Showing results by publisher "Spoken Realms" in Nature & Ecology

“I went to the woods because I wished to live deliberately.” And so it began. Henry David Thoreau, at 27, built a tiny, one-room cabin in the woods — on land owned by his friend, Ralph Waldo Emerson — and began his two-year experiment in frugality on the shore of Walden Pond. He wasn’t seeking isolation so much as simplicity, to “live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms.”

Charlie's Mailbox is a lyrical and poetic tale told through the eyes of Charlie, a lonely girl who stumbles upon an old mailbox and the power of dreams.

In the summer of 1870, Professor Joseph LeConte (1823-1901), and some of his students at the then brand-new University of California, went on a five-week camping trip on horseback to Yosemite and the High Sierra, including Mono Lake and Lake Tahoe. Along the way, LeConte and his students faced hardships of weather and terrain. They had difficulties with their horses and finding trails, and the weather made the men broil and freeze. But in spite all of the harsh conditions, LeConte was enraptured by the awesome beauty of Yosemite Valley, the High Sierra, and Lake Tahoe.

This story is actually a daily account of a naturalist's years of observing and writing about zoological and insect life on her estate. It takes place in the late 1890s at The Grove, Stanmore, in England, Mrs. Brightwen's very beautiful and secluded estate. Here, there were woods and shrubberies, a lake, and a large garden that offered a field for Mrs. Brightwen's zoological and insect observations. It was not, however, until her 60th year that she began to be a writer.

“In wildness is the preservation of the world.” Here are three of Thoreau’s most famous talks brought together in one volume. “Walking,” “Autumnal Tints,” and “Wild Apples” are all autumn essays—contemplative, deliberate, and insightful. They are profound reflections on nature, beauty, and our place in the world. In 1862, during Thoreau’s last weeks, he received a request from The Atlantic Monthly’s new editor, James Fields, to submit some of his work. These three were all published that year, after his death