Showing results by narrator "Taryn Ryan" in All Categories

The Kane family, Lorcan, Naiyana and their young son, relocate from Perth to Kallayee, an abandoned mining town in the Great Victoria Desert to start over again, free from their chequered past. The town seems like the perfect getaway: Peaceful. Quiet. Remote. Somewhere they won’t be found. But...

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

The neighbours look on in shock as two stretchers are wheeled past gated homes on a quiet suburban street. Handcuffs are clipped on a young woman with fear in her face. The Cordells were the perfect family. But now, in a beautiful home where happy photos line the walls and flowers adorn the dinner table, it looks like a daughter has killed her loving parents. Everyone tuts and shakes their heads, saying there was always something strange about Juliet. And one person watching from the sidelines has triumph in their eyes. Someone who knew this would happen all along.

When a teenage girl with haunted eyes enters Bec’s world, she stirs something in Bec she thought she’d buried long ago. Still reeling from the loss of her husband, Bec is barely keeping her life together. But there’s something about Skye, motherless, wary and alone, that reaches into the shadows of Bec’s past. Twenty years ago, she was that lost girl, grieving her twin brother and cut off from her parents after one terrible night. Now, with the threat of those same parents re-entering her life, Bec makes an impulsive decision: she offers Skye food, shelter and the promise of help.

Isla and Ben are devoted parents to their beloved daughter, Reese. She is their little miracle, the child they thought they’d never have, until donors made her existence possible. But Isla has never told Reese about her biological parents. She wants to be honest with her daughter, but can she bear to open up old wounds? A Child of My Own is a heartbreaking, gripping, and emotional story about motherhood, loss, and friendship, perfect for fans of Jodi Picoult, Kelly Rimmer, and Kate Hewitt.

I never thought I would end up here. Alone, in a cold one-bedroom apartment, only seeing my precious daughter once a week. Another woman is living the life that was once mine. I wish I was still married to my ex-husband, the love of my life. I dream of tucking my five-year-old child into her ballerina bed sheets every night. I miss living in a beautiful house, the perfect family home, with a winding staircase and a sprawling garden. I’d do anything to be with my family again. To start over and prove to them that I’ve changed, that I won’t lose control like before.

I am cooking spaghetti, his favourite, while he plays in the garden. But when I look up, he’s gone. I call the police, my hands shaking so much that I hit the wrong digits twice. "My son is missing." When the police turn up, I’m trapped in the web of my lies. I have hidden the truth from eight-year-old Riley, my little boy who loves climbing trees and always has scraped knees. I have hidden my secret from everyone.

The events at a school fundraiser night get quickly out of hand, and the fallout leads to devastating results for a group of four couples... Question: How long does it take to tear someone's life apart? Answer: Sometimes just one night. From the outside the parents of the kindergarten class at...

An Observer Best Debut Novelist 2026 'An electric portrait of teenage friendship and fandom, bubbling with rage and yearning . . . empathetic, addictive and feverish as a Nirvana gig' Guardian 'I loved this book . . . raw, grungy and frenetic' Alice Slater, author of Let the Bad Times Roll 'Part...

"Your son is missing," they say, and life as I know it is over. "Where would he go?" the police ask. "Where would he be?" my daughter begs. My heart races as images flash in my mind. The cabin we rent every autumn, surrounded by fiery-red maple trees. Voices raised. Tears falling. A marriage falling apart. And worst of all my husband telling our child, Theo, to run. The rest is a blank in my memory. If I close my eyes I can almost see it. A betrayal that has left me alone, in tatters, grieving for what we had.

Elizabeth is Joe’s foster mother, but she loves him like her own. The five-year-old, who adores superheroes and watching the birds outside, is the child she has dreamed of. As she looks into the garden, where he was playing just moments ago, her heart feels like it has been ripped from her chest. She was meant to save Joe from his birth mother who almost harmed his chances at life. The woman who has been trying to desperately get him back. She was meant to protect Joe from her husband. The man who, right now, lies to the police, saying he was making breakfast when Joe disappeared.

Crime fiction is the single most popular genre in international publishing, and Australia has some of the finest practitioners when it comes to walking the mean streets and nailing the bad guys. Australia's best crime writers - Michael Robotham, Kerry Greenwood, Shane Maloney, Peter Corris, Tara Moss and more - share the secrets to their success, their best-ever writing tips and their favourite 'must reads'. An ideal guide for aspiring writers and crime fiction fans alike.

An insurance investigation sounds pretty harmless, even if it is for 'Unusual Happenstance'. That's not usually a clause Normals use—it covers all-purpose hauntings, angry genii loci, ectoplasmic home invasion, demonic possession, that sort of thing—but Susan Beckett's claimed three times in three months. Her house keeps getting inundated with mud, but she's still insisting she doesn't need or want help... until the dry-land drownings begin.

Dawn Grave is a career detective who's holding on to a dark past—one that destroys relationships and wreaks havoc on her personal life. For more than twenty years, she's tried to forget the horrors of her youth—while her sister has spent all that time digging for answers. Now a cryptic text message threatens to throw it all back into the light. Dawn attempts to call her sister, but when Lisa can't be reached, she knows something terrible has happened. But finding Lisa means returning to the remote tropical town in northern Australia where her nightmares all began.

Verity Fassbinder thought no boss could be worse than her perfectionist ex-boyfriend—until she agreed to work for a fallen angel. The angel is a jealous—and violent—employer, so she's quit working for the Weyrd Council and sent her family away. The angel has tasked Verity with finding two lost treasures. That would be hard even without a vengeful Dusana Nadasy on her heels. And Inspector McIntyre won't stop calling: the bodies of Normal women who disappeared decades ago are turning up, apparently subjected to Weyrd magics.

Tinsel Munroe has busted her guts to get where she is. Yet her dream of working in radio hasn’t turned out to be everything she hoped it would. Sure, she has her own show—aptly titled The Graveyard Shift—where she celebrates the sounds of cult-cinema, but the wage is barely enough to cover her rent and the midnight hours are putting a strain on her relationship with her boyfriend. Even after three years at Melbourne’s coolest station, she’s seemingly no closer to a prime-time slot.

Angela and Nellie plan to live with a family friend in Western Australia. When their ship from England docks, they learn that she has died in a tragic accident. What will the future hold for the young sisters?

Verity Fassbinder has her feet in two worlds. The daughter of one human and one Weyrd parent, she has very little power herself, but does claim unusual strength and the ability to walk between one world and the other as a couple of her talents. A rarity, she is charged with keeping the peace, and ensuring the Weyrd remain hidden. But now Sirens are dying, illegal wine made from the tears of human children is for sale—and in the hands of those who hold to old, dangerous ways—and someone has released an unknown and terrifyingly destructive force on the streets of Brisbane.

Katelyn smiles around at her husband and friends, gathered to celebrate her 36th birthday in their beautiful home decorated with fairy lights. But the next day Katelyn wakes up shaken and terrified in a hospital bed. She doesn’t remember the sweet taste of birthday cake icing, or how angry her best friend was at midnight, or the terrible things her husband said. She doesn’t remember the party at all. When she asks her husband what happened the night of the party he says "nothing". But her blood runs cold at the way his voice lilts slightly. The way it always does when he is lying.

Liv and Toni were once inseparable. While their parents focused on Mandy, their little sister with special needs, the two older sisters leaned on each other for love, support and security. When they were in their teens, and Liv needed a lifesaving operation, Toni didn’t hesitate to do whatever it took to help her. Since then, their lives have gone in different directions. They live in different cities and rarely see each other. But now it’s Toni who needs help from Liv. Because she’s desperate for a baby.