, 2006.
Shortlisted for the Man Booker Prize, 2006.
Shortlisted for the Orange Prize for Fiction, 2006.
Moving back through the 1940s, through air raids, blacked out streets, illicit liaisons, sexual adventure, to end with its beginning in 1941...

Asa Leventhal, a temporary bachelor with his wife away on a visit to her mother, attempts to find relief from a Gotham heat wave only to be accosted in the park by a down-at-the-heels stranger who accuses Leventhal of ruining his life. Unable to shake the stranger, Leventhal is led by his own self-doubts and suspicions into a nightmare of paranoia and fear.

Molly Bolt is a young lady with a big character. Beautiful, funny and bright, Molly figures out at a young age that she will have to be tough to stay true to herself in 1950s America. In her dealings with boyfriends and girlfriends, in the rocky relationship with her mother and in her determination to pursue her career, she will fight for her right to happiness. Charming, proud and inspiring, Molly is the girl who refuses to be put in a box. 

Even as a child, Joseph Lennox was happy to live in his older brother Ross’s shadow. Sadistic and charming, Ross was blossoming into a teenage rebel when one day, down by the train tracks, Joe inadvertently shoves him onto the third rail. After that fatal afternoon, Joe tried to blend into the shadows, fleeing to Austria as soon as he graduated college. Now he lives in Vienna, enjoying the cozy dullness of empty cafés and old movie theaters, doing his best to forget the day he watched his brother die. But death is not through with Joe Lennox.

A chance encounter. An unforgettable night. And back home, trouble is brewing on the remote island of Three Dragons, where nothing feels like it used to. Alone and lonely, Sam Threadneedle wishes upon a star, hoping for change. But when said change comes, it's with a roar and not a whimper.

Frances had been picturing her lodgers in purely mercenary terms - as something like two great waddling shillings. But this, she thought, was what it really meant to have paying guests: this odd, unintimate proximity, this rather peeled-back moment, where the only thing between herself and a naked Mrs Barber was a few feet of kitchen and a thin scullery door. An image sprang into her head: that round flesh, crimsoning in the heat.