Showing results by author "Amelia Edwards" in All Categories

As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.

The days are getting colder, the nights are getting longer, and as Christmas approaches the time is high for some ghostly tales. As an exclusive gift for Audible members, settle down, snuggle up and listen to four chilling ghost stories, read by Simon Callow. Four great stories, one master storyteller - what could be simpler than that?

A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Four spine-tingling short stories from masters of the genre, read by Michael Maloney, Eleanor Bron and Andrew Sachs: 'The Phantom Coach' by Amelia B. Edwards; 'The Judge’s House' by Bram Stoker; 'The Tapestried Chamber' by Sir Walter Scott; 'The Man of Science' by Jerome K. Jerome.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Thirteen classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Edith Nesbit, J. Sheridan Le Fanu and M. R. James, alongside several tales by less familiar names who were hugely popular and prolific in their day.

Accompanied by Lucy Renshaw, Edwards toured Egypt in the winter of 1874. They journeyed southwards from Cairo in a manned houseboat. The two women visited Philae and ultimately reached Abu Simbel, where they remained for six weeks. Their boat joined a flotilla with another female English traveler, Marianne Brocklehurst, also travelling with a female companion.

This choice collection of spine tingling tales runs the gamut from slightly spooky to "I'm sleeping with all the lights on tonight!" A splendid grouping of tales from the pens of some of the great writers of the past. Enjoy these classic stories alone or with a friend, whenever your ears are free.

Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

Trains have always held a special place for most of us. We’re intrigued by the mere fact that we can sit down in one place and arrive in another and enjoy the adventure and time in between. In this volume we explore both the journeys and the workers who run and maintain the railway network.

When William Langford boards the 4:15 express on a damp December evening, he expects nothing more than a quiet journey to his friend’s country estate. But his solitary compartment is unexpectedly intruded upon by a familiar traveler—a reserved, pale-faced gentleman carrying a heavy deed-box and an unsettling air. By the time the train slows into Blackwater station, the stranger disappears into the swirling mist. And then—he is gone. Not merely from sight, but from the world.

Lost in the snow on a bleak, wide moor in Northern England, a newlywed husband begins to despair he will ever see his wife again. He finds refuge with a pair of mysterious strangers, who direct him to a remote crossroads where the night mail coach is due to pass by. Amelia Ann Blanford Edwards (1831-1892) was a prolific journalist, traveler, and Egyptologist, as well as a hugely popular English novelist of the Victorian era.

In this Venetian set story Edwards follows the trail of a man who, after the briefest of meetings, falls in love with a young Jewish girl, who has but one request of him.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

In this rural story a man is inspecting schools in the district of an old and now fabulously rich university friend. When they finally meet a dark secret is revealed to both of them.

A train seems a very reliable mode to bring out the best in authors and sometimes the worst in their fictional characters. In this volume our narratives are usually set inside the carriage compartment where they are really up close and personal with each other. All our authors need to do is to light the touchpaper and stand well back.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East of England who created such revered, enduring and respected verse.