Showing results by narrator "Tadd A. Morgan" in All Categories

I stepped into Club Radiant with one simple goal: to learn the fundamentals of sex. As luck would have it, I collided with a seasoned master, a man twice my age, whose smoldering gaze promises of a world where all my problems could vanish in an instant. But he's not just any dom. He's my new sex ed instructor, and his lessons defy the pages of any textbook. Our classes? They're not your ordinary lectures. They're demonstrations of any and every sex act that I can possibly think of. There's just one little problem…I didn't bring a partner.

Jamie Wagner is a young lawyer who is happy to be flying under the radar at a large firm doing background research for the partners. It's not that he isn't smart. He is. It's just that hard work, the whole legal world, isn't really his thing. Underachiever? Yes. Content? At least until the firm puts him on a case that turns his whole world upside down.

“I’m Peggy by name and Peggy by nature,” the dominatrix said as she bent him over. Darren looked up at the sexy yet terrifying woman who towered over him in her thigh-high leather boots. How on earth had his bachelor party stag night ended up like this? And was he really going to submit and let her do that to him?

The mansion had escaped the notice of almost everyone and has little to no information available about it. Except for the blueprints. And, as it turns out, those aren't exactly truthful. The explorers find the place, at first, in pristine shape, complete with belongings from everyone who'd lived there, including two young lovers. But that deteriorates as they descend lower into the house. Then they find the floor that isn't on the blueprints, and the rows of beds with restraints, and a hallway that progressively narrows....

Internationally acclaimed and Pulitzer Prize nominated author Michael A. Allen, takes you on a journey into the recesses of your soul and explores the ontological question, "What is our underlying essence?" Mr. Allen uses the metaphor of the sea, and its ebb and flow, to describe the Tao of life's cycle. And he discovers within this unique reflection a new way to comfort and heal the Self from the trauma of death.

Bullied and often left to his own devices, Aaron is just searching for a place to belong. The crooked tree by the river’s edge is the one place he feels fully himself. His sacred space. One day, as Aaron lies lounging on his favorite branch, a torrential rain roars through, washing the ten-year-old through an underground passage and into a community of enormous dragons, brawny dwarves, minotaurs, fairies, and exactly ONE giant. And into a world called The Table. A dynamic yet dangerous mythical world mirroring our own.

Olandris. It is a world of magic and mystery, a world full of complex personalities and dangerous monsters. From the elvish magocracies of Parras to the elemental Sundering Isles, from the rainforests of Tallan to the savannahs of Nyota, from the "Shining Kingdoms" of Fuma to the war-torn fields of Xanaris, the threads of history and fate wind their way together through an existence that never sleeps. And at the center of it all, amidst the Clouded Sea where the Roving Isles appear and disappear like ghosts in the night, is Aurora, the "Isle of the Gods."

It’s 1865 and a band of renegade deserters left over from the American Civil War abduct newlywed Judith Johansen and head to the wilds of Rupert’s Land, soon to become Western Canada. They are about to find out that they have made a huge mistake. Judith is the granddaughter of Moses Munro, a wily old mountain man who survived as a trapper in the Rocky Mountains during the 1820s and ‘30s.

"The Magical City of Al-Qamar" is an enchanting tale that transports listeners to a mystical land, where reality intertwines with magic, and destiny is written in the sands. Tariq finds himself in the lands of Al-Madina, and learns of the magic and wonders intertwined in the lands. Through his adventures he tries to seek an understanding of the peoples of this land and the role of magic. His perceptions are intertwined with fascinations some being illusion and some real, but hard to decipher which is which in the mysterious deserts of Al-Madina.

First Token is a hybrid novel and true to its title. The story is told in the cadence and pace of the 1950s. As comedic expression is a cardinal position on my compass, Token is infused with thoughtful wit. The novel’s delivery could be construed as a contradiction in terms; a stream of consciousness narrative can be navigable; the tributaries can seamlessly flow back into the river. Enchantment, disguised as fate, elevates the tale. The characters, including an orange tabby are embraceable and endearing.