Arts In Germany

You're not to disturb, annoy or offend. They're walking on a knife edge out there, anything could tilt the balance.' Missing: one junior diplomat and 43 of the British Embassy's most confidential files. The timing is alarmingly significant: with neo-Nazi riots and radical student demonstrations, the threat to Germany's security is all too apparent. Britain's own Alan Turner is sent in, with instructions to tread carefully at all costs. But will he find the missing man and the files before the political situation erupts?

Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler's enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany's military campaigns.

Als Jean-Paul Sartre mit Simone de Beauvoir im Kranzler-Eck in Berlin Käsekuchen isst, Henry Miller und Anaïs Nin wilde Nächte in Paris erleben, F. Scott Fitzgerald und Frida Kahlo sich in leidenschaftliche Affären stürzen, fliehen Bertolt Brecht und Helene Weigel ins Exil. Genau das ist die Zeit, in der die Nazis die Macht in Deutschland ergreifen, Bücher verbrennen und die Gewalt gegen die Juden beginnt. 1933 enden die "Goldenen Zwanziger" mit einer Vollbremsung.

Benefit from what Paul Bellantoni learned in four years as an American singer in Europe. As a graduate of NYU's School of Journalism, he has the research skills to give you the information you need. He has also left the opera world, so he has the freedom to give you the whole truth.

Urchin at War is the first volume in the 1517 Publishing's Urchin Series about the extraordinary life story of a kid and high school dropout who became a sought-after newsman, who covered the Kennedy assassination and the Vietnam War, and ended up being a Lutheran lay theologian.

The Dragon from Chicago tells the gripping tale of American journalist Sigrid Schultz's fights on two fronts: to establish herself as a serious foreign correspondent in an era when her male colleagues saw a powerful unmarried woman as a “freak” and to keep the news flowing out of Nazi Germany despite the regime’s tightening controls on the media. Drawing on extensive archival research, Pamela D. Toler unearths the largely forgotten story of Schultz’s years spent courageously reporting the news from Berlin, from the revolts of 1919 through Nazi atrocities and air raids over Berlin in 1941.

Eine Jugend in Deutschland, voller Hoffnung und voller Enttäuschung: Als Freiwilliger zieht Ernst Toller begeistert in den Ersten Weltkrieg und kehrt, für kriegsuntauglich erklärt, als bekennender Pazifist zurück. In München schlägt er sich im November 1918 auf die Seite der Revolution, wird zum Anführer der Räterepublik und erlebt deren tragisches Scheitern. Er wird geächtet, festgenommen und zu fünf Jahren Festungshaft verurteilt. Als er im Juli 1924 das Gefängnis verlässt, ist Ernst Toller eine internationale Berühmtheit.