A Dark-Adapted Eye

It is 1905. Asta and her husband, Rasmus, have come to East London from Denmark with their two little boys. With Rasmus constantly away on business, Asta keeps loneliness and isolation at bay by writing a diary. These diaries, published over 70 years later, reveal themselves to be more than a mere journal. For they seem to hold the key to an unsolved murder and to the mystery of a missing child. It falls to Asta's granddaughter, Ann, to unearth the buried secrets of nearly a century before.

Eccentric Jarvis lives in a crumbling schoolhouse overlooking the tube line, compiling his obsessive history of the Underground. A group of misfits are also drawn towards his strange house: Alice, who has run away from her husband and baby; Tom, the busker who rescues her; truant Jasper who finds his terrifying thrills on the tube; and enigmatic Axel, whose deadly secret casts a shadow over all their lives.

The first girl had a bite mark on her neck, but they traced the DNA to her boyfriend. But the tabloids got hold of the story and called the killer 'The Rottweiler' and the name stuck. The latest murder takes place very near Inez Ferry's antique shop in Marylebone. When the Rottweiler’s trinkets start showing up in the shop, suddenly, everyone Inez knows is a suspect, and the killer feels all too close.

Two damaged children: Teddy Brex, whom no-one loved, and so found it easier to relate to objects or things which never let him down; and Francine Hill, who was discovered sitting by the body of her mother, her skirt red with blood. She couldn’t tell the police or her father anything to help track down the killer.... Children grow up in different ways. Teddy became a handsome young man, Francine was beautiful - a sight for sore eyes. But it was death that brought them together.

Eve and Liza, Mother and Daughter, live a quiet life in their remote home; a rustic gatehouse of a country mansion. At first glance their lives appear quite ordinary, except that Liza has almost no knowledge of the outside world, has never played with a child her own age and has witnessed her mother commit murder, on multiple occasions.

The obituaries for Gerald Candless were respectful. He had been, after all, an admired and popular writer, and his sudden death at his home in Devon was a loss to literature as well as to his family and friends. The trouble was, as his daughter Sarah soon discovered, that it seemed that her father had taken on a different identity that he wasn't Gerald Candless at all. But if he wasn't Gerald Candless, who was he?

Mary Jago had donated her own bone marrow to save the life of someone she didn’t know. And this generous act led directly to the bitter break-up of her affair with Alistair. For him, it was as though her beauty had been plundered. But the man whose life she had saved would change Mary’s life in a way she could never have imagined.

In the long, hot summer of 1976 Adam, Rufus, Shiva, Vivien and Zosie are camping at Wyvis Hall. They don’t ask why they are there or how they are to live; they simply scavenge, steal and sell the family heirlooms. Ten years later, the bodies of a woman and child are discovered in the Hall’s animal cemetery. But which woman? And whose child?

Four members of the Coverdale family - George, Jacqueline, Melinda and Giles - died in the space of fifteen minutes on the 14th February, St Valentine's Day. Eunice Parchman, the housekeeper, shot them down on a Sunday evening while they were watching opera on television. Two weeks later she was arrested for the crime. But the tragedy neither began nor ended there...

Full-cast dramatisations of seven of Ruth Rendell's tense psychological thrillers. This collection includes The Bridesmaid, Going Wrong, King Solomon’s Carpet, People Don’t Do Such Things, The Fever Tree, The Dreadful Day of Judgment and Thornapple. Among the casts of these seven suspenseful adaptations are Jamie Glover, Mark Strong, Reece Shearsmith, Paul Rhys, Danny Sapani and Juliet Aubrey. 

Marion Sharpe and her mother seem an unlikely duo to be found on the wrong side of the law. Quiet and ordinary, they have led a peaceful and unremarkable life at their country home, The Franchise. Unremarkable that is, until the police turn up with a demure young woman on their doorstep.Not only does Betty Kane accuse them of kidnap and abuse, she can back up her claim with a detailed description of the attic room in which she was kept, right down to the crack in its round window.

Mix Cellini (which he pronounces with an S rather than a C) is superstitious about the number 13 and has always felt dogged by ill-luck. In the house where he lives, there are 13 steps down to the landing below his rooms. His landlady lives her life almost exclusively through her library, blind to the neglect and decay around her. However, Mix is obsessed with the life of the notorious John Christie, who lived in the same Notting Hill neighbourhood at 10 Rillington Place.

Weeks went by when Ismay never thought of it at all. Then something would bring it back or it would return in a dream. The dream began in the same way. She and her mother would be climbing the stairs, following Heather's lead through the bedroom to what was on the other side, not a bathroom in the dream but a chamber floored and walled in marble. In the middle of it was a glassy lake. The white thing in the water floated towards her, its face submerged, and her mother said, absurdly, "Don't look!"'

Unlike the other residents of Middleton Hall, Stella is elegant, smart and in control. Only Jenny, her care assistant, knows that she harbours a painful secret, and only she can prevent Stella from carrying it to the grave. As the women talk, Jenny pieces together the answers to many questions that arise: Why has she kept possession of a house that her family don’t know about? What happened there that holds the key to a distant tragedy?

When he unexpectedly comes into a small fortune, he decides to use his newfound wealth to help out those in need. Finn also leads a quiet life, and comes into a little money of his own. Normally, their paths would never have crossed. But Martin’s ideas about who should benefit from his charitable impulses yield some unexpected results, and soon the good intentions of the one become fatally entangled with the mercenary nature of the other.