Showing results by narrator "David Foster" in All Categories

Described by Len Deighton as ‘a classic writer of espionage fiction’, Ted Allbeury based his many acclaimed spy novels on his own real-life experiences. In World War II, he served as an intelligence officer with Special Operations Executive, and subsequently ran agents across the border between East and West Germany during the Cold War. He began writing in his fifties, and went on to pen over 40 bestselling books, five of which are dramatised here alongside three plays specially written for BBC Radio and two bonus documentaries.

The city of the gods. Elantris once stood as the symbol of all that is beautiful. A sprawling metropolis of unrivaled grandeur, it was a symbol of power and strength, built to be as imposing as it was magnificent. The only thing more glorious than the city itself was its inhabitants, Godlike beings, with silvery skin and hair of the purest, flowing white. Able to create powerful magics with a mere wave of their hands, the Elantrians were able to heal mortal wounds and create any object they desired. To be an Elantrian was to be without sickness, without pain and without want.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

Captain Felix Duval and the crew of the Temerarious quietly patrol a remote Mentak Coalition colony system where nothing ever happens. But when they answer a distress call from a moon under attack, that peaceful existence is torn apart. They rescue a scientist, Thales, who's developing revolutionary technology to create new wormholes. He just needs a few things to make it fully operational...and now, ordered to aid the scientist, the Temerarious is targeted by two rival black-ops teams intent on reacquiring Thales.

For more than a year Royce Melborn has tried to forget Gwen DeLancy, the woman who saved him and his partner Hadrian Blackwater from certain death. Unable to get her out of his mind, Royce returns to Medford with Hadrian but the two receive a very different reception—Gwen refuses to see them. The victim of abuse by a powerful noble, she suspects that Royce will ignore any danger in his desire for revenge. By turning the thieves away, Gwen hopes to once more protect them. What she doesn't realize is what the two are capable of—but she's about to find out.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

The city of the gods. Elantris once stood as the symbol of all that is beautiful. A sprawling metropolis of unrivaled grandeur, it was a symbol of power and strength, built to be as imposing as it was magnificent. The only thing more glorious than the city itself was its inhabitants, Godlike beings, with silvery skin and hair of the purest flowing white. Able to create powerful magics with a mere wave of their hands, the Elantrians were able to heal mortal wounds and create any object they desired. But Elantris fell...10 years ago.

"[DFW's] delivery is dead-on and fresh, the words often springing from his mouth as if conceived on the spot . . . . an audible confirmation that modern American writing continues to gain strength." -- Publishers Weekly on Consider the Lobster Collected here for the first time are the stories...

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

Stephen walked into the office which Barnabas was using as his judge's chamber. While the massive amount of data Bethany Anne’s team was throwing at him was more than enough to assuage his curiosity, he had never felt this way in the last one hundred and fifty-two years. He wanted a vacation.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

When Erika and her team of archaeologists break the seal on the temple they’ve been hunting, they unwittingly take the first step in a series of rituals designed to revive the long-sleeping denizens inside. Now, with every breath they take, they inhale air steeped in dragon magic—and perfumed with otherworldly, irresistible desire. Erika wants nothing more than to prove she’s still in control.

Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the...

Once, I was a broke college student. Now, it seems I'm destined to rule as the Lightbringer—queen of the demon realm. Except I have competition in the form of Orion, the Lord of Chaos. Like me, he has been marked as a leader. We can't keep our hands off each other, even if he swore an oath to kill me. It seems we both want the same thing—the crown. And in this battle of wills, only one of us will be left standing.

The child of a reputable family and a faithful son of the Church, Robert of Locksley had no intention of becoming an outlaw. But the relentless cruelty and tyranny by the elite nobility of England demanded that someone rise up to give answer. And so Robert of Locksley became Robin Hood, a man thrown into a fierce struggle to balance his deep faith with a call to action in a violent age. Featuring over 60 actors, cinematic sound, and original music, The Legends of Robin Hood is an exciting 12-part audio drama from the award-winning Augustine Institute.

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.

I've agreed to work for a Demigod. My job? Find the spirit of his mother and release her before his vengeful father finds out and kills us all. Have I lost my mind? Thankfully, I don't have to do it alone. Kieran has brought in help: a Necromancer who loves to flirt with danger. Bria can help me find the clues to free Kieran's mom.

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?