Showing results by narrator "Denis Daly" in All Categories

After his soul-searing journey through the torments of hell, Dante is led by his guide, Virgil, to the frontier of Purgatory, depicted as a vast mountain that represents the sole piece of land in the Southern Hemisphere. The pair slowly make their way up the mountain, at the top of which is the fabled earthly paradise. As they climb they meet repentant sinners whose curative punishments are often no less severe than those inflicted in hell.

Although unfamiliar with the Persian language, the eminent English poet and critic Richard le Gallienne had a profound interest in the Rubaiyat of Omar Khayyam. In 1901 he published a collection of 261 quatrains, which was based on earlier English translations, in particular the prose version by Justin Huntly McCarthy. In his introduction, Le Gallienne suggests that his ignorance of Persian was in fact an advantage as it allowed him to focus on producing good poetry rather than merely an accurate translation.

Although his output was small, John of the Cross (1542 - 1591) is considered one of the most important figures in Spanish poetry. All his verses explore the same theme: the search of the soul for union with its creator and the glory of the resulting "mystical marriage". This selection of 20 poems opens with his most famous poem, "The Obscure Night of the Soul" and concludes with a free translation of "Psalm 137 (By the Waters of Babylon)".

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

Jane Austen commenced writing in her adolescence and continued right up to her untimely death in 1817. Her novels are reflections of the socially constricted world in which she lived, and the plots are built around the search of one or more young women for a suitable spouse. Austen’s works are noted for the perceptive elegance of her prose and for vigor and detail of characterization. Celebrated critic F. R. Leavis considered Austen as one of the four great English novelists, along with George Eliot, Henry James, and Joseph Conrad.

The story of the adventures of the mythical hero Gilgamesh is the most considerable literary production that has come down to us from ancient Babylonia. Unfortunately, it was not preserved in complete form. This recording is of the fullest translation which had yet been issued in English when it was first published in 1917.

The novel opens with Mr. and Mrs. Parker’s visit to Sanditon, a village on the coast of Sussex. Sanditon is being developed into a bathing-place under the patronage of the two principal proprietors of the parish, Mr. Parker and Lady Denham. Mr. Parker suffers an injury and receives assistance from a local farmer, Mr. Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors: Lady Denham’s foppish son, Sir Edward; Mr. Parker’s devil-may care brother, Sydney; and Arthur, who is an unemployed hypochondriac.

Rosmersholm is a play surrounding the deep and intense political and cultural change in Norway in the middle of the 1880s, a period during which the traditional ruling class were forced to relinquish their right to impose their ideals on the rest of society. We follow Johannes Rosmer, a pastor who has resigned from his position; Rebecca West, a woman who sees Rosmer's potential and believes she can help him to realize his dream of creating a world of "happy, noble people"; and Headmaster Kroll, Rosmer's former best friend.

Pinocchio is by all odds the best puppet-story to be found anywhere, and we sigh in sympathy with the funny little chap's scrapes and punishments, or chuckle at his pranks, while we feel like exclaiming, "Why, how much Pinocchio must have been like me!" The author of this captivating tale, Signor Lorenzini, or "Collodi" as he liked to call himself after his native town in Italy, lived during the 19th century (1826-90) and devoted himself to writing and education, believing that one pleasing way to teach was through puppet-plays.

In Oedipus at Colonus, the banished king, after years of wandering, accompanied by his faithful daughter Antigone, finds himself in Athens. Receiving a warm if guarded welcome from Theseus, King of Athens, he prepares to settle himself to spend his last days in peace. However, unwelcome visitors from his tortured past continue to haunt him until the very end.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

First published in 1711, An Essay on Criticism was one of Pope's earliest major poems. As the title suggests, it is an exploration of what Pope considered to be the essential aspects of good critical writing.

Sir Walter Raleigh (1552 - 1618) was one of the most prominent political figures in the Elizabethan era. He was also a soldier, explorer, and prolific author. Although, like John Donne, Raleigh did not primarily consider himself a poet, he left a small collection of verse, notable for its pithiness and mordant wit. This collection includes 21 of the most popular poems attributed to Raleigh.

This lyrical ballad is one of Tennyson's most famous poems. The subject, the tragic passing of a reclusive noblewoman, was suggested by a 13th-century Italian romance, the Donna di Scalotta.

Queen Marguerite de Navarre was one of the most powerful women of her age. Her masterpiece, The Heptameron, is a collection of some 72 stories told by five gentlemen and five ladies who find themselves stranded in an abbey. Proposed as an edifying way of passing the time while a bridge is being repaired, the tale-telling - as well as the conversations that follow each story - quickly becomes a battle of wits between the sexes, with tales concerning illicit lovers, romantic conquests, lecherous monks, manly honor, and women's virtue.

Unlike many of his contemporaries, the English poet Francis Thompson (1859-1907) was a true mystic. While more celebrated poets, like Wordsworth, Tennyson, and Arnold, were content to express their religious leanings in traditional devotional formulae, Thompson strove to portray the divine directly, in all its terrifying majesty. In this way he is more akin to earlier masters, like Henry Vaughan and George Herbert, than to the poets of his own day.

Dooman's translation of the Rubaiyat, containing 180 quatrains, was first published in 1911. It has a roughhewn quality, reminiscent of the style of an earlier American translator, John Payne, who published a collection of 845 quatrains in 1898.

Thomas Love Peacock was a linguist, scholar and East India Company official. He had a wide circle of literary friends, including Coleridge and Shelley, and his early works were poems, some of a considerable length. In 1815 his first novel, Headlong Hall, was published, and between that year and 1831, he published a further five novels. His final completed novel, Gryll Grange, was written in 1860 and published the following year. Peacock also produced a number of articles on literary and historical subjects, and some other long poems, which have faded into obscurity.

This book is a critical analysis by an ex-Muslim activist of religion in general and of Islam in particular. It describes the author's journey out of Islam and discusses in depth the many common misconceptions about Islam that are prevalent both within and outside the Islamic world.

The Rubaiyat of Omar Khayyam is a poetic marvel, a work that has survived translation into many languages, while losing little of its force and its wry character. As a source of literary imagery and memorable quotations it ranks with the Bible and the works of Shakespeare. While Edward Fitzgerald was neither the first nor the most scholarly of the English translators of the Rubaiyat, his translation has been largely responsible for the world-wide popularity of this monument of classic Persian poetry.