Showing results by publisher "White Rabbit" in All Categories

'David Katz's in-depth portrayal of his genius is to be commended and is an essential addition to any serious music fan's collection' David Rodigan MBE OD 'For the complete picture of this musical genius you can't get better than David Katz's People Funny Boy - if you're into Scratch, it's...

Set at the fag-end of the 60s at the moment when Swinging London is starting to take on a darker hue in the wake of Charles Manson's murders, and framed as a novel within a novel published by a seedy Piccadilly-based publisher of pulp fiction, Man-Eating Typewriter is a homage to the great oulipo experiments in fiction. It is the story of a psychopath called Raymond Novak and his untimely demise told entirely in 'polari' - a language developed and used mainly amongst the metropolitan homosexual community in the time when being gay was still a criminal offence.

Decades tend to crest halfway through, and 1995 was the year of the Nineties: peak Britpop (Oasis v Blur), peak YBA (Tracey Emin's tent), peak New Lad (when Nick Hornby published High Fidelity, when James Brown's Loaded detonated the publishing industry, and when pubs were finally allowed to...

Electric Wizard have set the bar for heaviness. With their potent VHS-horror aesthetic, lyrics dripping with Lovecraftian horrors, and a monumental sound that provided a template for the myriad bands who followed - not to mention the fights, drugs and sex in the trail of destruction they've left behind them - this is the right time for the band's story to be told. Electric Wizard draw on myriad occult influences to create their own world: menacing, lurid, depraved.

Celebrated English folksinger Shirley Collins offers an affecting account of her year-long stint as assistant to legendary musical historian and folklorist Alan Lomax. Collins describes a journey both emotional and musical, as she and Lomax work tirelessly to uncover the traditional music of the American South. Together, they traveled to Virginia, Kentucky, Alabama, Mississippi, Arkansas and Georgia, encountering Mississippi Fred McDowell, Muddy Waters and many others, their diligent work uncovering the traditional music of America's heartland.

Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. Told entirely in their voices, I Thought I Heard You Speak is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.

The '80s were about big ideas writ large - new money, new style, gender fluidity, gay pride, attritional politics, the 'special relationship', nuclear fear, AIDS, cocaine, ecstasy, tabloid royalty, the rise of urban pop and ultimately geopolitical chaos. Using a big narrative approach, Dylan Jones' history of the decade in pop frames the decade through some of its most important and popular hits, choosing records that either epitomised their time or ushered in a new cultural shift.

Is it possible for books to dream? For books to dream within books? Is there a literary subterranea that would facilitate ingress and exit points through these dreams? These are some of the questions posed by David Keenan's masterly fifth novel, Monument Maker, an epic romance of eternal summer...

It's 2013. You're a teenager squinting at your laptop in the dead of night, flicking between iTunes and YouTube and PirateBay. Endless reams of artists unspool at the click of a button. New forms of musical discovery open up before your very eyes. This evolving digital landscape exists beyond...

'Hungry Beat is the story of an all-too-brief era where the short-circuiting of that industry seemed viable. But hell, the times were luminous as was the music these artists made. The songs and many of the players remain, and here they tell their story and lick their wounds' Ian Rankin The...

First as a journalist and then a publicist at Warner Brothers Records for nearly twenty years, Barbara Charone has experienced, first-hand, the changes in the cultural landscape. Access All Areas is a personal, insightful and humorous memoir packed with stories of being on the cultural frontline, from first writing press releases on a typewriter driven by Tip Ex, then as a press officer for heavy metal bands taking the bus up to Donnington Festival with coffee, croissants and the much more popular sulfate.

Set between Moscow, Russia and St Andrews, Scotland, it tackles the metaphysics of golf, the mindset of the classic Russian novels and the power of art and music to rewrite reality, as Aneliya comes into contact with an angelic presence named Xstabeth who simultaneously fulfils and disappears both her father and her lover. Written in a tender, mythical key, it is a love letter to the books of Chandler, Nabokov and Dostoevsky and also a musical text, with chord progressions appearing at key points in the action, so that the audiobook may be sung, played or otherwise accompanied.

Unfinished Business focuses on an ordinary suburban office worker, fundamentally weak but always keeping his eyes fixed on some horizon where a heightened, romantic, better world must surely exist. Faced with the regular stuff of life - work, aspiration, marriage, age, divorce, bereavement - his ordinary plight is sharpened, becoming increasingly urgent. Having lived in a modern condition, confusing pleasure with happiness, wanting the dream to deliver, what do you do when you notice the shadows begin to lengthen on the lawn?

This is the uncompromising vision of Jehnny Beth and Johnny Hostile. Fearless and highly erotic, these stories delight in ideas of sexual transgression and liberation, offering a window onto a world where anything is permitted and everything is safe. As each of Jehnny Beth and Johnny Hostile's characters break from the bonds of acceptability and enter a darkness of desire, submission and sex, they discover their own humanity, a place where they can truly be free.

'Boyhood is a complete triumph . . . it slaps our dull, sterile culture hard across the face with a studded, uncompromising literary glove' - IRVINE WELSH 'Reading Keenan is like reclaiming your own imagination' - LIAS SAOUDI Boyhood opens in 1979 with the abduction of a young boy outside a...