Persian Classics

Savushun chronicles the life of a Persian family during the Allied occupation of Iran during World War II. It is set in Shiraz, a town which evokes images of Persepolis and pre-Islamic monuments, the great poets, the shrines, Sufis, and nomadic tribes within a historical web of the interests, privilege, and influence of foreign powers; corruption, incompetence, and arrogance of persons in authority; the paternalistic landowner-peasant relationship; tribalism; and the fear of famine.

Aeschylus’ historical tragedy Persians, with its dire warnings against the hubris of imperialist overreach, is as relevant today as it was when first presented to an Athenian audience in 472 BC. This new edition of the classic drama features a literal translation by Mark Will (translator of Fernando Pessoa’s Message) which reconstructs in contemporary English verse the epic cadences of the original Greek.

Unquestionably, Herodotus has left mankind one of the world's greatest works of literature. The Persian Wars is part history, part geography, part anthropology...and completely entertaining. It possesses a charm that is legendary. But, over and above this, Herodotus has succeeded for all time in brilliantly expressing the conflict between the ideal of the free man defending his liberty within a state based on the rule of law, and that of the despot who bases his rule on brute force and whose subjects are considered slaves.

You may have studied the ancient Persian Empire in school, but have you ever wondered what kinds of stories the ancient Persians told to themselves and their children? The roots of Persian myth extend back more than five thousand years to the culture of the Aryan people who migrated into Iran from India. Ideas from this ancient culture have enjoyed amazing longevity and are alive even today as part of the Zoroastrian faith, which is still practiced in Iran, India, and several other places around the world.

The Persians: A Translation from Aeschylus There is no drama where the total multiplicity of horror in defeat is more cogently presented than in the Persians by Aeschylus, who fought in the Athenian triumph at Salamis, where the Persian fleet was rammed and wrecked.