Renaissance Biography

Betrayed by the ruling families of Italy, Ezio Auditore embarks upon an epic quest for vengeance. To eradicate corruption and restore his family's honor, he will learn the art of the Assassins. Along the way, Ezio will call upon the wisdom of such great minds as Leonardo da Vinci and Niccolò Machiavelli, knowing that survival is bound to the skills by which he must live.To his allies, he will become a force for change in his fight for freedom and justice.

In this masterful work, listeners will encounter: the poets Petrarch and Boccaccio, the fathers of the Renaissance; the paintings, sculptures, and architecture of Milan, Florence, and Venice; the life and accomplishments of Leonardo DaVinci; the Catholic church and the popes of Avignon and Rome; the politicians and philosophers of Italy, including the Borgia family, Julius II, and Machiavelli; the Italian Wars, the conflicts with France, and the country's decline.

How a Florentine orphanage rescued thousands of children and revolutionized childhood education amid the splendor of Renaissance art. The story begins with the abandonment of the newborn Agata Smeralda on February 5, 1445, in Florence’s Hospital of the Innocents, the first—but certainly not...

Beginning in the heady days just after the First Crusade, this volume - the third in the series that began with The History of the Ancient World and The History of the Medieval World - chronicles the contradictions of a world in transition. Impressively researched and brilliantly told, The History of the Renaissance World offers not just the names, dates, and facts but the memorable characters who illuminate the years between 1100 and 1453 - years that marked a sea change in mankind's perception of the world.

Learn about the Renaissance period with iMindsJNR audio learning series for younger minds. The word "Renaissance" means "rebirth" in French. It was first used by French historian Jules Michelet in 1858 to refer to a "movement" that took place between about the 13th and 16th centuries . This movement describes the transition from medieval to modern Europe.

A history of the Renaissance told through the lives of its most influential patrons. From the late Middle Ages, the independent Italian city states were taken over by powerful families who installed themselves as dynastic rulers. Inspired by the humanists, the princes of 15th- and 16th-century Italy immersed themselves in the culture of antiquity, commissioning palaces, villas and churches inspired by the architecture of ancient Rome, and offering patronage to artists and writers.

More than ever before, the Renaissance stands out as one of the defining moments in world history. Between 1400 and 1600, European perceptions of society, culture, politics, and even humanity itself emerged in ways that continue to affect not only Europe but the entire world. In this wide-ranging exploration of the Renaissance, Jerry Brotton shows the period as a time of unprecedented intellectual excitement, cultural experimentation, and interaction on a global scale, alongside a darker side of religion, intolerance, slavery, and massive inequality of wealth and status.

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

If you want to discover the captivating history of the Renaissance, then pay attention.

The 15th century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase “Renaissance Art” actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

It's possible that Michelangelo is the most famous artist in history, but it's also possible that he's an underrated artist. The vast influence of his career is reflected by the fact that he is not only known for his own art but has also come to embody an entire epoch of Western art. Along with Leonardo da Vinci, there are no other artists who so fully capture the spirit of scientific and artistic discovery that characterized art during the late 15th and early 16th centuries.

Most historians credit the city-state of Florence as the place that started and developed the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medicis, the family dynasty of Florence that ruled at the height of the Renaissance. The dynasty held such influence that some of its family members even became pope.

Voyages of discovery, inventions, the revival of classical learning, and the advent of science contributed to the intellectual upheavals of this creative period, and are reflected in its literature and art. Hudson focuses on the one thread of continuity that he sees as both the seed and the fruit of this exciting era: the awakening of secular humanism and the emergence of the individual. This history gives the listener a lucid, perceptive analysis of the splendid Renaissance.

There is no doubt that Michelangelo is one of the most influential artists of all time, together with some other Renaissance geniuses, such as Leonardo and Rafael. Michelangelo had a vision, a dream, and the talent to carry out those imaginations. His life, in our perspective, is a compilation of great works of art, architecture, sculptures, paintings, and intricate movements, contrast, colors, and anatomy of the human body. Religious and thematic symbolism are intertwined in his frescos and structures. Let us learn more about this great artist.

The Harlan Renaissance is an intimate remembrance of kinship and community in eastern Kentucky’s coal towns written by one of the luminaries of Appalachian studies, William Turner. Turner reconstructs Black life in the company towns in and around Harlan County during coal’s final postwar boom years, which built toward an enduring bust as the children of Black miners, like the author, left the region in search of better opportunities.

Certain experiences can make you feel alive, but one stands alone. It's not love, it’s not drugs, and it’s not money. A force so pure that its power cannot be contained. Uninterrupted, unregulated, uncontrolled, freedom. To live out every version of yourself within a single lifetime. One man dared to believe such a freedom existed. Somewhere along his journey, between life and death, intertwined in rebirth and change, he discovered a truth that transcends time.

Isabella and Ferdinand of Spain, given the title the "most Catholic monarchs" by the Pope during their reign over Spain, are often blamed for some of the greatest atrocities in history. Remembered primarily for commissioning Christopher Columbus's historical voyage to the New World in 1492, they have been assigned blame for the results of the Spanish Conquest, particularly the catastrophes that befell the Native Americans of the New World.

In the fall of 1985, five freshmen from the Cleveland area - two young men from Cleveland's Woodhill Park neighborhood and three from Warrensville Heights - began their high school experience at Hawken School, a private school on the outskirts of Cleveland in Gates Mills. In the three years that they attended, the “Juice Crew” changed the way that people looked at the school as a whole - athletically and socially.

America in the 1950s was a place of Eisenhower, the Korean Conflict, McCarthy, and Sputnik. Women found themselves trapped into a mold of Donna Reed and June Cleaver, marginalized by the hyper-masculinity of the age. Mystery fiction had become a male bastion as well, promoting hardboiled private eye novels and spy fiction. It would be another three decades before groups to promote equality between the sexes in mystery fiction appeared.

Ever since Machiavelli penned The Prince, his 1513 treatise on princely rule and the politics of reality, a work that infamously advises rulers to abandon virtue and morality when necessary, his name has been synonymous with deceit, duplicity, and amoral pragmatism. Since then a sinister reputation has posthumously plagued the controversial Florentine. But is this depiction of Machiavelli as wicked and immoral accurate?