Showing results by narrator "John Brown" in All Categories

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life. 

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

'Touching for a Pal' & 'Princess O'Hara' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

'Romance in the Roaring Forties' & 'The Lemon Drop Kid' from from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

'Tobias the Terrible' & 'Little Miss Marker' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

Multi-talented Irish tenor Dennis Day played a charmingly naïve young man (not at all unlike his character from The Jack Benny Show) in his very own series. Singing and working the soda fountain in the town of Weaverville, his lyrical voice and comical ways delighted listeners for five seasons (1946 - 1951). Although he bemoaned his humble position in life, his lack of funds, and his inability to impress the parents of his girlfriend, Mildred Anderson (Barbara Eiler), Dennis never gave up trying.

The Fae spirit felt the great ship above it. There was so much love there, so much kinship. All who breathed on the ship had someone in their life that mattered. All, but one. That must be the one that the summoner meant. The spirit swam around the ship and gathered the heartbreak and sorrow from those who had lost. Then, it drew the sadness and pain away, as requested. It swam off, making a vacuum that would be filled with the caring it could sense was there.

Inspired by true events, this adaptation by director/producer May Wuthrich and Grant Overstake, author of the acclaimed novel, recaptures the trials faced by a generation of young teens. Dr. Martin Luther King, Jr’s slaying sparks riots as the bitter divide over civil rights and the Vietnam War wracks the country, and Wichita, Kansas is no exception. There, 13-year-old TJ Crowley, who’s about to face his first year of junior high at a newly integrated school, lives alone with his unstable mother, Kate.

Oscar Wilde's most popular and enduring play is set in Victorian England and concerns characters who maintain false identities in order to escape their social obligations. The play, which satirises Victorian society, is full of wit and humour.

From Brooklyn to Inglewood, here comes radio's favorite blue-collar family man—leaving a trail of confusion wherever he goes! Chester A. Riley is back, with long-suffering wife Peg, trouble-prone kids Junior and Babs, moochy pal Gillis, and Digger O'Dell, The Friendly Undertaker, in sixteen hilarious half-hour episodes. William Bendix is heard as Riley, along with co-stars Paula Winslowe, John Brown, Tommy Cook, and Barbara Eiler—plus series creator Irving Brecher, and special guest Red Skelton!

Jade and Max share a deep love, though revelations from his past have recently shaken their marriage. And Jade is completely smitten with Max’s little son, Asa, whom she is now raising as her own. Their blended family brings her a joy she’s never known. But there is one more secret to be uncovered. One that will impact them all.